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NO
ALCANZAN PALABRAS PARA TI
YAMILA GUERRA
Reviewed
by
Matt Bailey
No
alcanzan palabras para tí (There
are not enough words for you) is the
new album by Yamila Guerra. It's produced
by her brother Yamil Guerra and features
many talented musicians, including
conguero Luis Conte, drummer Jimmy
Branly, timbalero Raul Pineda, Rigoberto
Lopez on baby bass, and trombonists
Humberto Ruiz and Francisco Torres.
Yamila is a Cuban born singer (now
based in Los Angeles), actress, TV
host and dancer and is daugther of
the famous |
|
|
Cuban
singers Rosell y Cary. She graduated
from the Havana Ballet School and
Variedades Artisticas and has toured
many different countries, including
Spain, France, Portugal, Martinique,
Guadalupe, Mexico, Cuba and the U.S.
The
album consists of eight songs, three
of which are tributes to other great
Cuban artists - Celia Cruz with 'Quimbara',
Miguel Matamoros with 'The Paralytic'
and Celina González with 'Santa
Barbara (Changó)'.
Yamila
talks about her music being like fire
and bringing happiness to people and
you can easily get swept along with
this sentiment. Like most things Salsa
it exudes a certain passion and sexiness
and is wonderfully upbeat and vibrant.
Yamila is an accomplished singer and
carries the songs with ease. I'm not
a Spanish speaker myself and thus
don't understand most of the lyrics,
but this doesn't lesson the enjoyment.
My only criticism would be that, at
only eight songs, it feels a little
short. But that's hardly something
to complain about and I would recommend
this album to anyone with an interest
in all things 'latin' - it'll get
your feet tapping in no time!
To
order a CD, check out www.yamilaguerra.com
|
El
GATO SALSERO
JOSE
LUIS MORAN
Reviewed
by
Camille Gruber
|
El
gato salsero’s first track definitely
makes you want to jump on your feet
and start dancing! I first listened
to it in my car on my way to work
and it definitely put me in a great
mood for the rest of the day!
The album has 8 songs and a video
clip bonus. All the songs are great,
most of them energetic with a great
dancing rhythm and also some slower
ones, perfect for beginner salsa dancers.
My favourite one is track 3 “Fuiste
Tu”, very romantic. |
|
Jose
Luis Moran has been living in Madrid for
several years and his style is unique: a
fusion between rhythms from Venezuela (his
country of origin) and the Spanish salsa.
I
am in no way a salsa music expert and
cannot compare with many other albums
from the same genre but I definitely love
it and would recommend it to anyone who
wants to discover great salsa music to
dance and listen to. It combines all that
you would expect from a salsa CD!
To
order a CD, check out: www.myspace.com/joseluismoranContacto/Contrataciones
RANDY
PLAZA
LEGACIA
DE LA SALSA
Reviewed
by
Angie Parkinson
This
is a must buy album for all salsa
dancers. Each track is vibrant and
powerful. There are not many salsa
albums that contain such a lively
tempo from beginning to end, put this
in your CD player for a continuous
salsa dancing. Containing a powerful
percussion element with marvellous
vocals which has created this fabulous
album for the salsa dance scene.
The CD includes singers Hector Rey,
Jaime "Megui" Rivera, and
Mannix Martinez. |
|
The
CD also features the fabulous timbalero
Tito De Gracia, pianist Ceferino Cabán,
sax player Roberto Calderon, and trombonist
Jorge Diaz. All of the tracks, Amarte Es
Un Mito;Iluminame;Te Voy Amar;Siento Tu
Mano En Mi;Si Te Vas Panuelo De Lágrimas;
Ya No Mas; Se Me Ha Metido; En La Piel;
Una Vez Mas Se Marcho, I cannot choose one
track as a favourite, they are all extravagant.
An inspirational and traditional album that
is highly recommended.
SALSA.IT
COMPILATION VOL.6
BY
ALOSIBLA.IT
Reviewed
by Angela Parkinson
This
compilation of Latin music comprehensively
spans the traditional with the modern
in Latin music. An album greatly
produced by the well-known record
label Alosibla. The compilation
is diverse in that it contains a
successful mixture of well known
artists such as Oliver and Croma
Latina. The album begins with an
outstanding sax rhapsody by Francisco
Rojos & L.S.O. This track is
truly captivating and transports
you to the smoky taverns that you
see in Old Havana, Cuba. |
 |
The
saxaphonic sound explodes your feet to the
rhythm of the night. Buscando La Clave is
also a very powerful track that includes
a wonderful instrumental percussion element.
Balancing these fast and furious tracks
with the next three tracks of gorgeous,
smooth and relaxing tracks are Torna, Renacar
and El Aire Que Respiro, then getting you
ready for taking the tempo to a faster beat
with SueltaLa. The album continues with
a variety of modern and medium tempo tracks
of Cuando en el silencio, and Un Dia. It
then cleverly returns to a traditional Latin
music feel with Si Estuvieras, Pa' fuera
and Regalo, then mixes in some more modern
Latin rhythms with Valo' la pena, Buscala,
Sin Novias. To finish the compilation, they
revisit the traditional nostalgic Latin
rhythms with Tell Me Why and Tocame whilst
introducing a modern, futuristic and rapping
Latin style rhythm with Nena.
To
encapsulate, this album delivers a diverse
soundtrack that encompasses the traditional,
the modern and the futuristic styles of
Latin music. It will suit all latin enthusiasts
from young to old and is a must buy album.
GIRALDO PILOTO & KLIMAX - SALSA
TIMBA
SOLO
TU Y YO
by
Angela Parkinson
This
CD is a must buy for all those who
have a passion for Cuban music. The
album is vibrant and captures the
true Cuban rhythms. Each track has
its own individuality. La permuta
reminds me of musicians playing in
a Cuban street, and playing with true
passion, each track has a strong percussion
element but is very different in each
and every track. It is truly composed
well. The tracks are well balanced
and contain strong Cuban/Latin feeling
that makes you get up and dance. |
 |
I
can imagine a warm summers evening, in a
plaza and lots of people dancing and enjoying
the spirit of the music.
The CD does really inspire and ignite your
inner spirit. It mixes a traditional Cuban
style with a modern twist. Piloto cleverly
mixes two music styles in spectacular style,
to produce an album that incorporates a
twist on timba music.
To
order a CD, check out www.bismusic.com
ggeneral@bismusic.artex.cu
DAD ME AND
MUHAMMAD ALI
Is a truly inspirational book written by
Felix Rodriguez.
by Angela Parkinson
Felix draws on own his own life experience
of growing up in a single parent family.
Felix narrates a story about breaking
his Father's signed photograph of
Muhammad Ali. It shows the emotion
that is felt when his Father discovered
about the broken picture and how persistent
he was in making up to his father
with a visit to a bookstore to see
Muhammad Ali.
The book tells us about a wonderful
story of Father/Son relationship.
Chapter 3 tells us the emotion that
is felt, probably in most households,
when you break one of your parent's
prized possessions. You can feel the
anxiety and tension around the dinner
table, in wondering what his Father
was going to say or do. |
 |
Chapter
4 goes on to the story of how he will make
up the damage to his Father. The disappointment
in not winning the bid for the tickets to
the bookshop, then the constant phone calls
to the bookstore, his determination eventually
pays off. The next morning he wakes his
Father and tells him his surprise.
Throughout this powerful and emotional book
you cannot help feel a part of every chapter.
However, most importantly, his book carries
a message to all Fathers and Sons. It's
a story of a father/son relationship that
is truly inspirational and must for all
families to read and enjoy.
Particularly
heart-warming is Felix's special message
to the Champ. Additionally, there is Muhammad
Ali's Professional Boxing Record. You must
take the Aliologist test at the back of
the book, even better if you can do this
with your family. There's even a certificate
for you to sign. This book is an excellent
narrative and also interactive. Share this
book with your family and make it part of
your memories.
Author's
web site: http://www.dadmeandali.com/whats-new.html
You
can buy this book from booksellers or by
contacting
!Universe
1663 Liberty Drive
Bloomington
IN 47403
www.iuniverse.com
Also in amazon website: http://www.amazon.co.uk/DAD-ME-MUHAMMAD-ALI-Father/dp/1440146233/ref=sr_1_1?ie=UTF8&s=books&qid=1252748993&sr=1-1
LA
RUTA SIN FIN
by
Caroline.W.
• Debut album by Oliver
• 12 tracks of irrepressible salsa
salsaton and bachata
• Released by Alosibla Italy
Had
I any pretence of being a music critic,
I would probably snob at the idea
of including what is after all a commercial
CD into the ‘must have’
collection; thankfully, I have not
such concerns and I serenely admit
that this CD is among my favourite.
It must be clear from all this that
when I listen to this CD I tune completely
into it. It is for me one of those
CDs which, once it starts, you simply
can not turn off.
Salsa, Salsaton and Bachata are compiled
together on this CD. |
 |
The
introductory song salsa track “Tu
Decides” was clearly designed to be
a dance hit, track.
Some songs have a gentle swing, slow pace,
and hypnotic rhythm to them; they are meant
to be romantic love songs like .“Tus
ojos” , “Amame”, “Ay
amor”, “Amiga amante”,
a lovely Bachata tracks that will fill the
demand of the dance floor.
Having said that, this release should be
classified as a fairly good CD. First, it
is fully danceable, Salsa tracks very suitable
for beginners, with slow pace, clear beat
and very precise recording, which makes
the percussion crisp and unmissable.
Another CD that will please the versatile
listener, with a chance to sample different
styles of music.
Bachata is a very sensual and sexy dance,
you can just let your body move freely and
allow your body and soul drowns with the
music and rhythm. With this dance you can
show your passion and emotion and be transported
to a whole new world, the music based around
guitar is exciting, the dance has that distinctive
& sensuous body movement.
This
CD is available from www.alosibla.it
www.salsa.it
FARFALLA
TANGO TRIO
by
R.R
|
Farfalla,
a modern tango trio, mixes several influences
and sounds. Within their musical universe,
tango, drum n' bass and jazz peacefully coexist.
The intense and danceable beat appears betweeneach
interpretation as well as the sweet melodies
of the most classic tangos. Their debut album,
Farfalla Tango, will be on tour in Europe,
August through November this year. Before
I heard this album, one of the only genres
I was familiar with was tango. There are actually
other |
|
|
beautiful and haunting styles of music like
the upbeat milonga (similar to the tango,
but with a musical resolution unlike the "frustrated"
final note associated with tango)
This album is a great introduction to the
variation of styles played in contemporary
Argentina as well as traditional sounds.
The
CD begins with the “La Trampera”,
a fabulous opening for an album that just
continues to grow progressively more intriguing
with every track. The next track “Contrabajeando”
from famous Argentine composer Astor Piazzolla,
the best known innovator of the tango music
of the new millennium, extends the jazz influence
in the style.“Por una cabeza”
the sixth track of this album, made me think
of the arabals (slums) of Buenos Aires. I
could almost smell the cigarette smoke and
the red wine coming from a nearby tavern as
a smouldering couple provocatively swirls
around the dance floor, locked in apassionate
embrace. There
is also a wonderful tango from the era of
the 1910s-1930s (La Cumparcita).
Some
of my favorite tracks are: “El Choclo”
and “Por una Cabeza.
I strongly recommend owning this album. It
is for anyone who hasn't immersed themselves
in the beautiful music of Argentina, and for
people who already have a great love for the
music and the culture.
This
beautiful album will completely stir your
heart and move your soul.
This
CD is available from:
www.myspace.com/farfallatango
E :assahira@gmail.com
|
MI
RUMBA
Second
album by Croma Latina
10
tracks of irrepressible salsa made in Italy, released
in March 2009 by Alosibia edizione musicale
By
Susan Johnson
This
CD combines Romantic with classical salsa,
Mambo and Salsaton, delivered in Spanish and
Italian language.
Vocals are shared between great voices, such
as Estupinan Maxino, Rita, Joaquin Martin
Gonzales, Luisito Rosario, Rey El Vikingo,
Hector “El Father, Miguel Enriquez,
Ciclon Cubano, N’Taya and El Rubio Loco.
The record is filled out with solid brass,
driving percussion and spicy keyboard |
|
|
This
recording has such an irresistible swing that
once you listen to it, you have to play it
again and again. The CD starts with "VUELVE
A MI" a romantic salsa track writting
and interpreted by Estupinan Maxino, followed
by a salsa version of “AIRE/AIRE”
with the singer Rita, the group’s female
singer.
For the Latin Jazz lovers, this CD also include
a track written by Tito Puente “RAN
KAN KAN” interpreted by Alejandro Jesus
and Rey. The album ends with "SINTONIA
TOTAL", a timba track interpreted by
Miguel Enriquez Ciclon Cubano, N’Taya
and El Rubio Loco.
A
wonderful album in a variety of rhythms &
styles from some older standards to newly
composed numbers, each representing a different
area of Cuba. In general, this CD is approachable
and addictive, is a highly enjoyable salsa
at its best.
This
CD is available from www.alosibla.it
www.salsa.it
SIMPLEMENTE
FERNANDO
'Simplemente
Fernando' the debut album from the Uruguayan
dancer and choreographer Fernando Sosa, showcases
his talent as a singer/songwriter and poet.
By
Hanna Saunders
This
album begins with a spoken introduction
to the talented artists in collaboration
with Massimo Scalici, creating an intimate
feeling of a live performance. LA SABROSA
and DESCARGA TROPICALE pick up on his
jazz-band introduction, being reminiscent
of the musical stylings of Havana musicians
from a bigone era. LOCO POR VOS throws
us straight into lively, passionate,
sultry nights of summer, dancing and
having fun, swiftly followed by the
upbeat pop of LOCURA TG. The gentle
yearning love songs |
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|
CAROLINA
and AMORES, pick up the relaxing vibe
of summer romance and carefree days
spent in the sun an like the dance of
salsa itself, the duet of PALPITACIONES
hears the voices intertwine with love
and passion. The last track ZULMA, is
quiet and reflective, a poem dedicated
to Sosa's grandmother accompanied by
the piano.
The album as
a whole is energetic and passionate
and seems to follow the experience and
relationships in life, from which Fernando
Sosa has crearly drown inspiration from,
in this skilfully delivered and emotive
album.
This
CD is available from www.alosibla.it
www.salsa.it
|
|
RIGO
Y SU OBRA MAESTRA "Latin Feeling"
Mix a tasty blend of rich rhythms to satisfy
the dancers
By
Anna Saunders
|
If
ever you could label a salsa album ‘easy
listening,’ this album might qualify.
There’s enough spice on these numbers
to heat-up the blood of salsa aficionados
but the album’s real strength is in
the selection of approachable, danceable tracks
that will also appeal to a novice or more
mainstream audience.
Percussionists
Rigoberto Rodriguez and his Independent Record
Label Obra Maestra Records, has released this
perfect salsa album, Latin Jazz and Mambo,
9 tracks of irresistable salsa from Puerto
Rico.
|
|
The
opening track, "Rumberos de Aqui"
is heavy on hot, snarling trumpets, with lyrics
straight from the barrio. The band reprises
the track at the close of the album is dancing
dynamite. "Reina De Mi Corazon" drives
me crazy and straight to the dance floor with
rhythmic breaks and masterful percussion.
For salsa fans that love Tito Puente’s
music, there are two salsa tracks with strong
jazz influence (Bailando Mambo Elegante, and
Rigo’s Mambo. This is a salsa album full
of quality tracks ensuring that those in need
of classic, mambo and hard salsa experience
will be well served.
This
CD is available from www.obramaestraonline.com
|
SALSA.IT
COMPILATION VOL.5
ALOSIBLA
By Georgina Nicoli
|
Salsa.it
Compilation is a collection of Latin music
from Italy. Latin music is truly a worldwide
force now and very popular in Italy. This
is the 5th release from this series, reflecting
the strength of the Latin music scene in Italy.
The track selection covers a wide spectrum
of Latin music. The group Caiman gives us
a Salsaton, the new hybrid music phenomenon
that blends Salsa and Reggaeton, with ‘Yo
Tengo Novia’. This sits alongside more
traditional Salsa numbers. |
|
Bachata
is also prominent in this release, reflecting
the popularity of Bachata at the moment.
The Salsa.it compilations were created to
promote new talent, as well as the regulars
to the compilation. As well Caiman, in this
volume we meet Croma Latina with ‘Por
Ella’, by permission of the Latin Europe
label. The new Cuban voice on the scene Moises
Fernandez provides the Salsa ‘Lo Bueno’.
Back again are Tony Velardi and Haban’Ahora
with 2 tracks, the Salsa ‘Gozando’
and the Bachata ‘Sin Tu Amor’.
Federica Oste returns with the Bachata ‘Noche
Sin Ti’. EuroCuban Project is welcomed
back with the bi-lingual ‘Shut Up’.
After achieving success recently, Myjkool
is also back with another bi-lingual ‘Never
Forget Me’. And there are many more.
European Latin music has a different sound
to music from Latin America that is unique
to the continent, I would describe as softer.
If you like this, or would like to sample
this sound, this is a good compilation to
have.
This
compilation is available from
www.alosibla.it
www.salsa.it
|
SALSA
PERFECTA VICTOR HUGO
By Georgina Nicoli
Salsa
Perfecta is the latest release from the UK’s
very own King of Salsa Victor Hugo. His 8th
solo release, it has something for everyone.
Mostly made up of fast & slow tempo Salsa
tracks, you will also find a mix of Son, Tropical,
a soft Bachata and a Son Guajira.
Taking the listener back to the heyday of
Salsa in the 1970’s, Sigues Siendo Tu
sounds reminiscent of the classic hit Oye
Como Va. The listener is then bought back
to the modern day |
|
| with
my highlight of the album the Salsaton La Mujer
(Perfecta). The inclusion of a Salsaton follows
the popularity of this new Latin music genre
created from the fusion of Salsa and Reggaeton.
This mix of old and new gives the album a traditional
yet contemporary feel.
This
is a unique album from a unique artist. The
energy of his live performances has transferred
well onto CD, making this a fun release.
Salsa
Perfecta is available from www.victorhugosalsa.com
|
SONANDO
- 'EL MONTUNO'
By Georgina Nicoli
A
real European-Latino band, Sonando is a collective
of musicians originating from far reaching
countries Venezuela, Cuba, Italy, France,
Germany and The Netherlands. El Montuno is
the third album from the French based band.
Written and produced independently, this release
has been well received worldwide.
Nearly every Latin music genre you can think
of can be found on this CD. The kings of versatility
give us high quality Bachata, Merengue, Timba,
Conga, Bolero, and of course plenty of Salsa.
|
|
The
track listing ends with a Salsa-Hip Hop mix bonus
track, a fusion that has become so popular in recent
years.
Sonando’s
ability to successfully perform different musical
styles means all tastes can be catered for in one
purchase, and makes for a crowd pleaser at live
events. It is this trait that makes Sonando as a
band exciting and unique.
Sonando
will be performing their one & only UK live
show at The UK World Open Salsa Championship 2008.
NILS FISCHER & TIMBAZO – ‘¡GRACIAS
JOE CUBA!’
Featuring Brian Lynch, Alain Pérez &
José ‘Pepe’ Espinosa
By
Georgina Nicoli
| In
New York in the 60’s, Joe Cuba Sextet
was the big name on everyone’s lips.
They played to audiences night after night
and sold millions of records. Joe Cuba wrote
and performed several top 40 hits, making
him a household name. His popularity was not
only confined to the Latino community, but
spread to bring together different ethnic
groups.
Gracias Joe Cuba! (Thank you Joe Cuba!) is
Nils Fischer’s tribute to a legend.
The CD contains 17 Joe Cuba covers. |
|
Four
of
the songs come from the ‘Diggin’ The
Most’ record and the rest come from ‘Steppin’
Out’, ‘Comin’ At You’ and
‘Estamos Haciendo Algo Bien’. These
are covers but with a modern twist. This was Nils’s
vision for the album. He enlisted the help of Alain
Pérez, Jan Laurens Hartong and Holland’s
top Latin music arranger Marc Bischoff to realize
this vision. They have arranged the songs in a way
that gives these easily recognizable classics a
contemporary flavour. He wanted horns and aspects
of Jazz, Rumba, Salsa and Timba, not found in the
originals. As a percussionist, the rhythm section
has of course been given the Nils touch. This is
where his talent shines through.
Despite
being of German descent, he has been recognized
as producing a very authentic sound on this album.
Of course, this would never live up to the originals
but is an enjoyable album all the same.
For Sonando Interview please click
here
BAMBU SUN
Corina Bartra & Azu
by Othe
|
Produced
by Corina Bartra for Blue Productions/Records
in 2006 this CD is a fusion of Afro-Peruvian
music with Jazz elements is an interesting
compilation of field recordings that are startlingly
high sound quality. They transport me to another
place, almost making me feel like I am there
with chants and frenzied drumming, I thoroughly
enjoy everything on this disc except small
things, but this most likely a matter of my
own personal tastes.
|
|
This
is a another fine example of Afro-Latino music
and shows decidedly more African influence than
son or most Afro-Peruvian music all skillfully
played as well.
Good album.
|
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SALSA DANCE HITS: THE LEGENDARY FANIA RECORDINGS
Union Square Music
By Georgina Nicoli
World
renowned Fania Records is probably the biggest
label on the Latin music scene. On their books,
they boast the big names of New York Salsa
like Tito Puente and Hector Lavoe, when it
was at its peak. As well as the boys, it is
home to the queen of Salsa Celia Cruz. This
double CD compilation draws from one of the
biggest collections of Latin music, such a
hard task. They have enlisted one of the best
Salsa DJs around to stand up to this challenge
to take free reign of the Fania label |
|
and
squeeze it onto two CDs.
You will recognise many of the names on
the track listings, many of whom have become
house-hold names, and many of the tracks.
For example, ‘Que Bueno Baila Usted’
is used to represent the talents of Tito
Puente. Willie Colon’s ‘Tiempo
Pa’ Matar’ and Ray Barretto
‘Acid’ are also easily recognisable
from such big names. No Salsa collection
can be complete without featuring a personal
favourite of mine Hector Lavoe, with ‘Bandolera’.
And, of course the Queen of Salsa Celia
Cruz is here this time with Johnny Pacheco
with the anthem ‘Quimbara’.
Of course, you will know Eddie Palmieri,
with his classic number 'Vamonos Pa'l Monte'.
Other stars include the Lebron Brothers
and Ismael Rivera. As well as the hits,
the producers of this compilation are proud
to include some lesser known one hit wonders
that may not be as easily recognisable to
listeners. Artists like Fuego 77 with 'En
Nueva York' and Latin Tempo with 'La Humanidad'.
As well as a good workout on the dance floor,
this CD aims to enrich our knowledge of
Salsa music.
Only one song has been chosen for each artist,
letting more artists have a share of the
spotlight, except for Justo Betancourt who
gets 2 goes. Each song is accompanied by
sleeve notes, giving a bit more of an insight
into the artists and the songs. Every style
from the wide spectrum that is Salsa is
covered here, from Jazzy Salsa to straight
Salsa and even the Colombian Cumbia inspired
‘La Cumbiamba’ by Andy Harlow.
You can expect 100% Salsa, unlike the usual
Salsa compilation CDs with their portion
of cheese to appeal to everyone and no-one
in particular.
SALSA
PARTY THE LEGENDAY FANIA RECORDINGS
|
For
decades, the richest resource of Latin dance
music has been the catalogue of Fania Records,
a company that started from humble beginnings
in the early 60s, with its two owners literally
knocking on record shop doors in Brooklyn
with boxes of records to sell, to become the
largest single catalogue of Latin music in
the world, with the best records by the most
famous (and most notorious) names in the world
of Latin music. In this selection, we’ve
gone for the most obvious names, the best-known
songs, the music that has stood the |
|
test
of time in the genre. Too many ‘specialist’
compilations are full of obscure, one-hit artists’
material. We’ve found that that frightens
away the newcomer – maybe you? – to
no effect. The fact remains that the biggest names
are big for a reason. They usually made the best
records!
This
fantastic 2CD collection includes:
Fania All-Stars – Guajira Pa Los Pollos
Ruben Blades – Plastico
Tito Puente – Oye Como Va
Celia Cruz – Bamboleo
Willie Colon – La Murga Panamena
Ray Barretto – The Soul Drummers
Hector Lavoe – Calle Luna Calle Sol
and many, many more…
GRUPO DANSON
By Georgina Nicoli
Grupo
Danson is a Salsa band based in Denmark. They
are made up of Cuban and Danish musicians.
When forming the band, they were inspired
by the Buena Vista Social Club. This influence
can be heard in many of their songs. It gives
an old school sound to tracks ‘Camina
y Pende el Fogor’, ‘Cienfuegos’
and ‘Rumba a Matanza’. Despite
this, their album maintains a modern sound.
They are part of what they call the ‘new
generation of Cuban musicians’who draw
upon traditional and new Cuban sounds to create
their own identity. |
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|
As
well as Buena Vista, they also identify other
Cuban musicians like Celia Cruz and Benny
More as great influences. The impact of these
artists can also be felt in their songs. They
are not Buena Vista Social Club, they are
Grupo Danson.
Their unique sound is also thanks to new band
member, the highly experienced trumpet player,
Alexander Abreu. Before he joined, the band
mostly performed cover songs. Now they perform
original compositions, created by Alexander.
Dancers will be happy with this release that
makes your body want to move. This is straight
up Salsa for Salsa fans.
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MUEVETE BIEN: SABOR
LATINO 2
By Georgina Nicoli
Bought
to us by Sabor Discos, this is the second
in the ‘Muevete Bien Sabor Latino’
series. It differs greatly from the first
CD. While the first release featured solely
bands from France, this release features talents
from France and all over Europe’s Latin
music scene, especially Spain. The first CD
mainly concentrated on Salsa music but this
time the music is Salsa alongside a lot of
Latin fusion. The spectrum covered here includes
Flamenco, Rap, Ska, Reggaeton and Salsa. |
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It starts with straight
Salsa and ends with an experimental Electronic
fusion.
First up is Victor Hugo with a conventional
Salsa number entitled ‘Abreme La Puerta’.
Sonando from Strasbourg join Victor with
straight Salsa song ‘Dejala’.
The sound changes slightly when La Contrabanda,
one of the six artists from Paris, gives
us Salsa with a peppering of Rap vocals.
Radio Malanga, one of five artists from
Barcelona, take us a bit further away from
the norm with Ska influenced Salsa tune
‘Vacilalo’. Next up is Orquestra
Do Fuba with ‘Vamos Dancar’.
This Portuguese band living in France provides
a Forro. Then, big stars Los Van Van feature
on Kysha 25’s ‘Ahy Maria’.
The band from Rome brings us Salsa, breaking
from tradition momentarily for a Rap. Representing
Toulouse, Del Dongo adds the tropical flavour
of the steel band to Salsa in ‘Caminos
Peligrosos’. Also from France but
this time from Paris, Batazo sit next to
Del Dongo with ‘Me Anda Buscando El
Son’. They have a more conventional
Salsa sound, proving that even in one country’s
Latin music scene you will find a variety
of different styles of music. Jump across
the border to Spain for Patriarcas De La
Rumba and ‘La Que Se Ha Liao’.
The Flamenco of their home city Barcelona
has meet Salsa to give birth to what they
have coined as ‘Catalan Salsa’.
The Flamenco guitar and clapping really
compliments the Latin American rhythms.
Then, back to France with Vanny Jordan,
who provide the aptly named ‘Reggaeton
Salsa’. It mixes Salsa and Reggaeton,
a mix which has been very popular since
the Reggaeton explosion. In keeping with
the Urban Latin genre, Si Senor from France
is next with ‘Rapson’. The style
of this song is so much like Orishas I am
going to call it a tribute to the Cuban
Hip-Hop pioneers. The big name of modern
Flamenco Ojos De Brujo sits among the lesser
known artists to represent Flamenco and
Barcelona with the lovely ‘Bailores’.
Then switch to a Boogaloo number from Paris’
Ocho Y Media and their live recording of
‘WMD’. Next, another French
band Melting Pot Orquestra brings us back
to more conventional Salsa. This blends
into ‘La Calle Esta Dura’ by
French La Nueva Edicion, another Salsa but
this time fused with rap and electric guitar.
More Salsa next, but this time more ‘Catalan
Salsa’ with Sabor De Gracia’s
‘El Mundo Baila’. I’m
really liking this new genre of Flamenco
meets Salsa! The last two tracks are a Samba
number ‘Pode Ser’ from French
band Madrugada and ‘Ogum Onire’
from Barxino. ‘Ogum Onire’ has
to be the most experimental sounding song
on this album, probably why it is left to
the end once the listener has opened their
mind. It is a modern sounding, electronic
fusion track.
‘Muevete Bien Sabor Latino 2’
showcases the talent that exists in Europe’s
Latin music scene. It is such an exciting
release because it exposes a wide spectrum
of new sounds that we may have never heard
before, born from pure experimentation.
There is a good mix of big names and lesser
known artists. DJs Herve and Cedric have
produced this CD to sound like a radio show
with jingles and a spoken introduction.
As it is in the mix, it is non-stop music,
perfect for a hot party.
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RAY RODRIGUEZ Y SWING
SABROSO – BAILA CON SWING SABROSO
By Georgina Nicoli
Lately,
we have reviewed albums that fuse a range
of Latin music genres. Now for the Salsa fan,
Baila con Swing Sabroso is Salsa through and
through. Having been raised in New York City’s
Spanish Harlem and Brooklyn, it is no surprise
that the New York Salsa created there by the
likes of Tito Puente and Ray Baretto has greatly
influenced Ray Rodriguez and his band’s
sound. This is honoured in their homage to
the two greats: Tito Puento and Ray Barretto.
Their love and respect for Tito Puente’s
music is represented in the aptly titled |
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instrumental
‘Song for TP’. The big influence of
Ray Barretto is shown in their Barretto Medley,
made up of ‘Vive y Vacila’, ‘Bam
Bam Quere’ and ‘Manos Dura’. Being
a fan of the New York Salsa from the past, this
medley is my favourite part of the album. This nine
track album includes an English language number
‘You’re My Everything’, maybe
for the English speaking Salsa fans of which there
are many. Baila Con Swing Sabroso is the debut album
from Ray Rodriguez and his band. Experienced arrangers
Oscar Hernandes, Paquito Pastor and Willie Ruiz
have collaborated on this project. Ray Rodriguez
and his band have also enlisted a bit of help from
their friends Grammy Award Winner Dave Valentine,
Ray Vega, Pablo ‘Chino’ Nunes and Pequeno
Johnny. Their music has been described as ‘Salsa
Dura’ (hard Salsa) and definitely for dancers.
You are invited to dance with Swing Sabroso.
| KACHIMBA
1551 CDs REVIEW |
|
| by
Georgina Nicoli |
|
THE BEST OF
KACHIMBA 1551
|
A
great introduction to the band, this CD contains
15 tracks from Kachimba 1551’s repertoire.
It has a very modern, fresh sound, partly
due to the use of rap and DJ scratching in
a number of the songs. They sing in Japanese,
Okinawan language and Spanish. It isn’t
just salsa here. You will also find a cumbia
and a merengue. Kachimba 1551 have a strong
Cuban influence, which you can especially
hear in the Cuban folk-sounding ‘Flores’.
My favourite track has to be the relaxing
‘Ryuka’. |
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It has a strong Japanese influence. It is
sung in Japanese and draws from Southeast
Asian music. The vocals have a sweet quality.
Sung over slow tempo drums and the sound of
waves, it serves to break up the lively songs
that dominate this album. |
This
5 track CD gives you a taste of Kachimba 1551’s
sound. Again, they sing in Spanish and Japanese
and Okinawan language. Track 4 ‘A Bailar
Punpun’ is a true example of their flexibility.
It is a Rock’n’Roll infused salsa,
something I have never heard before. Camino
Kachimba 1551 is a fun release, like all Kachimba
1551 CDs. |
|
Unabo
is another full album, sung in Spanish, Japanese
and Okinawan language. As well as their own
material, this release includes covers of
classics, like Quimbara and ‘Hey! Hey!
Tequila’ (their version of ‘Tequila’).
In ‘Hey! Hey! Tequila’, they substitute
the word Tequila for Kachimba, an example
of their fun approach to music. This CD showcases
the unique spin they put on classics, making
them their own. When I first heard Kachimba,
I was stunned. I’ve heard French salsa
but this is the first time that I’ve
ever heard Japanese, or should I say Okinawan,
salsa. They
fuse Cuban salsa with Southeast Asian
music. It could arguably be classed
as a sub-genre.
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The Japanese female vocals have a sweet quality,
while fitting so well with the Latin rhythm.
Their sound is exciting because it is so new
to me. Also, Kachimba 1551 as a band is unique.
Not for salsa purists, they play with the
music and draw from a wide range of influences.
It never ceases to amaze me firstly the universal
power of Latin music to spread throughout
the world all the way to Japan, secondly that
a completely non-Latino band can pull off
salsa, thirdly how non-Latinos can sing in
Spanish as a second language with such ease
and finally how any language can sound so
at home on top of Latin rhythms. |
SEBASTIAN
SCHUNKE
| VIDA
PURA by Sebastian Schunke Orchestra |
by Tony Beauchamp
This
most recent album of Sebastian Schunke is
an awesome presentation of the honey rich
voice of Olvido. Often breathless in its texture
the voice of this exquisite Cuban singer lends
richness and depth to the quality to Schunk’s
extraordinary compositions of jazz latin fusion.
Listening to her emotive vocals you can almost
feel her in the room.
As with Schunk’s album ‘Mouvement’
the production is outstanding in its clarity
and balance. The jazz element |
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seems to shimmer between the main stream and
avant guard immeasurably enhanced by rhythmic
excitement introduced through Schunk’s
masterly use of extravagant time signatures.
Schunke talks about the use of son montuno
7/4 and 9/4 time signatures that typify his
music. The very quality that denies the dancer
presents a banquet of sound for the latin
jazz enthusiast.
For most of
the album Felipe Cabrera and Lukmil Perez
lay down a faultless rhythm. Surely a dream
section for any soloist and the perfect partnership
for Sebastian Schunke?
The twelve
minutes given over to ‘Mouvement’
are introduced by Filipe Cabrera’s liquid
bass. A deceptive beginning, the tension builds
with vocal and trumpet and rifting piano and
then Schunk’s reintroduction and the
thick warm voice of Olvido.
As a sometime
horn player I poured years into mastering
the secrets of the saxophone only to find
myself craving the sharp contrast of the trumpet.
The contradictory muscle play of the sax and
trumpet embouchure dissuades most horn players
from trying to double on these instruments.
The best known artist, the legendary Benny
Carter to solo on both achieved it by ‘only
doing a bit on the trumpet’. Mario Morejon
is the exception that proves the rule. I love
his flowing trumpet sound and ethereal soprano
sax.
‘Melancholie’
opens with the subtle brush work of Philipp
Bernhard and smooth tenor sax of Dan Freeman.
The bass of Michael Haves and Schunk’s
stabs on the piano offer us a musical insight
into the urban landscape. Beautiful haunting
vocals from Olvido complete the picture.
With Sebastian
Schunke planning tours of Colombia, Japan
and China we have to ask why not the UK? The
success of latin sound from bands like Turquino
and the Banjofondo Band demonstrates the appetite
in the UK for latin music. I can easily imagine
Schunk and Olvido performing at the RFH or
the Sage in Newcastle, Ronnie Scot’s
or WOMAD.
Try ‘Vida
Pura’!
|
| MOUVEMENT
by the Sebastian Schunke Orchestra |
by Tony Beauchamp
I
started listening to this album early on a
wet Sunday morning in Hackney. The senses
playing their own tunes and resisting the
urge to create a collective picture of reality.
The stream of solo motifs fitted my mood as
the music flowed together and synthesized
to wrap the day in a thoughtful coat of tranquility.
If I had expected anything of a record from
a piano player of Schunkes caliber it was
long developed piano solos supported by collaboration
with the finest backing artists . |
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Expectations
confounded but not disappointed for one moment.
The piano is integrated into the compositions
where the power of each soloist is enhanced
by the overall instrumentation. Schunke is
superb in his virtuosity and blending of sounds.
The
latin feel of the album is skillfully communicated
by the commanding drumming of Lukmil Perez
and the bass of Felipe Cabrera but this is
not an collection of songs or dance tunes
but a total piece of music that flows flawlessly
from one masterful track into another.
Whether
'Mouvement', the name that the first track
lends to the album is intended to describe
the development of the composition or the
sense of making a way through space this is
good choice of names for piece that allows
the instrument to find and dominate their
own progress.
The
album opens with a rifting piano introducing
driving drums and beautifully paced bass taken
up by the fluent expressive trumpet of Mario
Hernandez Morejon. The voice of Olvido Castellano,
rich like Colombian coffee, joins the piece
as another instrument, helping to build this
textured and sensuous piece. No one soloist
dominates this piece. The tone is set for
an album of outstanding solo performances
woven together in a tapestry of contemplation.
Perhaps
my favorite track is Monk y Nino, compellingly
rhythmic vocals and trumpet push this piece
along riding securely on the drums and bass,
another chance for El Indio to display his
virtuosity before handing over to the flawless
horn of Peter Brainin.
The
intro of 'Herbst' offers a contrast with Olando
Poleo laying down the rhythm on congas for
Yodfat Miron on viola and Johannes Hentschel
on cello to flow between. Everything is control,
elegance and perfection. I have seldom heard
strings so well integrated into a jazz format.
The
semaphore bass of Cardenas drives the arrangement
of Zwiespalt where Schunk steps in to explore
the moods of the piano and Michael Haves electronics
swell and enrich the already heady brew.
The
outstanding feature of this album is the perfection
of the solo performances that combine to render
a faultless sound.
No
lover of Latin Jazz would want to be without
this in their collection!
|
SALSA LOCA
- ‘AMOR CON AMOR’ -----------------------by
Georgina Nicoli
Listening
to this CD you would assume you were listening
to a European Salsa band with a lead singer
from one of the Latin American countries.
However, you would be surprised to discover
that the lead vocalist is as Danish as you
can get. A blond woman called Signe. Most
Salsa bands are made up of Latinos living
in Europe, or at least a mix of local musicians
and local musicians of Latino origin. However,
Salsa Loca is made up solely of local Danish
musicians. This is very unique and proves
the power of Salsa as a |
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universal
style of music. Despite this fact, Salsa Loca’s
music sounds unbelievably authentic. Although
Signe comes from a Classical music backgound,
Salsa vocals seem to come so naturally to
her. The first release from the band, this
‘Mini-CD’ is compiled of 3 tracks,
each of high quality. This is energetic Salsa,
strictly for dancing to. Salsa Loca’s
musical style is catchy fun Salsa, with a
definite European sound. That sound that gives
much importance to the instruments. Instruments
used in Salsa like brass (trumpets, trombones
and flute), piano and bass and the timbales
originate from Europe, so it is natural for
these elements to play a particularly big
part in European Salsa. A little warning to
the Salsa purists out there. Although this
is pure Salsa, Salsa Loca also experiment
with their sound. They use electronic effects
on the vocals of ’Salsa Loca’,
fusing the traditional with the modern. In
’El Amor De Mis Suenos’, they
use an African tribal dance intro, very unusual
for a Salsa band. I've only really heard it
used by modern Cuban Hip Hop artists like
Orishas. Once you have heard this CD, you
will know why it has won such critical acclaim.
|
CONEXION
LATINA
– 'Mambo Nights'
by Rojo y Negro
|
| The
CD cover of Conexion Latina’s ‘MAMBO
Nights’ with the band and title picked out
in orange neon and a neon sign showing a pair of
dancing legs in a mambo step suggest a album packed
with dance numbers for the dance enthusiast, an
album to find a top spot in any DJ’s play
list at salsa clubs ‘Mambo Nights’,
opens with a horn break and leads us into a stunning
trumpet solo by Dusko
Goykovich followed by driving percussion breaks
and outstanding horn arrangement that set the tonefor
this beautifully arranged album.
The horn arrangements dominate the whole album and
moving the music as being its most prominent feature,
truly
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exciting, harmonically thrilling and executed by undeniably
talented and
skillful musicians.
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Osvaldo
Farjado sings ‘Flotando en el Aire’
in a lyrical groove that is pushed along by backing
vocals that give the number a tension to hold the
listener and grip the dancer. Gil Kaupp’s
muted trumpet sits exquisitely in this track, the
opening notes evocative of the Miles Davis, what
could be better?
I
loved the piano solo by Jesse Milliner that opens
‘Alna’s Connexus’ and presents
a formidable challenge to Bobby Shew on trumpet,
met with the confidence of a true master. The track
is taken out by Felipe Rengifo on timbales and offers
us a feast of virtuoso accomplishment.
On
Hace Rato the vocal rifting gives a latin warmth
to the furious instrumental display. Check the one
tenor sax solo on the album offered by guest artist
Lutz Hafner.
Conexion
Latina was formed in the 1980 by trombonist Rudi
Fuesers and has from its inception been a collaboration
of musicians from all over Latin America and the
Caribbean. The sound of Conexion Latina at the centre
of the a genre of Latin Jazz/Salsa. The highly talented
musicians of Conexion Latina are joined on this
album by number of outstanding guest soloists who
guarantee the outstanding musical quality each track.
Alberto
Naranjo joins Conexion Latina on this project as
musical director. The leader of the Venezuelian
band ‘El Trabuco Venezolano’ has proved
himself again as a master of dynamics and phrasing
in bringing in such an accomplished musical enterprise.
This
album, recorded in 2000 is musical prize for any
lover of Latin Jazz. The horn arrangements give
the music a feel of the 1990’s. Nothing in
the production is less than masterful.
An
album for any jazz or latin enthusiast.
|
TIEMPO
LIBRE - ‘LO QUE ESPERABAS
(WHAT YOU’VE BEEN WAITING FOR)’
by Georgina Nicoli
Tiempo
Libre are back with their second album. The ambassadors
for Timba music have brought the genre back to life
yet again with this release. They named it ‘What
You’ve been Waiting For’ as a dedication
to their fans, who on attending their concerts tell
them their music
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is
what they have been waiting for having never heard
Timba music before. There is more variety on this
album compared to the first album. As well as Timba,
you will also find a modern Cha Cha Cha and a Bolero.
The theme of the immigrant experience so strong
in their first album is carried on in this album.
The nature of this experience that is a paradox
of painful yet hopeful is expressed in a number
of tracks. ’Tengo Que Olvidarte’ talks
of forgetting as a way to deal with the pain of
leaving behind a precious homeland that you may
never return to. In ’A Bayamo En Coche’,
they change the words of this Cuban classic towards
the end of the song singing "and now I’m
on my way to Miami by boat". This is another
Tiempo Libre tradition that they have continued
in this album, to include one cover of a Cuban classic
among original songs. They have given this classic
Cuban song a contemporary twist of their own. The
rest of the tracks are co-written by all the band
members. They have that big band sound as you would
expect with a high quality sound. The vocals are
great and the rhythms infectious. This album is
just so much fun. I think even more fun than the
first! |
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ALEX
TORRES Y SU ORQUESTA - '25 TO LIFE'
by Georgina Nicoli
25
to Life refers to how long Alex Torres has been
making Latin music with his orchestra for. This
theme runs through the album sleeve. With thanks
to the Amsterdam New York police department, each
band member has been photographed as inmates, accompanied
by a list of their offending crimes. They serve
different sentences but all are to Life, representing
their passion for performing music which
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will
last
all their lives. This is a clever, and funny, idea
for an album sleeve. Their years of experience can
be heard in their music. Their brand of Salsa reminds
of classic traditional Salsa. I can hear the influence
of Salsa from Puerto Rico and Cuba, and ofcourse
New York Salsa. I can especially feel the Cuban
influence in the track ‘Locamente Enamorado’.
The song ‘Suite Cuna Tropical’ is a
dedication to Puerto Rico. Although this is predominately
a Salsa album, it is not purely a Salsa album. It
also features two Merengue tracks and one Cumbia,
with a reference to its country of origin Colombia.
All songs are sung in the Spanish language, except
for ‘King Cash’ sung completely in English.
This is great for those who do not know Spanish.
It is also important for its brave social commentary.
It addresses the ever growing importance given to
making money in a society that has forgotten how
to love and teaches to think about number one. It
also speaks out against the Iraq war. The album
ends with a Reggaeton remix of the opening track
‘La Ropa Esta En El Baul’. No album
seems complete nowadays without a Reggaeton infused
track. But I’m not complaining. This is a
great album of a high quality. |
| JORGE
CORDERO - ‘LATINO’
--------------by
Georgina Nicoli
With
the images of Cuba on the album sleeve and the ‘Cuban
All Stars’ stamp on the back, you can guess
that Jorge Cordero is Cuban. The ‘Cuban All
Stars’ stamp also gave me high hopes for this
album. I was not disappointed. Jorge Cordero and
his Team Latino band got their big
break way back in 1992.
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Since
then, they have made a name for themselves touring,
recording five albums and winning awards, including
the Danish ‘World Music Award’ in 2000.
'Latino' was released in 2004 and is Jorge Cordero's
latest album. His sound is definitely Latino. His
brand of music is an innovative mix of Hip Hop,
Pop, Salsa and Timba. It is classed as Salsa, but
drawing from such a wide spectrum of music, I feel
I cannot pigeon-hole this album into solely the
Salsa category. His music has a very modern feel
and sound to it throughout the album, for example
the use of raps and the ’Soul Cut’ of
the opening track ’Todo Sigue Igual’.
The songs are catchy and up-beat. This album is
well sung, of a good quality and great to listen
(and dance) to.
|
CACHE - 'THE TORONTO SESSIONS'
by
Georgina Nicoli
Cache
is a Salsa band, based in Canada. This is the band's
second album. Through their album, they give us
a taste of as they call it 'sabor de Toronto' (the
flavour of Toronto). All songs are in the Spanish
language, except for 'Diablita' which is sung in
English. The inclusion of 'Diablita' is great for
English speakers whose Spanish isn't 100%. The song
is about a devil woman, who he is hopelessly in
love with. Although this is predominately a Salsa
album, there is one Cumbia song 'Vuelve
A Mi Carnaval', also with the use of steel bands.
So, as well as the flavour of Toronto, this album
gives us a serving of the flavour of Colombia. The
album ends with an instrumental called 'Willy's
Theme (At Another Level), unusual compared
to
other
Salsa albums we have received. |
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This is an example of their unique sound and independence.
I can tell you the flavour of Toronto is spicy and
of a good quality. |
PANCHITO - ‘RESURRECCIÓN’
by Jazzis(israel)
This
is one of those completely anonymous albums that
put a smile the size of a moon on my face. Panchito
are a Dutch nonet, led by guitarist Andre van Berlo,
who also composed and arranged all the music, which
plays Latin jazz. So what's the big deal you ask?
Well the big deal is what is played and how it's
played. There are countless Latin jazz bands around
the globe, between Cuba and Timbuktu, which beat
the hell out of their congas, but only very few
of these bands can make Salsa sound like Art. What
the members of Panchito lack in
their genes (none of them seem to be of Cuban heritage)
they amply compensate in their ability to play and
improvise.
The
European musical heritage of preciseness and clarity,
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combined with the fire in the soul is in this case
an overwhelming success. There is none of the sloppiness
often found in Latin jazz, which can be charming
sometimes but often quite annoying. Every note here
is clean as a whistle and exactly right. And if
you think this stuff is an anemic version of Irakere,
you are dead wrong â just listen to the music
and you won't be able to stop yerbuty from sheikin'.
Just pour yourself a long drink, put this album
on full volume, relax and close your eyes and off
you go to tropic paradiseâ
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| HATUEY
- ‘LLEGO EL MOMENTO’ by Georgina
Nicoli Hatuey
may be from Sweden but they are a Salsa band devoted
to the music of Cuba and other Caribbean countries.
Their devotion is felt in the rhythms of this lively
album and their musical references to Cuban classics.
For example, in ’Cerca De Ti’ they sing
the line ‘dos gardenias para ti‘.The
black and white photos set in what looks like Cuba
used in the booklet that accompanies this CD, compliments
this nostalgia for the music of days gone by. |
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| Their
brand of Salsa marries these traditional properties
of the genre with modern aspects, like their use
of the sound of a DJ scratching a record. The way
they sing reminds me of the type of vocals found
in modern day New York based Salsa. While this album
is a Salsa album, other modern musical genres from
other Caribbean islands are called upon, also giving
their music a contemporary sound. The track ’Wagga
Wagga’ features a steel band and a Reggae
rap. It is the only track to include English lyrics,
on the raps, while the rest of the album is in Spanish.
Their song ’Salsa de Puerto Rico’ has
been given what they have termed as a ’Pleneton’
remix at the end of the album. ’Plene’
refers to the traditional Puerto Rican instrument
and the ’ton’ is for the Reggaeton inspired
raps inserted onto the track. This is a great old
meets new Salsa album to make you dance.
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DEL DONGO - ‘DESTINATION
AMAZONE’
by Georgina Nicoli
‘Destination
Amazone’ is the first purely Salsa release
from French band Deldongo. While his first release
‘Superstar ‘was a mix of Salsa, Groove,
Soul, Cha Cha Cha and Pop songs, this is a four-track
Salsa single. Definitely for all the Salseros out
there. Deldongo’s brand of Salsa is unique,
maybe thanks to his background in Jazz and Soul.
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| As
well as a great vocalist, he is skilful pianist
able to play in a whole range of styles. He really
is destined for the Amazon with this release. The
tracks have a tropical feel to them. It is no surprise,
therefore, that the Spanish language song ‘Hermano
de tu Tierra’ was received so well in Peru.
It holds a beautiful message of brotherhood between
all the people of the world, a theme of peace and
love that runs through Deldongo‘s music. As
on ‘Superstar‘, he sings in French and
Spanish, but mostly in French this time. While ‘Superstar’
totals up more Spanish language songs than French,
three out of the four songs on this CD are in French
and the last in Spanish. This is, then, what Deldongo
calls ’French Salsa’ rather than Salsa
made in France. While other Salsa bands based outside
of Latin America use the Spanish language in their
music, Deldongo uses his native French. The smooth
French lyrics sound so at home with the Latin vocal
arrangements and beats that it sounds natural, like
a match made in heaven. He also sounds at home with
the Spanish language. All the tracks are composed,
produced and arranged by Deldongo himself. He creates
hip, high quality, feel good music, meant for dancing
to. I suggest you get hold of this.
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DOBLE IMPACTO
by Jane Cahane
Get
ready for the full impact: Doble Impacto’s
newest CD, Solo te Digo
Having
listened to Doble Impacto’s earlier CD
(Pa’ Bejucal) as well as the 2006 demo of
their upcoming new CD, Solo te Digo (release expected
March 2007)), it is clear that the band has been
quite busy developing and refining their distinctive
sound
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| with
superb results, achieving a smoother, more well-rounded
and infinitely danceable form of music that has
an amazingly broad appeal.
Although the core of the music is still undoubtedly
the kind of perfect, club-music salsa mix most DJs
and salseros would die for, they have funked it
up even more by adding in a greater element of timba,
hip hop, pop and reggaeton influences that add in
a wonderful spice and dimension for the non-salsero
listener that nonetheless refuses to sacrifice its
salsa heartbeat in the aim of commercialism. Just
listen to ‘Dejame Mujer’, the track
pianist and band manager Javier Arenas said probably
sums up their style best, and you will see what
I mean: the pure pulsating but tremendously funky
timba guarantees that salseros and non-salseros
alike will be unable to remain seated!
The timba/salsa combinations on ‘La Esatura’
and ‘Esa Mujer’ make these equally vibrant
salsa tracks, which mix a big-band salsa orchestra
sound with truly funky timba to produce a distinctly
lively dance flavour, while ‘La sobre todo
el tiempo’ is more pure classic salsa romantica.
However, the uniquely Doble Impacto sound of Cuban
salsa and timba mixed with rap and hip hop and echoes
of Colombian salsa comes out particularly in the
tracks ‘Cansado’ and ‘La sobre
todo el mundo’, while their more experimental
and unusual mixture of sounds is most clearly seen
in the merengue/cumbia mix of ‘Que yo te quiero’
and — now for the real shocker — a hugely
danceable rap/cha cha cha number, ‘Que me
muero de amor’, that is so completely genre-transcending
it has to be heard to believed. If you could imagine
one track that could get both hip-hop dancers and
Latin ballroom professionals equally excited, this
has got to be it!
I don’t believe any other Latin music artist
has ever managed to come up with so many unusual
mixtures of sounds, and the unique work of Doble
Impacto is to make these all variations infinitely
accessible to dancers and music enthusiasts of all
persuasions by creating this exotic fusion of fabulous
music. But in this case, hearing is believing —
so if you haven’t yet had the exciting opportunity
of listening to their music, check out the demo
tracks on their website, www.dobleimpacto.be, and
persuade your favourite salsa DJ to start playing
their music now — it is bound to become a
favourite on the dancefloor!
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ALIANZA - 'SERES HUMANOS'
by Georgina Nicoli
Alianza
are a Cuban Hip Hop group made up of three male
rappers and based in Sweden. They may work from
Sweden but their sound is definitely Cuban. In every
song, you will hear echoes of Latin/Caribbean music,
be it in the congas, the guitar, the flute, the
violin, the saxophone, the sound of steel bands
or the vocals. Of course, the use of musical instruments
is not a traditional component of hip hop but quite
common in Latino Hip Hop. |
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In
an interesting twist, the track La Espera fuses
properties of Flamenco music with Hip Hop to create
a great sound. They talk a lot about their homeland
Cuba. Unfortunately, I am not fluent in Spanish
so cannot comment on the lyrical content of this
album. However, as rappers, they deliver their
lyrics well. Their brand of Hip Hop is very easy
on the ear with the use of catchy female and male
vocals.
The
beats make you move in your chair and want to
get up and dance. Their sound reminds me very
much of the Cuban Hip Hop group Orishas, which
I guess is inevitable being that they come from
the same place and would probably look up to Orishas.
Many
artists are cueing up to take the crown from Orishas
as the kings of Latin Hip Hop but have not quite
beaten their talent and success. Alianza have
tried to jump the cue by self-proclaiming themselves
the 'new kings of Latin Hip Hop'. Not quite the
kings of Latin Hip Hop, but they produce high
quality Hip Hop and are fun and great to listen
to.
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KID AFRIKA
by Georgina Nicoli
Kid
Afrika aka Danny Ramirez Jova is a rapper, emerging
from Havana's bursting Hip-Hop scene, as one of
the most recognisable names on the scene. Since
moving to London in 2003, he has performed in various
clubs, building up quite a following here. Having
also been featured on a number of compilations,
his debut album has been long awaited.
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13 years in the making, it is now finally here.
His music fuses Hip-Hop and Reggaeton with Cuban
beats and Salsa. With this in mind, coupled with
its heavy use of trumpets, it would be incorrect
to class this as a hardcore Hip-Hop album. Kid Afrika's
rapping style is unique. Its chameleon-like properties,
means it can alter even within the same track. He
sings/raps/whispers/speaks his words. For example,
in Summertime (Verano), he half sings-half whispers
the lyrics. The beats are infectious and have a
commercial sound. This and the female vocals peppered
through out the album, makes the tracks very catchy.
All 13 tracks are penned by the artist himself,
common in the rap industry. The highlight of the
album for me is 'Yemaya'. It is a collaboration
with fellow Cuban salsa singer George Peguero. Also
based in London, George provides vocals, co-writes
and produces the track. A song also featured on
George Peguero's album, in this version it is Kid
Afrika providing the rap instead of George. Kid
Afrika's fans listening to this will also recognise
the lively 'Machaka'. The Cuban sound lives on in
this fun London produced album. Definitely, as the
title of one of his songs aptly puts it, 'Hip Hop
Caribe'. |
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HAVANA
MASTERS PRESENTS…
THE
BEST OF THE CUBAN MUSIC AWARDS 2006
by Georgina Nicoli
This is a compilation of some of the winners
and nominees from this year's Cubadisco, Cuba's
most prestigious music awards, with dance
floor hits from Havana's hottest dance spots.
Those who attended the events that accompanied
this CD will be eager to get their hands on
a copy. It features two of the performers,
Yoruba Andabo and Papo Record, and many many
more.
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The
CD opens with Best Dance Music Album nominee
Isaac Delgado with his Son number 'Cantame
Como Ayer'. One of Cuba's top 'soneros', he
is among the established Cuban artists featured
on this CD. Other established artists include
the winner of the Best Dance Music award Adalberto
Alvarez with 'Mi Linda Habanera' and Best
Folk Music nominee Munequitos de Matanzas
with a Rumba track. Cuba's new generation
is also given room to shine. Born from the
streets of Havana, they give the CD a self-confessed
'urban feel'. The ambassador of this new generation,
winner of the Best Hip-Hop Album category
Papo Record, is showcased with the hot track
'En Mi Zona'. Best Hip-Hop Album nominees
Eddy K and Cubanito 20.02, reflect the popularity
of Reggaeton in Cuba.
This
young generation prove that homegrown talent
can compete with the giants of the Caribbean
and Central American. A strong feel of tradition
also runs through this album, beginning with
nominee for Best DVD Yoruba Andabo. The folk
band has two tracks featured here, including
a Conga. Guama follows, winner of the Best
Traditional Popular Music Album, transporting
us to the past with their use of the Cuban
guitar the Tres. Clave Y Guaguanco, winners
of the Best Folklore Music category, join
in with their mesmerising 'Como Ruge la Candela'.
Buried in the middle of this lively dance
album, nominee for Best Jazz Album Carlos
Sarduy, gives us a soft Jazz track.
This
has to be one of the most diverse albums I
have ever heard. Covering all genres of music
popular in Cuba today from Rumba and Son to
Conga and Folk, Hip-Hop and Reggaeton to Traditional
and Jazz, it proves that there is more to
Cuban music than the Buena Vista Social Club.
It fuses the established with the newcomers,
the modern with the traditional from the melting
pot that is Cuban music. The artists making
up this album are testimony to the real depth
of talent that exists on this little island.
NEW RELEASES FROM GEORGE PEGUERO - 'BOHEMIO'
by Georgina
Nicoli
George
Peguero and his band bring us their
second album, recorded in the London
studios of Scorpion Records, with Mexican
congas player Fernando. The influence
of George's new found home can be seen
with the inclusion of two English language
tracks, the opening track Rain and Yemaya.
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rest of the album is sung in Spanish.
You will not find many salsa artists
recording in the UK, or a great number
of record companies specialising in
Latin music, making George a unique
artist. This is also a unique album
in itself. His band is made up of musicians
from the UK, Colombia, Cuba and Venezuela.
The heritage of each country is represented
in this album. Not only do we hear Salsa
but a whole host of other musical styles
from the Latin spectrum, from Merengue
and Cumbia to Bolero. It is all here.
George also draws on musical styles
from outside the Latin world. The bonus
song is a House version of Permitame
and, yes, you will even hear George
rapping on Yemaya! Hailing from Cuba,
George's music has the feel of traditional
Cuban Salsa running through it, while
at the same time contemporary in style.
He sings with confidence, which can
only come from someone who has been
singing since the age of four. As well
as showcasing his talent as a singer,
this album shows off his talents as
a songwriter. All the songs are his
own compositions, except Rain, which
is a Salsa version of Jose Feliciano's
song. Bohemia features twelve tracks,
plus one bonus song. A fun and original
dance music album. |
- VANESSA FORMELL
– YO SOY
by Georgina Nicoli
Following
the success of her first album, Vanessa
presents her second album, translated
as ‘I Am’. Daughter of singer
Mirtha Medina and the founder and director
of Van Van Juan Formell, she carries
on the family tradition that she was
born into. By using her surname, she
is making a statement to the world that
she is Cuban and proud of it. This is
what I would class as a pop salsa album. |
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| There
are 9 songs, which includes Balada and
Salsa versions of ‘Esperando Por
Ti’ and ‘Tu No Eres un Secreto’.
We also get 3 ‘Special Editions’
of the songs ‘Busco un Amor’,
‘Esperando Por Ti’ (Salsa
version) and Esperando Por Ti’
(Balada version), which are basically
shorter versions of the originals. Based
in Miami, the biggest names in Miami’s
music industry have lent their talents
to Miss Formell, including Angelito
‘Pututi’, Eduardo Napoles
‘El Chaka’ and Edward Magdariaga.
All tracks are up beat, making this
a lively album. By writing the track
‘Sin Ti Me Muero’ herself,
she proves that her talents also lie
in song writing. In this vacuum left
in Tropical music by a lacking female
face, Vanessa can contribute to filling
this gap.
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RAZA
LATINA CD REVIEW |
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by Georgina Nicoli
Based in Italy,
Raza Latina are a Latin music band
made up of musicians from all over
South America and Italy.
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In this album, you will
hear what has become their signature sounds
thanks to the tastes of their fan base.
That is an album of lively Salsa, with a
good number of soothing Bachata songs. These
songs are perfectly placed at the end, giving
the listener or dancer a relaxing breather
after a fun, up-tempo start. This is great
for fans of both Salsa and Bachata and provides
variety to the listener. Raza Latina's Salsa
is infectious. It somehow sounds traditional
and contemporary at the same time. Hailing
from Cuba, Santa Domingo, Venezuela, Peru,
Mexico and Italy, each member brings something
different to the sound of this album. The
Venezuelan sound can definitely be heard
in their percussion. The influence from
Cuba's strong Salsa tradition can be heard,
especially from masters like Celia Cruz
with the band's reference to 'La Vida es
un Carnival' in one of their tracks. The
three Bachata tracks satisfy the Italian
audience but can also please non-Italian
listeners with the present explosion of
Bachata happening on the dance floors all
over the world. Check out the songs that
have become big hits all over Italy.
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"GIRALDO
PILOTO KLIMAX & FRIENDS" |
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No less than Chucho Valdes made
the following comments about the
new production. "In my view
they have recorded some of the best
Cuban music that I have heard for
a long time. Enjoy this CD as it
contains music that breaks new ground,
not only for Cuban music but for
all of world music in general."
CHUCHO VALDES.
The most sophisticated and strikingly
original of the major Timba bands,
by a considerable margin, is Giraldo
Piloto's Klimax.
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Descended from a long line
of famous Cuban musicians and composers,
Piloto has been omnipresent throughout the
first decade of Timba history as a drummer,
a songwriter and an arranger. He was a founding
member of the first Timba band, NG La Banda.
When La Charanga Habanera exploded onto
the scene, their first big hit, "Me
Sube la Fiebre", was written by Piloto
and they followed it up with several other
Piloto songs, including "Mi Estrella".
When Issac Delgado left NG to form his own
group, Piloto became his musical director
and wrote a number of songs for him, including
possibly his most important hit, "No
Me Mires a los Ojos", which Issac still
plays at nearly every concert. In January
of 1995, after 8 years at the epicenter
of the Timba revolution, Piloto decided
to form his own group and in April of that
year, Klimax played their first concert
at the famous La Cecilia club on Avenida
Quinta. Klimax have released 3 CD's and
are touring extensively throughout Europe
and South America.
KLIMAX have now released their fourth CD.
This LATIN JAZZ production deserves special
attenton. It is not only the guest musicians
like Chucho Valdes, Germán Velázco,
Changuito, Julito Padrón that make
it into an, "incredible work of art"
but also the main musicians of Klimax around
Geraldo Pilato are for sure a guarantee
for this World Class Latin Jazz production.
Klimax can only be understood as an absolute
"Highpoint" in Latin Jazz
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"MARC
ANTHONY - VALIO LA PENA &
AMAR SIN MENTIRAS" By
Georgina Nicoli |
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One
of Latin music's most talented and
strongest voices, Marc Anthony has
been hard at work. He spoils us with
not one but two CD's. He sticks to
his Spanish-language music with both
but with two very different musical
styles, showing his flexibility as
an artist. While Amar Sin Mentiras
is what is now classed as Spanish
pop, a mix between Latin music and
Western pop music, Valio La Pena is
100% salsa. Both feature the duet
with Jennifer Lopez, along with other
hits including Valio La Pena and Ahora
Quien. I prefer Valio La Pena but
only because I am a sucker for salsa.
This is a treasure chest and each
song is a gem. Although songs are
repeated on both CD's in their different
styles, it is well worth buying both
CD's. |
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There are
some songs featured on one CD that are not
on the other. Also, for Marc Anthony fans
these are essentials to your collections.
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DISCOS
FUENTES
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LOS
PERRONES – FUSION PERREO
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by Georgina Nicoli
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Los Perrones provide our next instalment
of Reggaeton from record label Disco
Fuentes with this album. The six
Perrones from Colombia are produced
by DJ Gordo and Big Johny and presented
by FP&P Company. This is fusion
by name and fusion by nature, in
more ways than one. The track ‘Me
Enamore’ is an interesting
mix of Reggaeton, Bachata and Merengue
Hip-Hop Proyecto Uno style, which
I can only describe as speeded up
Bachata with a rap laced over the
top. Its soft sound does well to
break-up the hardcore Reggaeton
tracks making up much of the album.
The album itself also fuses Reggaeton
with 3 Latino Hip-Hop tracks. The
Hip-Hop tracks are placed neatly
together near the end of the album.
As well as ‘Me Enamore’,
the stand out track of the album
for me has to be the catchy ‘Ya
No Aguanto’. Other highlights
of the album for me are the songs
‘Enloquezcanse’, ‘Chica
10’ and ‘Amiga’.
A hot album for Reggaeton and Hip-Hop
fans.
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HITS TROPICALISSSIMOS
3 CDs
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'Hits Tropicalisssimos', note there
are 3 's', is the ultimate compilation
CD. It is not 1 but 3 CDs, featuring
27 hits from 72 years of Disco Fuentes
Records. They bring together Cumbia,
Tropical, Salsa, Merengue, Bachata
and Reggaeton, although there is
only 1 Reggaeton track 'Candela'
from the talented 3 Pesos.
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| HITS
TROPICALISSSIMOS CD 2
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You
are guaranteed to recognise some classic
songs here, for example Merengue hit
'Muneca Linda' from Los Ocho del Merengue.
It boasts Colombia's biggest stars Fruko
y Sus Tesos, Joe Arroyo, Sonora Carruseles
and La Sonora Dinamita, who brought
Disco Fuentes to the forefront of the
recording industry in the 70's, 80's
and 90's. |
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| HITS
TROPICALISSSIMOS CD 3
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Also
featured on this
CD is Adolfo Echeverria
y Su Conjunto, Pastor
Lopez y Su Combo,
Armando Hernandez
con El Combo Caribe,
Los Embajadores
Vallenatos, Banda
Bocana, The Latin
Brothers, El Tropicombo,
Los Niches, Gabino
Pampini, Latinos
en la Casa, Celina
y Reutillo, Frenesi,
La Sabrosura, Joe
Rodriguez, Los Tupamaros,
and Los Titanes.
A brilliant collection
for fans of Colombian
Tropical music and
an important addition
to your CD collection.
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LUISITO
ROSARIO - 'RUMBA DEL BARRIO'
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Puerto Rican Luisito
Rosario makes a
comeback with this
CD, and with him
so does 'heavy Salsa'.
After his first
solo recording of
romantic Salsa entitled
'Luisito Rosario',
he spent the past
eight years travelling
the world with Larry
Harlow and The Latin
Legends Band, performing
old school Salsa.
This experience
has helped turn
him into a 'hardcore
Salsero'. In this
CD, the golden age
of Salsa of the
70's/80's is resuscitated
by Rosario. The
great masters Hector
Lavoe and Tito Puente
are living in his
sound and voice.
My highlight has
to be 'Quiereme'.
This is an album
to make you get
up and dance.
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REGGAETON
& URBANO HIP HOP MEGA
HITS: THE NUCLEAR OPTION
MIX
Disco
Fuentes present to us
their Reggaeton and
Hip Hop stars all together
on one CD with this
compilation CD. You
will find all their
biggest hits from the
music genres of the
moment Reggaeton and
Hip Hop. You will recognise
most songs including
hot ‘Que Llore
Ella' by Bimbo featuring
3 Pesos, along with
two more tracks by Bimbo
'Amor Bandido' and 'Lento'.
The CD opens with these
tracks and goes on to
include more great hits
from Gemstar & Bigmato,
Two Swing, DJ Miguelito,
DJ Kiro, Alex Zurdo
& Ray Blasto, Chinovi,
LCD and DJ Guasca featuring
Dax & Virus. There
are some nice surprises,
for example DJ Miguelito's
very own version of
Don Omar's 'Dile', featuring
only female vocals throughout.
Most of the artists
are allowed two tracks
each to give us a true
taste of their sound.
A good compilation for
fans of Reggaeton and
Latino Hip Hop.
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This
is a compilation in
every sense of the word.
Most of the music genres
listened to in Colombia
are featured on this
CD, with a few songs
for each genre. The
national music genres
of Colombia Vallenato
and Cumbia sit comfortably
next to Bachata, which
is followed by Salsa,
then Tropical and closes
nicely with Reggaeton
and Latino Hip Hop.
The definitive La Sonoro
Dinamita give us 'Gasta'
and 'Amor Del Cielo'.
International artist
Joe Arroyo is featured
with a Tropical track.
The masters are joined
by young Salsa signings
Puerto Rican Luisito
Rosario and Mario Feliciano.
3 Pesos, Two Swing and
Mr Kapri represent Reggaeton
and Latino Hip Hop.
Chiqui Rodriquez, Los
Gigantes Del Vallenato
and Jorge Onate bring
Bachata and Vallenato
to us. Other artists
featured on this CD
include Aris Martinez
with a Salsa track and
Los Corraleros De Majagual
with Cumbia. All great
songs in their own right
brought together for
the truly versatile
listener.
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JOSE
ALEX Y LOS TROTAMUNDOS - 'LA
FIESTA DE MI PUEBLO' |
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Jose
Alex y los Trotamundos' musical
style is known as Tropical,
a distinctively Colombian style
of music. Songs worth paying
particular attention to include
Olvidala Amigo, Payaso, Quiero
Ser Feliz and Todo Un Senor,
although all the songs are very
good. 'La Fiesta de mi Pueblo'
is very different to the first
two releases, but probably my
favourite. |
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| COMPILATION
CDS
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As CDs are
compiled according to musical
styles, you are able to choose
a CD depending on your musical
tastes. There is no way of making
a bad choice, as all CD's are
great, particularly if you appreciate
Colombian music. |
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COLOMBIAN
SALSA, BACHATA, VALLENATO CUMBIA,
TROPICAL |
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Salsa,
Tropical, Cumbia Vallenato and
Bachata are compiled together
on this CD. Artists include
the masters Joe Arroyo, Sonora
Carruseles, Fruko y sus Tesos,
La Sonora Dinamita, alongside
new signings Mario Feliciano
and Luisito Rosario. Although
most of this CD is Salsa (7
tracks), you also have the chance
to taste Bachata, Cumbia and
Tropical too at 1 track each.
This CD is therefore probably
best for salsa fans that do
not mind checking out the other
musical styles. |
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ESTAMOS
UNIDOS LATINOS |
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This
CD is totally devoted to reggaeton
and Latino Hip-Hop for all the
Hip-Hop and Reggaeton heads
out there, I know there are
many! Featured artists are Bimbo,
3Pesos, Gemstar & Bigmato,
Bebe, Hancel, LCD, ChiNoVi,
Jowell y Randy, Indio Man, Chale
Brillante, Code Red, all brilliant.
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SALSA
HITS |
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Another
CD devoted to one type of music,
this time for salseros. There
are 7 tracks, including 1 from
international star and most
popular Colombian Salsa artist
Joe Arroyo. Bad Boys Salsa and
Disco Fuentes' house band Fruko
y sus Tesos supply 2 each. Sonora
Carruseles, who brought Disco
Fuentes back into the forefront
when they returned in the late
1990's, supply 'heavy Salsa'
with their fast arrangements
in a further 2 songs.
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SE
PRENDIO LA FIESTA EN LA 8 |
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This
CD brings together Reggaeton,
Tropical, Salsa and Cumbia,
in roughly equal amounts. Tropical
is provided by Joe Arroyo and
Alex El Trotamundo. Cumbia is
represented by Los Corraleros
de Majagual, Alfredo Gutierrez
and the definitive La Sonora
Dinamita. Reggeaton is supplied
by Indio Crew & David Diambulante,
Panther and 3Pesos. Sonora Carruseles
and Los Titanes provide the
Salsa. |
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DISCOS
FUENTES SONORA CARRUSELES |
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Almost
every musical style is brought
together on this CD from Salsa,
Tropical, Cumbia, and Bachata
to Reggaeton and Hip-Hop Latino.
With a good amount of songs
representing each style of music,
this is very convenient for
the truly versatile listener.
Not only are the stars brought
together on the same CD, you
will also find an interesting
collaboration by Reggaeton artists
3Pesos and salsa master Joe
Aroyo. |
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VENGO
CALIENTE SONORA CARRUSELES |
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This
CD is a compilation of Salsa,
Cumbia, Tropical, Vallenato
and Reggaeton. For fans of Vallenato
music, this is the only CD featuring
a Vallenato song, provided by
Brisas del Pasado. Another song
to listen out for is an interesting
take of the classic Salsa song
El Preso by Reggaeton artist
Marlon! Another CD that will
please the versatile listener,
with a chance to sample different
styles of music. |
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MARIO
FELICIANO - 'ROMPIENDO
BARRERAS'
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Once a member
of the band
Rey Ruiz,
Mario Feliciano
embarks on
his solo career
with this
album. Having
travelled
around the
US and South
America with
greats Celia
Cruz and Pete
'El Conde'
Rodriguez,
he has good
grounding
for a successful
musical career.
His music
combines traditional
Salsa and
modern Salsa
so should
keep everyone
happy. Listening
to the CD,
his music
definitely
has a feel
of the Salsa
of days gone
by. My highlight
of the album
has to be
the song 'A
Tu Manera
No'. A new
sugary voice.
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"THE
MOTORCYCLE DIARIES
DVD, Rated
15 by Georgina
Nicoli |
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The
Motorcycle
Diaries
tells
the
story
of
two
young
men's
journey
through
South
America.
One
happens
to
be
Ernesto
Guevara,
or
as
we
now
know
him
as
'Che'
Guevara,
and
his
friend
Alberto
Granado.
But
this
is
a
Che
we
have
never
seen
before.
The
man
behind
the
most
produced
photograph
in
the
world,
adorning
many
a
student's
wall.
This
is
a
24
year
old
Che,
before
he
becomes
the
hero
of
the
Cuban
revolution.
Based
on
the
diaries
of
Ernesto
Guevara
and
Alberto
Granada,
their
journey
sets
off
from
Argentina
and
takes
them
through
Chile
and
Peru
to
Venezuela
where
they
part.
Through
their
adventures,
they
discover
a
South
America
they
had
never
seen
before
and
find
a
Latin
identity.
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They are witnesses
to the injustice
experienced
by the indigenous
peoples, which
plants a seed
in Ernesto
that will
grow into
the man he
later becomes.
With them,
we get to
see the beautiful
landscapes
and history
of this continent.
This film
is very well
acted. Gael
Garcia Bernal,
who plays
Ernesto, and
Rodrigo De
La Serna,
who plays
Alberto, create
a great rapport.
Their likeness
in looks and
character
to the men
they play
is uncanny.
The extra
features include
deleted scenes,
trailer, cast
and crew interviews,
Alberto Granado
interview,
behind the
scenes and
featurette.
Apart from
behind the
scenes, which
is boring,
the extras
do not disappoint
like other
DVD's sometimes
do. The deleted
scenes look
like they
could be part
of the film,
compared to
other DVD's
where deleted
scenes do
not look up
to scratch.
The highlight
of cinema
in 2004 and
with great
features,
Motorcycle
Diaries is
on release
now.
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