Daddy Yankee's Gasolina pumped out of the speakers of my
stereo. I wasn't playing a CD; this was drive time on a
London radio station! Gasolina went on to reach the UK Top
Ten singles chart at number 5, amazing for an all Spanish-language
song. It also reached number 12 in France. Of course, it
hit the number one spot in the US. Reggaeton was already
massive on the Latin music scene and now it had burst onto
the international music stage. It filled every street corner
at this year's Notting Hill Carnival. It can be heard in
clubs from LA to London, Colombia to Cyprus. If you visit
any Latin club, it dominates the DJ's play-list. It has
pushed aside old favourites salsa and pop to become the
most popular Latin music in the US Hispanic communities.
The roots of modern Reggaeton can be traced back to Panama
in the 1970's when a large number of Jamaican immigrants,
who were working on the Panama Canal, had brought with them
reggae music. By the end of the 1970's, the first reggae
songs in Spanish were being performed by Panamanian urban
artists. In the 1980's and 1990's, artists influenced by
American Hip-Hop started to emerge from Puerto Rico. They
created a mid-tempo, aggressive alternative to this laid-back
Panamanian reggae. What was named Latin Rap became one of
the most popular music styles. Being a previous colony of
America, American culture had always had a presence in Puerto
Rican society. With the big migration of Puerto Ricans to
America, Puerto Rican's lived closely with Black Americans
in the Bronx, sharing their culture and influences with
each other equally. American Hip-Hop had infiltrated Puerto
Rican culture just as Puerto Rican culture had always played
a big part in Hip-Hop in the US. In the 1990's, being situated
in the Caribbean served to expose Puerto Rico to Jamaican
Ragga. Take the rapping vocals of US Hip-Hop about sex,
money and crime, the rhythm of Jamaican Ragga and mix in
a driving drum-machine track borrowed from Puerto Rican
music genres Bomba and Plena, and Reggaeton was born. The
seeds were planted in the two main producers of Reggaeton,
Panama and Puerto Rico, which grew to spread throughout
Latin America and the rest of the world. In 2005, US Hip-Hop
artists are now looking to Reggaeton artists for inspiration
and Jamaican artists are collaborating with Reggaeton artists.
There are countless Reggaeton stars. Here is our focus on
some of the biggest:
DADDY JANKEE
Of all the Reggaeton artists, Puerto Rican Daddy Yankee
is arguably the biggest. He is best known for his chart
topping single and dance-floor anthem 'Gasolina'. It comes
from the album 'Barrio Fino', which sold over 1,000,000
copies in Puerto Rico alone. He has also sold well in
the US and can be found in other countries all over the
world. He has been used to represent reggaeton on over
50 compilation albums. Alongside pioneer Playero DJ, he
was involved in the music in its early years in the early
1990's. He has performed with big names Nicky Jam, Luny
Tunes, DJ Blass, DJ Eric, Eliel and rapper Nas. He has
recorded with Hip-Hop DJ Tony Touch. As well as popular,
Daddy Yankee is talented. His album 'Barrio Fino' is a
collection of high quality songs. He is currently touring
America and Latin American.
LUNY TUNES
The Luny Tunes are Francisco Saldana and Victor Cabrera.
The Luny Tunes are the main production team on the reggaeton
scene. They are known as "the Neptunes of Reggaeton"
as, like The Neptunes of the Hip-Hop scene, every song
they produce becomes a hit. Their hits include Zion y
Lennox's 'Hay Algo En Ti', Trebol Clan's 'Bailando Provocas'
and Wisin y Yandel's 'Rakata'. In a real "rags-to-riches"
story, they both used to work at Harvard University as
a chef and dishwasher and went on to become the most sought
after producers on the scene.
TEGO CALDERON
Tego Calderon is a rapper from Puerto Rico. Having already
made a name for himself as a Latin Hip-Hop star, he has
naturally switched to Reggaeton, and become a major player
on that scene too. In his lyrics, he talks about the racism
and inequalities experienced in the Puerto Rican ghettos.
After the big success of his first album 'El Abayarde',
he appeared as a guest rapper on Hip-Hop veterans Cypress
Hill's 2004 album 'Til Death Do Us Part'. Growing up in
both Puerto Rico and Miami, probably forged his wide stylistic
range and ease at working with US musicians.
DON OMAR
Puerto Rican Don Omar, is one of the best Reggaeton singers.
His biggest hits include 'Dile' and 'Dale Don Dale' from
his first album 'The Last Don'. Due to his success in
the US, along with Daddy Yankee and Tego Calderon, he
is one of the more recognisable faces in reggaeton. 'Dale
Don Dale' was a dance-floor anthem. His break came when
Hector, of Hector y Tito, gave him the chance to be a
backup singer for them in their 2003 concert. The concert
was recorded and released on CD and DVD, including the
songs 'Baila Morena' and 'Amor de Colegio' that became
instant hits.