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SALSA.IT vol 8
Reviewed by Rozana Skyte
 
SALSA.IT folks strike again, this time with a new compilation recording by Alosibla. This project was designed with the international market in mind. Three of the tracks are in English; most of the rest of the recording is primarily in Spanish. There are some good Timba, and Romantic salsa tracks, and nice bachatas. Although some of the selections like Montate, Habia Cavour!Dancing Tonight! and Miami! for example) are unmistakably "Cuban" in the way that most listeners would apply the label, this

recording covers a much wider range; the opening track, Una vez mas! Salsa Romantica, composed by Massimo Scalici, and lyrics by Francisco Rojo, is a romatic, passionate story of a tormented and confused desire.Un dia yo! is a swinging and thoughtful composition that moves gracefully between bop and post-bop. Bandolera is this writer's favorite track on the recording, which has a nice mix of both rythms and tempos. Amor Amor and Love Of my life! eases things up a bit with a nice Bachata tracks before Habia Cavour! a great Cha, Cha, Cha, track , and another number, ‘Sueno’, interpreted by Maikel Melody.
This writer felt that the best track in this CD is Una Vez Mas, which starts slow but then builds and keeps building until it has a full head of steam. On the Timba side of the equation, Dancing Tonight and Miami, would give big thumbs-up.
This isn't just another Salsa album, however. Although it lacks the extensive solo work that we love, the arrangements are otherwise good enough to be appreciated by musicians while not disorienting dancers or frightening any of the more-timid DJs out there. Put more bluntly, the album is radio-friendly.
Overall this is a good album from Alosibla which has a nice mix of Salsa Romantica, Timba and Bachata.

To order a CD, check out www.alosibla.com

Italian Hustle Music present Hustle 4 Dancing
Reviewed by Rozana Skyte
 
Are you ready for some hot, tasty Italian, latin hustle? Sure you are. Are you ready to move and groove to the hip swinging sounds? I am highly convinced that once you hear this CD, you will definitely be hooked. Latin hustle has enjoyed resurgence in recent times and the music It’s becoming popular worldwide one again. If you're looking for lovely Latin hustle music, of hip-shaking dance-floor fillers and a smattering of quirky rarities then this album is for you.
Well what else can be said? I am not much for clichés so check this out! and play it loud it! and enjoy it!, I'll be waiting with baited breath for volume two.

To order a CD, check out: www.antiquastudio.com. www.myspace.com/antiquastudio info@3soundrecord.it


'Orinoko' Latin Jazz CD
Reviewed by Othiela Luna
Isaias Lubo, a Venezuelan composer, violinist and singer has produced a unique and vibrant CD that has enriched Latin Jazz. Several tracks reflect Isaias Lubo’s innovative vision of his music like a bridge between the traditional venezuelan music and modern sounds. It is no doubt that greater things are still to come from this young inspiring Jazz musician.
It will be fascinating to watch Isaias Lubo musical growth and bless the world with his music.
Many tracks explore Venezuelan culture deeply, moving through musical compositions and written works.
Isaisas Lubo and his musicians display exceptional musicianship and artistic merit as they envision Venezuela’s culture through the eyes of jazz.
Lubo, skillfully combining aesthetics, Latin-jazz, fusion, Latin-pop, Latin-funk, Cuban timba, samba, Venezuelan folk, cumbia, salsa, even a bit of J.S Bach and rock elements into a distinctively personal statement.

To order a CD, check out: www.orinokomusic.com . www.loewenzahn-verlog.com
www.galileo-mc.de

Mojito Project
Reviewed by Othiela Luna

I considered that this album is 100% danceable with its catchy tunes ("Mas amor daras," "Te quedas te vas" "No vivas de fantasias," AND "You are not alone" the Michael Jackson hit in bachat version).
Its clever lyrics that make songs easy to sing along and be merry or fall in love to (such as the case with "Cama y Mesa" "Vuelve" and "Sign Your Name"
Sign Your Name is the name of a famous song written and performed
by Terence Trent D'Arby (now known as Sananda Maitreya). you could say that the album is brilliant.

To order a CD, check out: www.antiquastudio.com. www.myspace.com/antiquastudio info@3soundrecord.it

Armonia bachatera
Reviewed by Othiela Luna

It would take a pile of adjectives to adequately describe the music on this album. We could start with delightful or catchy, perhaps, but we should quickly add melodious, animated and danceable. Then there’s luminous, effervescent and sparkling, which all belong even if they’re pretty much synonyms. Potent fits. Candid too, and rootsy. Some “in” words: infectious, involving, intense. Vivacious, yes; rhythmic, definitely; beautiful, absolutely. This guitar-based, acoustic music, known as bachata, comes from rural Dominican Republic, therefore – no surprise – it is infused with that amazing, unquenchable Caribbean human spirit.
So I highly, highly recommend this wonderful cd.

To order a CD, check out: www.antiquastudio.com. www.myspace.com/antiquastudio info@3soundrecord.it

Querida Loca
Reviewed by Rossana.Skyte

Bachata moderna is the next evolution of the dance based on the concept of the crosses. It incorporates different styles onto the Bachata beat, for example, you can do Bachata-Tango steps, Zouk basics, Cha-Cha moves and more! .With this album, your dance won’t be from side to side as the traditional Bachata is, instead, you will move and flow on the dance floor with such ease! I don't own too many compilations cds because I am very selective when comes to purchasing compilation music in general. The selection of songs on this cd caught my attention immediately because indeed it has a line up songs that does reflect the current preferences of
today's most avid Bachata fans. It's a perfect mix of Bachatas Tango“Esta vez”, Bachata Pop, Latin pop “Tocame Enciendeme, Reggaeton “Baila Conmigo”, “Una Noche Mas”, and a excellent Bachata RMX.
If you are looking for a contemporary Bachata cd that combines various Bachata styles this one will be a treat. This is a thorough, respectable and enjoyable cd, it certainly makes a good choice for a dance party.

Do yourself a favor, and begin your Bachata CDs collection right now!.

To order a CD, check out: www.antiquastudio.com. www.myspace.com/antiquastudio info@3soundrecord.it

Dandalunga
Reviewed
by Othiela Luna

Intoxicating. Engaging. Irresistible..this all-original mix by Banda Antiqua featuring singer Aline Goncalves
These songs knocked everyone off their feet
This is a great party single CD for "summer" parties, and introduces you to the greats of Brazilian music. Oh, there is a whole lot more great Brazilian music than just this, but this CD is surely the place to start. (By the way, if you have insomnia, this can be quite soothing. Lie back on that imaginary beach in Rio and float away on Aline Goncalves's voice. Mmmmmmm....)
To order a CD, check out: www.antiquastudio.com


Armonia Bachatera

Reviewed by Rossana.Skyte

Bachata is a musical form little known outside the Dominican Republic until sometime in the 1960s. As music of the poorer, lower classes, it was hidden; a 'bachatero' was stigmatized by negative stereotype and even the music's audience took pains to hide their appreciation of the form. It's interesting that while bachata is often called the "music of bitterness" (usually due to foiled love), the artists express little bitterness as they describe and illuminate their struggles and the music's rise.

But that may well be due to the abounding and accepting folk philosophy that seems part of the Dominican personality and has worked its way into the people's music.These joyous and infectious sounds from the Dominican Republic are full of the feel of the region's dancehalls and street dances.

Bachata has been the constant pulse of innovation in popular music from the Dominican Republic. New waves and traditions sprout almost daily in the streets, cafes, gas stations, basements, bars, and even drugstores of the country.
There may be better compilations of bachata but there are none that showcase them together so brilliantly in such a contemporary setting than this installment in the Armonia Bachatera compilation vol 2.

I recommend this CD for beginners to bachata music as well as my Latin dance students who are looking for music to practice with.
The CD includes a bachata version of Steve Wonder hit ‘I JUST CALLED TO SAY I LOVE YOU’, a great interpretation by ‘El Porto Loco feat. Flavio Ausilio’

This CD also includes great tracks from of today's greatest bachateros, including, Pedrito Calvo Jr, El grupo melodico Feat. Steph B Duet with Karlos Xavier, Henry B. Romy Splinter Monchy an many more. Of course there will always be some great artists and hits ommitted, but this is a great start and a great intro CD to give to friends. Cooler than almost anything on the ‘Antiquastudio’ label, this is the only dance music record you need for a steamy Saturday night. Play it at a party when the punch bowl has been drained once and see what happens.

To order a CD, check out: www.antiquastudio.com. www.myspace.com/antiquastudio info@3soundrecord.it


Tia Yova - Nancy Murillo

Reviewed by Lubi Jovanovic

Nancy Murillo is a "calena", a native of Cali, the Colombian city known as "la capital de la salsa. Currently based in Paris, she originally trained in all aspects of dance at La Morada Dance School in Cali, from contemporary to folkoric Colombian and salsa, where she also took acting and singing classes. On leaving college, she pursued a singing career in various groups in Cali and Bogota before moving to France.
Always working, she has been involved in the Paris latin scene for some years now, performing with bands and

artists such as Calentura, Azuquita and Los Sombres Heros. "Tia Yova" is her debut solo CD and is a well produced and played collection of mainly cumbias, a few salsa tracks, an afro-latin folkloric number and a guajira cha cha cha. The songs are all original compositions by Nancy and the band Los Sombres Heros, who play very well, and the production of the CD is equally impressive for an independent release. Crisp brass and percussion, solid piano and warm bass. Just the way good latin music should be recorded. Nancy's voice is not the the strongest but on the whole, she pitches well and has some power, especially on the cumbias which she seems most comfortable with, and the folkloric afro-latin "Africa Mia". Obviously as a salsa DJ, I go for "Barrendera" which has a nice Colombian salsa feel with tasteful brass arrangement for trumpets and trombones. Not being a cumbia expert, I can't really comment deeply on them but they sound authentic and I really like "Conentida" which reminds me of my old Sonora Dinamita LPs from the 1980s and features a great clarinet solo. "Cumbia Nene" sounds like Perez Prado playing cumbia, an interesting fusion which once again features clarinet. "Tia Yova" is a good debut from Nancy Murillo and shows us that the Paris latin scene is still vibrant and turning out quality music.

Lubi Jovanovic

(Lubi Jovanovic has been working in latin music in the UK and world wide since 1982. He has compiled CDs for Fania Records, DJ'd salsa congresses across the world, toured band like Eddie Palmieri, Jimmy Bosch and Manolito y su Trabuco in the UK and co-produced latin radio shows for the BBC).

Hoy tengo que cantar (Today I have to sing) is the first solo album of Alejandro Martinez. Alejandro is well known as the singer of latin pop group Mezcla Latina, but his many and diverse talents don't rest there. He also has a conservatory degree for Choral Conducting, a Didactic of Music from the Conservatory in Buenos Aires and he attended the Italian Music University of Bologna where he investigated choral renaissance harmony. As well as his current involvement with Mezcla Latina he is also Conductor of Gospel Choirs True Voice and Note Nere Padova, and is tango singer with Ruta

 

Seis. Originally from Argentina he now lives in Veneto, Italy.

The album consists of 12 songs, all written and composed by Alejandro. Not being a Spanish speaker I can only guess at the meanings of the songs, but the sentiment and emotion can often be felt through the music and melody. These don't seem like the standard banal pop/love songs so common in English speaking music, he seems like he really has something to say. Despite having lived in Italy for some time Alejandro clearly hasn't forgotten his Argentinian roots, his music exudes 'latin-ness' - the song Buenos Aires seems to passionately describe this vibrant city.

A particular favourite of mine is Tango de abril (Tango of April). His classical, choral influences are obvious, with a sound more familiar to my 'western' ear. The minor melodies and classical guitars blend perfectly and the track sounds a bit more experimental than many of the others, which appeals to me - variety on a album is always welcome. I also really enjoyed Buscando la clave (Finding the key), again because I appreciated the mix of instrumentation and vocals - guitars, trumpets, sax, percussion and so on. I do sometimes find 'latin' music to be a little repetitive, but Alejandro has found a good balance on this album, which should help it appeal to a wider audience.

The talent of the musicians on the album is without question exceptional, many of whom, presumably, are part of Mezcla Latina and have thus played together for many years, and it shows. Hats off also to the production team, who've put together a great sounding album. Nothing feels out of place, with all the instruments and vocals finding their place within 'the mix'.

This is a diverse album with something for everyone including some quieter, more 'thoughful' tracks, but it's also definitely an album you can put on at a party and turn the volume up. Vamos a bailar!

To order a CD, check out: www.alejandrosaorinmartinez.it www.downbrigge.it www.alosibla.it


NO ALCANZAN PALABRAS PARA TI

YAMILA GUERRA

Reviewed by Matt Bailey

No alcanzan palabras para tí (There are not enough words for you) is the new album by Yamila Guerra. It's produced by her brother Yamil Guerra and features many talented musicians, including conguero Luis Conte, drummer Jimmy Branly, timbalero Raul Pineda, Rigoberto Lopez on baby bass, and trombonists Humberto Ruiz and Francisco Torres.
Yamila is a Cuban born singer (now based in Los Angeles), actress, TV host and dancer and is daugther of the famous
Cuban singers Rosell y Cary. She graduated from the Havana Ballet School and Variedades Artisticas and has toured many different countries, including Spain, France, Portugal, Martinique, Guadalupe, Mexico, Cuba and the U.S.

The album consists of eight songs, three of which are tributes to other great Cuban artists - Celia Cruz with 'Quimbara', Miguel Matamoros with 'The Paralytic' and Celina González with 'Santa Barbara (Changó)'.

Yamila talks about her music being like fire and bringing happiness to people and you can easily get swept along with this sentiment. Like most things Salsa it exudes a certain passion and sexiness and is wonderfully upbeat and vibrant. Yamila is an accomplished singer and carries the songs with ease. I'm not a Spanish speaker myself and thus don't understand most of the lyrics, but this doesn't lesson the enjoyment. My only criticism would be that, at only eight songs, it feels a little short. But that's hardly something to complain about and I would recommend this album to anyone with an interest in all things 'latin' - it'll get your feet tapping in no time!

To order a CD, check out www.yamilaguerra.com

El GATO SALSERO

JOSE LUIS MORAN

Reviewed by Camille Gruber

El gato salsero’s first track definitely makes you want to jump on your feet and start dancing! I first listened to it in my car on my way to work and it definitely put me in a great mood for the rest of the day!
The album has 8 songs and a video clip bonus. All the songs are great, most of them energetic with a great dancing rhythm and also some slower ones, perfect for beginner salsa dancers. My favourite one is track 3 “Fuiste Tu”, very romantic.
Jose Luis Moran has been living in Madrid for several years and his style is unique: a fusion between rhythms from Venezuela (his country of origin) and the Spanish salsa.

I am in no way a salsa music expert and cannot compare with many other albums from the same genre but I definitely love it and would recommend it to anyone who wants to discover great salsa music to dance and listen to. It combines all that you would expect from a salsa CD!

To order a CD, check out: www.myspace.com/joseluismoranContacto/Contrataciones

RANDY PLAZA

LEGACIA DE LA SALSA

Reviewed by Angie Parkinson

This is a must buy album for all salsa dancers. Each track is vibrant and powerful. There are not many salsa albums that contain such a lively tempo from beginning to end, put this in your CD player for a continuous salsa dancing. Containing a powerful percussion element with marvellous vocals which has created this fabulous album for the salsa dance scene.
The CD includes singers Hector Rey, Jaime "Megui" Rivera, and Mannix Martinez.

The CD also features the fabulous timbalero Tito De Gracia, pianist Ceferino Cabán, sax player Roberto Calderon, and trombonist Jorge Diaz. All of the tracks, Amarte Es Un Mito;Iluminame;Te Voy Amar;Siento Tu Mano En Mi;Si Te Vas Panuelo De Lágrimas; Ya No Mas; Se Me Ha Metido; En La Piel; Una Vez Mas Se Marcho, I cannot choose one track as a favourite, they are all extravagant. An inspirational and traditional album that is highly recommended.

SALSA.IT COMPILATION VOL.6

BY ALOSIBLA.IT

Reviewed by Angela Parkinson

This compilation of Latin music comprehensively spans the traditional with the modern in Latin music. An album greatly produced by the well-known record label Alosibla. The compilation is diverse in that it contains a successful mixture of well known artists such as Oliver and Croma Latina. The album begins with an outstanding sax rhapsody by Francisco Rojos & L.S.O. This track is truly captivating and transports you to the smoky taverns that you see in Old Havana, Cuba.
The saxaphonic sound explodes your feet to the rhythm of the night. Buscando La Clave is also a very powerful track that includes a wonderful instrumental percussion element. Balancing these fast and furious tracks with the next three tracks of gorgeous, smooth and relaxing tracks are Torna, Renacar and El Aire Que Respiro, then getting you ready for taking the tempo to a faster beat with SueltaLa. The album continues with a variety of modern and medium tempo tracks of Cuando en el silencio, and Un Dia. It then cleverly returns to a traditional Latin music feel with Si Estuvieras, Pa' fuera and Regalo, then mixes in some more modern Latin rhythms with Valo' la pena, Buscala, Sin Novias. To finish the compilation, they revisit the traditional nostalgic Latin rhythms with Tell Me Why and Tocame whilst introducing a modern, futuristic and rapping Latin style rhythm with Nena.

To encapsulate, this album delivers a diverse soundtrack that encompasses the traditional, the modern and the futuristic styles of Latin music. It will suit all latin enthusiasts from young to old and is a must buy album.


GIRALDO PILOTO & KLIMAX - SALSA TIMBA

SOLO TU Y YO

by Angela Parkinson

This CD is a must buy for all those who have a passion for Cuban music. The album is vibrant and captures the true Cuban rhythms. Each track has its own individuality. La permuta reminds me of musicians playing in a Cuban street, and playing with true passion, each track has a strong percussion element but is very different in each and every track. It is truly composed well. The tracks are well balanced and contain strong Cuban/Latin feeling that makes you get up and dance.

I can imagine a warm summers evening, in a plaza and lots of people dancing and enjoying the spirit of the music.
The CD does really inspire and ignite your inner spirit. It mixes a traditional Cuban style with a modern twist. Piloto cleverly mixes two music styles in spectacular style, to produce an album that incorporates a twist on timba music.

To order a CD, check out www.bismusic.com ggeneral@bismusic.artex.cu


DAD ME AND MUHAMMAD ALI

Is a truly inspirational book written by Felix Rodriguez.

by Angela Parkinson

Felix draws on own his own life experience of growing up in a single parent family.

Felix narrates a story about breaking his Father's signed photograph of Muhammad Ali. It shows the emotion that is felt when his Father discovered about the broken picture and how persistent he was in making up to his father with a visit to a bookstore to see Muhammad Ali.

The book tells us about a wonderful story of Father/Son relationship. Chapter 3 tells us the emotion that is felt, probably in most households, when you break one of your parent's prized possessions. You can feel the anxiety and tension around the dinner table, in wondering what his Father was going to say or do.

Chapter 4 goes on to the story of how he will make up the damage to his Father. The disappointment in not winning the bid for the tickets to the bookshop, then the constant phone calls to the bookstore, his determination eventually pays off. The next morning he wakes his Father and tells him his surprise.

Throughout this powerful and emotional book you cannot help feel a part of every chapter. However, most importantly, his book carries a message to all Fathers and Sons. It's a story of a father/son relationship that is truly inspirational and must for all families to read and enjoy.

Particularly heart-warming is Felix's special message to the Champ. Additionally, there is Muhammad Ali's Professional Boxing Record. You must take the Aliologist test at the back of the book, even better if you can do this with your family. There's even a certificate for you to sign. This book is an excellent narrative and also interactive. Share this book with your family and make it part of your memories.

Author's web site: http://www.dadmeandali.com/whats-new.html

You can buy this book from booksellers or by contacting

!Universe
1663 Liberty Drive
Bloomington
IN 47403

www.iuniverse.com

Also in amazon website: http://www.amazon.co.uk/DAD-ME-MUHAMMAD-ALI-Father/dp/1440146233/ref=sr_1_1?ie=UTF8&s=books&qid=1252748993&sr=1-1

LA RUTA SIN FIN

by Caroline.W.

• Debut album by Oliver
• 12 tracks of irrepressible salsa salsaton and bachata
• Released by Alosibla Italy

Had I any pretence of being a music critic, I would probably snob at the idea of including what is after all a commercial CD into the ‘must have’ collection; thankfully, I have not such concerns and I serenely admit that this CD is among my favourite. It must be clear from all this that when I listen to this CD I tune completely into it. It is for me one of those CDs which, once it starts, you simply can not turn off.

Salsa, Salsaton and Bachata are compiled together on this CD.

The introductory song salsa track “Tu Decides” was clearly designed to be a dance hit, track.

Some songs have a gentle swing, slow pace, and hypnotic rhythm to them; they are meant to be romantic love songs like .“Tus ojos” , “Amame”, “Ay amor”, “Amiga amante”, a lovely Bachata tracks that will fill the demand of the dance floor.

Having said that, this release should be classified as a fairly good CD. First, it is fully danceable, Salsa tracks very suitable for beginners, with slow pace, clear beat and very precise recording, which makes the percussion crisp and unmissable.

Another CD that will please the versatile listener, with a chance to sample different styles of music.

Bachata is a very sensual and sexy dance, you can just let your body move freely and allow your body and soul drowns with the music and rhythm. With this dance you can show your passion and emotion and be transported to a whole new world, the music based around guitar is exciting, the dance has that distinctive & sensuous body movement.


This CD is available from www.alosibla.it www.salsa.it

 

FARFALLA TANGO TRIO

by R.R

Farfalla, a modern tango trio, mixes several influences and sounds. Within their musical universe, tango, drum n' bass and jazz peacefully coexist. The intense and danceable beat appears betweeneach interpretation as well as the sweet melodies of the most classic tangos. Their debut album, Farfalla Tango, will be on tour in Europe, August through November this year. Before I heard this album, one of the only genres I was familiar with was tango. There are actually other

beautiful and haunting styles of music like the upbeat milonga (similar to the tango, but with a musical resolution unlike the "frustrated" final note associated with tango)
This album is a great introduction to the variation of styles played in contemporary Argentina as well as traditional sounds.

The CD begins with the “La Trampera”, a fabulous opening for an album that just continues to grow progressively more intriguing with every track. The next track “Contrabajeando” from famous Argentine composer Astor Piazzolla, the best known innovator of the tango music of the new millennium, extends the jazz influence in the style.“Por una cabeza” the sixth track of this album, made me think of the arabals (slums) of Buenos Aires. I could almost smell the cigarette smoke and the red wine coming from a nearby tavern as a smouldering couple provocatively swirls around the dance floor, locked in apassionate embrace. There is also a wonderful tango from the era of the 1910s-1930s (La Cumparcita).

Some of my favorite tracks are: “El Choclo” and “Por una Cabeza.

I strongly recommend owning this album. It is for anyone who hasn't immersed themselves in the beautiful music of Argentina, and for people who already have a great love for the music and the culture.

This beautiful album will completely stir your heart and move your soul.

This CD is available from: www.myspace.com/farfallatango
E :assahira@gmail.com


MI RUMBA

Second album by Croma Latina

10 tracks of irrepressible salsa made in Italy, released in March 2009 by Alosibia edizione musicale

By Susan Johnson

This CD combines Romantic with classical salsa, Mambo and Salsaton, delivered in Spanish and Italian language.
Vocals are shared between great voices, such as Estupinan Maxino, Rita, Joaquin Martin Gonzales, Luisito Rosario, Rey El Vikingo, Hector “El Father, Miguel Enriquez, Ciclon Cubano, N’Taya and El Rubio Loco. The record is filled out with solid brass, driving percussion and spicy keyboard
This recording has such an irresistible swing that once you listen to it, you have to play it again and again. The CD starts with "VUELVE A MI" a romantic salsa track writting and interpreted by Estupinan Maxino, followed by a salsa version of “AIRE/AIRE” with the singer Rita, the group’s female singer.

For the Latin Jazz lovers, this CD also include a track written by Tito Puente “RAN KAN KAN” interpreted by Alejandro Jesus and Rey. The album ends with "SINTONIA TOTAL", a timba track interpreted by Miguel Enriquez Ciclon Cubano, N’Taya and El Rubio Loco.

A wonderful album in a variety of rhythms & styles from some older standards to newly composed numbers, each representing a different area of Cuba. In general, this CD is approachable and addictive, is a highly enjoyable salsa at its best.

This CD is available from www.alosibla.it www.salsa.it

SIMPLEMENTE FERNANDO

'Simplemente Fernando' the debut album from the Uruguayan dancer and choreographer Fernando Sosa, showcases his talent as a singer/songwriter and poet.

By Hanna Saunders

This album begins with a spoken introduction to the talented artists in collaboration with Massimo Scalici, creating an intimate feeling of a live performance. LA SABROSA and DESCARGA TROPICALE pick up on his jazz-band introduction, being reminiscent of the musical stylings of Havana musicians from a bigone era. LOCO POR VOS throws us straight into lively, passionate, sultry nights of summer, dancing and having fun, swiftly followed by the upbeat pop of LOCURA TG. The gentle yearning love songs

CAROLINA and AMORES, pick up the relaxing vibe of summer romance and carefree days spent in the sun an like the dance of salsa itself, the duet of PALPITACIONES hears the voices intertwine with love and passion. The last track ZULMA, is quiet and reflective, a poem dedicated to Sosa's grandmother accompanied by the piano.

The album as a whole is energetic and passionate and seems to follow the experience and relationships in life, from which Fernando Sosa has crearly drown inspiration from, in this skilfully delivered and emotive album.

This CD is available from www.alosibla.it www.salsa.it

 

RIGO Y SU OBRA MAESTRA "Latin Feeling"

Mix a tasty blend of rich rhythms to satisfy the dancers

By Anna Saunders

If ever you could label a salsa album ‘easy listening,’ this album might qualify. There’s enough spice on these numbers to heat-up the blood of salsa aficionados but the album’s real strength is in the selection of approachable, danceable tracks that will also appeal to a novice or more mainstream audience.

Percussionists Rigoberto Rodriguez and his Independent Record Label Obra Maestra Records, has released this perfect salsa album, Latin Jazz and Mambo, 9 tracks of irresistable salsa from Puerto Rico.
The opening track, "Rumberos de Aqui" is heavy on hot, snarling trumpets, with lyrics straight from the barrio. The band reprises the track at the close of the album is dancing dynamite. "Reina De Mi Corazon" drives me crazy and straight to the dance floor with rhythmic breaks and masterful percussion.

For salsa fans that love Tito Puente’s music, there are two salsa tracks with strong jazz influence (Bailando Mambo Elegante, and Rigo’s Mambo. This is a salsa album full of quality tracks ensuring that those in need of classic, mambo and hard salsa experience will be well served.


This CD is available from www.obramaestraonline.com

SALSA.IT COMPILATION VOL.5
ALOSIBLA

By Georgina Nicoli

Salsa.it Compilation is a collection of Latin music from Italy. Latin music is truly a worldwide force now and very popular in Italy. This is the 5th release from this series, reflecting the strength of the Latin music scene in Italy.

The track selection covers a wide spectrum of Latin music. The group Caiman gives us a Salsaton, the new hybrid music phenomenon that blends Salsa and Reggaeton, with ‘Yo Tengo Novia’. This sits alongside more traditional Salsa numbers.
Bachata is also prominent in this release, reflecting the popularity of Bachata at the moment.

The Salsa.it compilations were created to promote new talent, as well as the regulars to the compilation. As well Caiman, in this volume we meet Croma Latina with ‘Por Ella’, by permission of the Latin Europe label. The new Cuban voice on the scene Moises Fernandez provides the Salsa ‘Lo Bueno’. Back again are Tony Velardi and Haban’Ahora with 2 tracks, the Salsa ‘Gozando’ and the Bachata ‘Sin Tu Amor’. Federica Oste returns with the Bachata ‘Noche Sin Ti’. EuroCuban Project is welcomed back with the bi-lingual ‘Shut Up’. After achieving success recently, Myjkool is also back with another bi-lingual ‘Never Forget Me’. And there are many more.

European Latin music has a different sound to music from Latin America that is unique to the continent, I would describe as softer. If you like this, or would like to sample this sound, this is a good compilation to have.

This compilation is available from www.alosibla.it www.salsa.it

 

SALSA PERFECTA VICTOR HUGO

By Georgina Nicoli

Salsa Perfecta is the latest release from the UK’s very own King of Salsa Victor Hugo. His 8th solo release, it has something for everyone. Mostly made up of fast & slow tempo Salsa tracks, you will also find a mix of Son, Tropical, a soft Bachata and a Son Guajira.
Taking the listener back to the heyday of Salsa in the 1970’s, Sigues Siendo Tu sounds reminiscent of the classic hit Oye Como Va. The listener is then bought back to the modern day
with my highlight of the album the Salsaton La Mujer (Perfecta). The inclusion of a Salsaton follows the popularity of this new Latin music genre created from the fusion of Salsa and Reggaeton. This mix of old and new gives the album a traditional yet contemporary feel.

This is a unique album from a unique artist. The energy of his live performances has transferred well onto CD, making this a fun release.
Salsa Perfecta is available from www.victorhugosalsa.com


SONANDO - 'EL MONTUNO'

By Georgina Nicoli

A real European-Latino band, Sonando is a collective of musicians originating from far reaching countries Venezuela, Cuba, Italy, France, Germany and The Netherlands. El Montuno is the third album from the French based band. Written and produced independently, this release has been well received worldwide.
Nearly every Latin music genre you can think of can be found on this CD. The kings of versatility give us high quality Bachata, Merengue, Timba, Conga, Bolero, and of course plenty of Salsa.

The track listing ends with a Salsa-Hip Hop mix bonus track, a fusion that has become so popular in recent years.

Sonando’s ability to successfully perform different musical styles means all tastes can be catered for in one purchase, and makes for a crowd pleaser at live events. It is this trait that makes Sonando as a band exciting and unique.

Sonando will be performing their one & only UK live show at The UK World Open Salsa Championship 2008.


NILS FISCHER & TIMBAZO – ‘¡GRACIAS JOE CUBA!’

Featuring Brian Lynch, Alain Pérez & José ‘Pepe’ Espinosa

By Georgina Nicoli

In New York in the 60’s, Joe Cuba Sextet was the big name on everyone’s lips. They played to audiences night after night and sold millions of records. Joe Cuba wrote and performed several top 40 hits, making him a household name. His popularity was not only confined to the Latino community, but spread to bring together different ethnic groups.
Gracias Joe Cuba! (Thank you Joe Cuba!) is Nils Fischer’s tribute to a legend. The CD contains 17 Joe Cuba covers.

Four of the songs come from the ‘Diggin’ The Most’ record and the rest come from ‘Steppin’ Out’, ‘Comin’ At You’ and ‘Estamos Haciendo Algo Bien’. These are covers but with a modern twist. This was Nils’s vision for the album. He enlisted the help of Alain Pérez, Jan Laurens Hartong and Holland’s top Latin music arranger Marc Bischoff to realize this vision. They have arranged the songs in a way that gives these easily recognizable classics a contemporary flavour. He wanted horns and aspects of Jazz, Rumba, Salsa and Timba, not found in the originals. As a percussionist, the rhythm section has of course been given the Nils touch. This is where his talent shines through.

Despite being of German descent, he has been recognized as producing a very authentic sound on this album. Of course, this would never live up to the originals but is an enjoyable album all the same.

For Sonando Interview please click here

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SALSA DANCE HITS: THE LEGENDARY FANIA RECORDINGS
Union Square Music

By Georgina Nicoli

GRUPO DANSON

By Georgina Nicoli

RAY RODRIGUEZ Y SWING SABROSO – BAILA CON SWING SABROSO
By Georgina Nicoli

Lately, we have reviewed albums that fuse a range of Latin music genres. Now for the Salsa fan, Baila con Swing Sabroso is Salsa through and through. Having been raised in New York City’s Spanish Harlem and Brooklyn, it is no surprise that the New York Salsa created there by the likes of Tito Puente and Ray Baretto has greatly influenced Ray Rodriguez and his band’s sound. This is honoured in their homage to the two greats: Tito Puento and Ray Barretto. Their love and respect for Tito Puente’s music is represented in the aptly titled

instrumental ‘Song for TP’. The big influence of Ray Barretto is shown in their Barretto Medley, made up of ‘Vive y Vacila’, ‘Bam Bam Quere’ and ‘Manos Dura’. Being a fan of the New York Salsa from the past, this medley is my favourite part of the album. This nine track album includes an English language number ‘You’re My Everything’, maybe for the English speaking Salsa fans of which there are many. Baila Con Swing Sabroso is the debut album from Ray Rodriguez and his band. Experienced arrangers Oscar Hernandes, Paquito Pastor and Willie Ruiz have collaborated on this project. Ray Rodriguez and his band have also enlisted a bit of help from their friends Grammy Award Winner Dave Valentine, Ray Vega, Pablo ‘Chino’ Nunes and Pequeno Johnny. Their music has been described as ‘Salsa Dura’ (hard Salsa) and definitely for dancers. You are invited to dance with Swing Sabroso.

THE BEST OF KACHIMBA 1551

by Georgina Nicoli
A great introduction to the band, this CD contains 15 tracks from Kachimba 1551’s repertoire. It has a very modern, fresh sound, partly due to the use of rap and DJ scratching in a number of the songs. They sing in Japanese, Okinawan language and Spanish. It isn’t just salsa here. You will also find a cumbia and a merengue. Kachimba 1551 have a strong Cuban influence, which you can especially hear in the Cuban folk-sounding ‘Flores’. My favourite track has to be the relaxing ‘Ryuka’.
It has a strong Japanese influence. It is sung in Japanese and draws from Southeast Asian music. The vocals have a sweet quality. Sung over slow tempo drums and the sound of waves, it serves to break up the lively songs that dominate this album.

CAMINO KACHIMBA 1551

This 5 track CD gives you a taste of Kachimba 1551’s sound. Again, they sing in Spanish and Japanese and Okinawan language. Track 4 ‘A Bailar Punpun’ is a true example of their flexibility. It is a Rock’n’Roll infused salsa, something I have never heard before. Camino Kachimba 1551 is a fun release, like all Kachimba 1551 CDs.

UNBABO!
Unabo is another full album, sung in Spanish, Japanese and Okinawan language. As well as their own material, this release includes covers of classics, like Quimbara and ‘Hey! Hey! Tequila’ (their version of ‘Tequila’). In ‘Hey! Hey! Tequila’, they substitute the word Tequila for Kachimba, an example of their fun approach to music. This CD showcases the unique spin they put on classics, making them their own. When I first heard Kachimba, I was stunned. I’ve heard French salsa but this is the first time that I’ve ever heard Japanese, or should I say Okinawan, salsa. They fuse Cuban salsa with Southeast Asian music. It could arguably be classed as a sub-genre.

The Japanese female vocals have a sweet quality, while fitting so well with the Latin rhythm. Their sound is exciting because it is so new to me. Also, Kachimba 1551 as a band is unique. Not for salsa purists, they play with the music and draw from a wide range of influences. It never ceases to amaze me firstly the universal power of Latin music to spread throughout the world all the way to Japan, secondly that a completely non-Latino band can pull off salsa, thirdly how non-Latinos can sing in Spanish as a second language with such ease and finally how any language can sound so at home on top of Latin rhythms.

SEBASTIAN SCHUNKE

VIDA PURA by Sebastian Schunke Orchestra

by Tony Beauchamp

This most recent album of Sebastian Schunke is an awesome presentation of the honey rich voice of Olvido. Often breathless in its texture the voice of this exquisite Cuban singer lends richness and depth to the quality to Schunk’s extraordinary compositions of jazz latin fusion. Listening to her emotive vocals you can almost feel her in the room.
As with Schunk’s album ‘Mouvement’ the production is outstanding in its clarity and balance. The jazz element
seems to shimmer between the main stream and avant guard immeasurably enhanced by rhythmic excitement introduced through Schunk’s masterly use of extravagant time signatures. Schunke talks about the use of son montuno 7/4 and 9/4 time signatures that typify his music. The very quality that denies the dancer presents a banquet of sound for the latin jazz enthusiast.

For most of the album Felipe Cabrera and Lukmil Perez lay down a faultless rhythm. Surely a dream section for any soloist and the perfect partnership for Sebastian Schunke?

The twelve minutes given over to ‘Mouvement’ are introduced by Filipe Cabrera’s liquid bass. A deceptive beginning, the tension builds with vocal and trumpet and rifting piano and then Schunk’s reintroduction and the thick warm voice of Olvido.

As a sometime horn player I poured years into mastering the secrets of the saxophone only to find myself craving the sharp contrast of the trumpet. The contradictory muscle play of the sax and trumpet embouchure dissuades most horn players from trying to double on these instruments. The best known artist, the legendary Benny Carter to solo on both achieved it by ‘only doing a bit on the trumpet’. Mario Morejon is the exception that proves the rule. I love his flowing trumpet sound and ethereal soprano sax.

‘Melancholie’ opens with the subtle brush work of Philipp Bernhard and smooth tenor sax of Dan Freeman. The bass of Michael Haves and Schunk’s stabs on the piano offer us a musical insight into the urban landscape. Beautiful haunting vocals from Olvido complete the picture.

With Sebastian Schunke planning tours of Colombia, Japan and China we have to ask why not the UK? The success of latin sound from bands like Turquino and the Banjofondo Band demonstrates the appetite in the UK for latin music. I can easily imagine Schunk and Olvido performing at the RFH or the Sage in Newcastle, Ronnie Scot’s or WOMAD.

Try ‘Vida Pura’!

 

MOUVEMENT by the Sebastian Schunke Orchestra

by Tony Beauchamp

I started listening to this album early on a wet Sunday morning in Hackney. The senses playing their own tunes and resisting the urge to create a collective picture of reality. The stream of solo motifs fitted my mood as the music flowed together and synthesized to wrap the day in a thoughtful coat of tranquility. If I had expected anything of a record from a piano player of Schunkes caliber it was long developed piano solos supported by collaboration with the finest backing artists .
Expectations confounded but not disappointed for one moment. The piano is integrated into the compositions where the power of each soloist is enhanced by the overall instrumentation. Schunke is superb in his virtuosity and blending of sounds.

The latin feel of the album is skillfully communicated by the commanding drumming of Lukmil Perez and the bass of Felipe Cabrera but this is not an collection of songs or dance tunes but a total piece of music that flows flawlessly from one masterful track into another.

Whether 'Mouvement', the name that the first track lends to the album is intended to describe the development of the composition or the sense of making a way through space this is good choice of names for piece that allows the instrument to find and dominate their own progress.

The album opens with a rifting piano introducing driving drums and beautifully paced bass taken up by the fluent expressive trumpet of Mario Hernandez Morejon. The voice of Olvido Castellano, rich like Colombian coffee, joins the piece as another instrument, helping to build this textured and sensuous piece. No one soloist dominates this piece. The tone is set for an album of outstanding solo performances woven together in a tapestry of contemplation.

Perhaps my favorite track is Monk y Nino, compellingly rhythmic vocals and trumpet push this piece along riding securely on the drums and bass, another chance for El Indio to display his virtuosity before handing over to the flawless horn of Peter Brainin.

The intro of 'Herbst' offers a contrast with Olando Poleo laying down the rhythm on congas for Yodfat Miron on viola and Johannes Hentschel on cello to flow between. Everything is control, elegance and perfection. I have seldom heard strings so well integrated into a jazz format.

The semaphore bass of Cardenas drives the arrangement of Zwiespalt where Schunk steps in to explore the moods of the piano and Michael Haves electronics swell and enrich the already heady brew.

The outstanding feature of this album is the perfection of the solo performances that combine to render a faultless sound.

No lover of Latin Jazz would want to be without this in their collection!


 

SALSA LOCA - ‘AMOR CON AMOR-----------------------by Georgina Nicoli

Listening to this CD you would assume you were listening to a European Salsa band with a lead singer from one of the Latin American countries. However, you would be surprised to discover that the lead vocalist is as Danish as you can get. A blond woman called Signe. Most Salsa bands are made up of Latinos living in Europe, or at least a mix of local musicians and local musicians of Latino origin. However, Salsa Loca is made up solely of local Danish musicians. This is very unique and proves the power of Salsa as a
universal style of music. Despite this fact, Salsa Loca’s music sounds unbelievably authentic. Although Signe comes from a Classical music backgound, Salsa vocals seem to come so naturally to her. The first release from the band, this ‘Mini-CD’ is compiled of 3 tracks, each of high quality. This is energetic Salsa, strictly for dancing to. Salsa Loca’s musical style is catchy fun Salsa, with a definite European sound. That sound that gives much importance to the instruments. Instruments used in Salsa like brass (trumpets, trombones and flute), piano and bass and the timbales originate from Europe, so it is natural for these elements to play a particularly big part in European Salsa. A little warning to the Salsa purists out there. Although this is pure Salsa, Salsa Loca also experiment with their sound. They use electronic effects on the vocals of ’Salsa Loca’, fusing the traditional with the modern. In ’El Amor De Mis Suenos’, they use an African tribal dance intro, very unusual for a Salsa band. I've only really heard it used by modern Cuban Hip Hop artists like Orishas. Once you have heard this CD, you will know why it has won such critical acclaim.

CONEXTION LATINA

The CD cover of Conexion Latina’s ‘MAMBO Nights’ with the band and title picked out in orange neon and a neon sign showing a pair of dancing legs in a mambo step suggest a album packed with dance numbers for the dance enthusiast, an album to find a top spot in any DJ’s play list at salsa clubs ‘Mambo Nights’, opens with a horn break and leads us into a stunning trumpet solo by Dusko Goykovich followed by driving percussion breaks and outstanding horn arrangement that set the tonefor this beautifully arranged album.
The horn arrangements dominate the whole album and moving the music as being its most prominent feature, truly

exciting, harmonically thrilling and executed by undeniably talented and skillful musicians.

Osvaldo Farjado sings ‘Flotando en el Aire’ in a lyrical groove that is pushed along by backing vocals that give the number a tension to hold the listener and grip the dancer. Gil Kaupp’s muted trumpet sits exquisitely in this track, the opening notes evocative of the Miles Davis, what could be better?

I loved the piano solo by Jesse Milliner that opens ‘Alna’s Connexus’ and presents a formidable challenge to Bobby Shew on trumpet, met with the confidence of a true master. The track is taken out by Felipe Rengifo on timbales and offers us a feast of virtuoso accomplishment.

On Hace Rato the vocal rifting gives a latin warmth to the furious instrumental display. Check the one tenor sax solo on the album offered by guest artist Lutz Hafner.

Conexion Latina was formed in the 1980 by trombonist Rudi Fuesers and has from its inception been a collaboration of musicians from all over Latin America and the Caribbean. The sound of Conexion Latina at the centre of the a genre of Latin Jazz/Salsa. The highly talented musicians of Conexion Latina are joined on this album by number of outstanding guest soloists who guarantee the outstanding musical quality each track.

Alberto Naranjo joins Conexion Latina on this project as musical director. The leader of the Venezuelian band ‘El Trabuco Venezolano’ has proved himself again as a master of dynamics and phrasing in bringing in such an accomplished musical enterprise.

This album, recorded in 2000 is musical prize for any lover of Latin Jazz. The horn arrangements give the music a feel of the 1990’s. Nothing in the production is less than masterful.

An album for any jazz or latin enthusiast.



TIEMPO LIBRE - ‘LO QUE ESPERABAS
(WHAT YOU’VE BEEN WAITING FOR)’

by Georgina Nicoli
 

Tiempo Libre are back with their second album. The ambassadors for Timba music have brought the genre back to life yet again with this release. They named it ‘What You’ve been Waiting For’ as a dedication to their fans, who on attending their concerts tell them their music

is what they have been waiting for having never heard Timba music before. There is more variety on this album compared to the first album. As well as Timba, you will also find a modern Cha Cha Cha and a Bolero. The theme of the immigrant experience so strong in their first album is carried on in this album. The nature of this experience that is a paradox of painful yet hopeful is expressed in a number of tracks. ’Tengo Que Olvidarte’ talks of forgetting as a way to deal with the pain of leaving behind a precious homeland that you may never return to. In ’A Bayamo En Coche’, they change the words of this Cuban classic towards the end of the song singing "and now I’m on my way to Miami by boat". This is another Tiempo Libre tradition that they have continued in this album, to include one cover of a Cuban classic among original songs. They have given this classic Cuban song a contemporary twist of their own. The rest of the tracks are co-written by all the band members. They have that big band sound as you would expect with a high quality sound. The vocals are great and the rhythms infectious. This album is just so much fun. I think even more fun than the first!



ALEX TORRES Y SU ORQUESTA - '25 TO LIFE'
by Georgina Nicoli

25 to Life refers to how long Alex Torres has been making Latin music with his orchestra for. This theme runs through the album sleeve. With thanks to the Amsterdam New York police department, each band member has been photographed as inmates, accompanied by a list of their offending crimes. They serve different sentences but all are to Life, representing their passion for performing music which

will last all their lives. This is a clever, and funny, idea for an album sleeve. Their years of experience can be heard in their music. Their brand of Salsa reminds of classic traditional Salsa. I can hear the influence of Salsa from Puerto Rico and Cuba, and ofcourse New York Salsa. I can especially feel the Cuban influence in the track ‘Locamente Enamorado’. The song ‘Suite Cuna Tropical’ is a dedication to Puerto Rico. Although this is predominately a Salsa album, it is not purely a Salsa album. It also features two Merengue tracks and one Cumbia, with a reference to its country of origin Colombia. All songs are sung in the Spanish language, except for ‘King Cash’ sung completely in English. This is great for those who do not know Spanish. It is also important for its brave social commentary. It addresses the ever growing importance given to making money in a society that has forgotten how to love and teaches to think about number one. It also speaks out against the Iraq war. The album ends with a Reggaeton remix of the opening track ‘La Ropa Esta En El Baul’. No album seems complete nowadays without a Reggaeton infused track. But I’m not complaining. This is a great album of a high quality.


JORGE CORDERO - ‘LATINO’ --------------by Georgina Nicoli

With the images of Cuba on the album sleeve and the ‘Cuban All Stars’ stamp on the back, you can guess that Jorge Cordero is Cuban. The ‘Cuban All Stars’ stamp also gave me high hopes for this album. I was not disappointed. Jorge Cordero and his Team Latino band got their big break way back in 1992.

Since then, they have made a name for themselves touring, recording five albums and winning awards, including the Danish ‘World Music Award’ in 2000. 'Latino' was released in 2004 and is Jorge Cordero's latest album. His sound is definitely Latino. His brand of music is an innovative mix of Hip Hop, Pop, Salsa and Timba. It is classed as Salsa, but drawing from such a wide spectrum of music, I feel I cannot pigeon-hole this album into solely the Salsa category. His music has a very modern feel and sound to it throughout the album, for example the use of raps and the ’Soul Cut’ of the opening track ’Todo Sigue Igual’. The songs are catchy and up-beat. This album is well sung, of a good quality and great to listen (and dance) to.


CACHE - 'THE TORONTO SESSIONS' by Georgina Nicoli

Cache is a Salsa band, based in Canada. This is the band's second album. Through their album, they give us a taste of as they call it 'sabor de Toronto' (the flavour of Toronto). All songs are in the Spanish language, except for 'Diablita' which is sung in English. The inclusion of 'Diablita' is great for English speakers whose Spanish isn't 100%. The song is about a devil woman, who he is hopelessly in love with. Although this is predominately a Salsa album, there is one Cumbia song 'Vuelve A Mi Carnaval', also with the use of steel bands. So, as well as the flavour of Toronto, this album gives us a serving of the flavour of Colombia. The album ends with an instrumental called 'Willy's Theme (At Another Level), unusual compared to other Salsa albums we have received.
This is an example of their unique sound and independence. I can tell you the flavour of Toronto is spicy and of a good quality.

PANCHITO - ‘RESURRECCIÓN’ by Jazzis(israel)

This is one of those completely anonymous albums that put a smile the size of a moon on my face. Panchito are a Dutch nonet, led by guitarist Andre van Berlo, who also composed and arranged all the music, which plays Latin jazz. So what's the big deal you ask? Well the big deal is what is played and how it's played. There are countless Latin jazz bands around the globe, between Cuba and Timbuktu, which beat the hell out of their congas, but only very few of these bands can make Salsa sound like Art. What the members of Panchito lack in their genes (none of them seem to be of Cuban heritage) they amply compensate in their ability to play and improvise. The European musical heritage of preciseness and clarity,

combined with the fire in the soul is in this case an overwhelming success. There is none of the sloppiness often found in Latin jazz, which can be charming sometimes but often quite annoying. Every note here is clean as a whistle and exactly right. And if you think this stuff is an anemic version of Irakere, you are dead wrong â just listen to the music and you won't be able to stop yerbuty from sheikin'. Just pour yourself a long drink, put this album on full volume, relax and close your eyes and off you go to tropic paradiseâ


HATUEY - ‘LLEGO EL MOMENTO’ by Georgina Nicoli

Hatuey may be from Sweden but they are a Salsa band devoted to the music of Cuba and other Caribbean countries. Their devotion is felt in the rhythms of this lively album and their musical references to Cuban classics. For example, in ’Cerca De Ti’ they sing the line ‘dos gardenias para ti‘.The black and white photos set in what looks like Cuba used in the booklet that accompanies this CD, compliments this nostalgia for the music of days gone by.

Their brand of Salsa marries these traditional properties of the genre with modern aspects, like their use of the sound of a DJ scratching a record. The way they sing reminds me of the type of vocals found in modern day New York based Salsa. While this album is a Salsa album, other modern musical genres from other Caribbean islands are called upon, also giving their music a contemporary sound. The track ’Wagga Wagga’ features a steel band and a Reggae rap. It is the only track to include English lyrics, on the raps, while the rest of the album is in Spanish. Their song ’Salsa de Puerto Rico’ has been given what they have termed as a ’Pleneton’ remix at the end of the album. ’Plene’ refers to the traditional Puerto Rican instrument and the ’ton’ is for the Reggaeton inspired raps inserted onto the track. This is a great old meets new Salsa album to make you dance.


DEL DONGO - ‘DESTINATION AMAZONE’
by Georgina Nicoli

‘Destination Amazone’ is the first purely Salsa release from French band Deldongo. While his first release ‘Superstar ‘was a mix of Salsa, Groove, Soul, Cha Cha Cha and Pop songs, this is a four-track Salsa single. Definitely for all the Salseros out there. Deldongo’s brand of Salsa is unique, maybe thanks to his background in Jazz and Soul.
As well as a great vocalist, he is skilful pianist able to play in a whole range of styles. He really is destined for the Amazon with this release. The tracks have a tropical feel to them. It is no surprise, therefore, that the Spanish language song ‘Hermano de tu Tierra’ was received so well in Peru. It holds a beautiful message of brotherhood between all the people of the world, a theme of peace and love that runs through Deldongo‘s music. As on ‘Superstar‘, he sings in French and Spanish, but mostly in French this time. While ‘Superstar’ totals up more Spanish language songs than French, three out of the four songs on this CD are in French and the last in Spanish. This is, then, what Deldongo calls ’French Salsa’ rather than Salsa made in France. While other Salsa bands based outside of Latin America use the Spanish language in their music, Deldongo uses his native French. The smooth French lyrics sound so at home with the Latin vocal arrangements and beats that it sounds natural, like a match made in heaven. He also sounds at home with the Spanish language. All the tracks are composed, produced and arranged by Deldongo himself. He creates hip, high quality, feel good music, meant for dancing to. I suggest you get hold of this.
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