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NO ALCANZAN PALABRAS PARA TI

YAMILA GUERRA

Reviewed by Matt Bailey

No alcanzan palabras para tí (There are not enough words for you) is the new album by Yamila Guerra. It's produced by her brother Yamil Guerra and features many talented musicians, including conguero Luis Conte, drummer Jimmy Branly, timbalero Raul Pineda, Rigoberto Lopez on baby bass, and trombonists Humberto Ruiz and Francisco Torres.
Yamila is a Cuban born singer (now based in Los Angeles), actress, TV host and dancer and is daugther of the famous
Cuban singers Rosell y Cary. She graduated from the Havana Ballet School and Variedades Artisticas and has toured many different countries, including Spain, France, Portugal, Martinique, Guadalupe, Mexico, Cuba and the U.S.

The album consists of eight songs, three of which are tributes to other great Cuban artists - Celia Cruz with 'Quimbara', Miguel Matamoros with 'The Paralytic' and Celina González with 'Santa Barbara (Changó)'.

Yamila talks about her music being like fire and bringing happiness to people and you can easily get swept along with this sentiment. Like most things Salsa it exudes a certain passion and sexiness and is wonderfully upbeat and vibrant. Yamila is an accomplished singer and carries the songs with ease. I'm not a Spanish speaker myself and thus don't understand most of the lyrics, but this doesn't lesson the enjoyment. My only criticism would be that, at only eight songs, it feels a little short. But that's hardly something to complain about and I would recommend this album to anyone with an interest in all things 'latin' - it'll get your feet tapping in no time!

To order a CD, check out www.yamilaguerra.com

El GATO SALSERO

JOSE LUIS MORAN

Reviewed by Camille Gruber

El gato salsero’s first track definitely makes you want to jump on your feet and start dancing! I first listened to it in my car on my way to work and it definitely put me in a great mood for the rest of the day!
The album has 8 songs and a video clip bonus. All the songs are great, most of them energetic with a great dancing rhythm and also some slower ones, perfect for beginner salsa dancers. My favourite one is track 3 “Fuiste Tu”, very romantic.
Jose Luis Moran has been living in Madrid for several years and his style is unique: a fusion between rhythms from Venezuela (his country of origin) and the Spanish salsa.

I am in no way a salsa music expert and cannot compare with many other albums from the same genre but I definitely love it and would recommend it to anyone who wants to discover great salsa music to dance and listen to. It combines all that you would expect from a salsa CD!

To order a CD, check out: www.myspace.com/joseluismoranContacto/Contrataciones

RANDY PLAZA

LEGACIA DE LA SALSA

Reviewed by Angie Parkinson

This is a must buy album for all salsa dancers. Each track is vibrant and powerful. There are not many salsa albums that contain such a lively tempo from beginning to end, put this in your CD player for a continuous salsa dancing. Containing a powerful percussion element with marvellous vocals which has created this fabulous album for the salsa dance scene.
The CD includes singers Hector Rey, Jaime "Megui" Rivera, and Mannix Martinez.

The CD also features the fabulous timbalero Tito De Gracia, pianist Ceferino Cabán, sax player Roberto Calderon, and trombonist Jorge Diaz. All of the tracks, Amarte Es Un Mito;Iluminame;Te Voy Amar;Siento Tu Mano En Mi;Si Te Vas Panuelo De Lágrimas; Ya No Mas; Se Me Ha Metido; En La Piel; Una Vez Mas Se Marcho, I cannot choose one track as a favourite, they are all extravagant. An inspirational and traditional album that is highly recommended.

SALSA.IT COMPILATION VOL.6

BY ALOSIBLA.IT

Reviewed by Angela Parkinson

This compilation of Latin music comprehensively spans the traditional with the modern in Latin music. An album greatly produced by the well-known record label Alosibla. The compilation is diverse in that it contains a successful mixture of well known artists such as Oliver and Croma Latina. The album begins with an outstanding sax rhapsody by Francisco Rojos & L.S.O. This track is truly captivating and transports you to the smoky taverns that you see in Old Havana, Cuba.
The saxaphonic sound explodes your feet to the rhythm of the night. Buscando La Clave is also a very powerful track that includes a wonderful instrumental percussion element. Balancing these fast and furious tracks with the next three tracks of gorgeous, smooth and relaxing tracks are Torna, Renacar and El Aire Que Respiro, then getting you ready for taking the tempo to a faster beat with SueltaLa. The album continues with a variety of modern and medium tempo tracks of Cuando en el silencio, and Un Dia. It then cleverly returns to a traditional Latin music feel with Si Estuvieras, Pa' fuera and Regalo, then mixes in some more modern Latin rhythms with Valo' la pena, Buscala, Sin Novias. To finish the compilation, they revisit the traditional nostalgic Latin rhythms with Tell Me Why and Tocame whilst introducing a modern, futuristic and rapping Latin style rhythm with Nena.

To encapsulate, this album delivers a diverse soundtrack that encompasses the traditional, the modern and the futuristic styles of Latin music. It will suit all latin enthusiasts from young to old and is a must buy album.


GIRALDO PILOTO & KLIMAX - SALSA TIMBA

SOLO TU Y YO

by Angela Parkinson

This CD is a must buy for all those who have a passion for Cuban music. The album is vibrant and captures the true Cuban rhythms. Each track has its own individuality. La permuta reminds me of musicians playing in a Cuban street, and playing with true passion, each track has a strong percussion element but is very different in each and every track. It is truly composed well. The tracks are well balanced and contain strong Cuban/Latin feeling that makes you get up and dance.

I can imagine a warm summers evening, in a plaza and lots of people dancing and enjoying the spirit of the music.
The CD does really inspire and ignite your inner spirit. It mixes a traditional Cuban style with a modern twist. Piloto cleverly mixes two music styles in spectacular style, to produce an album that incorporates a twist on timba music.

To order a CD, check out www.bismusic.com ggeneral@bismusic.artex.cu


DAD ME AND MUHAMMAD ALI

Is a truly inspirational book written by Felix Rodriguez.

by Angela Parkinson

Felix draws on own his own life experience of growing up in a single parent family.

Felix narrates a story about breaking his Father's signed photograph of Muhammad Ali. It shows the emotion that is felt when his Father discovered about the broken picture and how persistent he was in making up to his father with a visit to a bookstore to see Muhammad Ali.

The book tells us about a wonderful story of Father/Son relationship. Chapter 3 tells us the emotion that is felt, probably in most households, when you break one of your parent's prized possessions. You can feel the anxiety and tension around the dinner table, in wondering what his Father was going to say or do.

Chapter 4 goes on to the story of how he will make up the damage to his Father. The disappointment in not winning the bid for the tickets to the bookshop, then the constant phone calls to the bookstore, his determination eventually pays off. The next morning he wakes his Father and tells him his surprise.

Throughout this powerful and emotional book you cannot help feel a part of every chapter. However, most importantly, his book carries a message to all Fathers and Sons. It's a story of a father/son relationship that is truly inspirational and must for all families to read and enjoy.

Particularly heart-warming is Felix's special message to the Champ. Additionally, there is Muhammad Ali's Professional Boxing Record. You must take the Aliologist test at the back of the book, even better if you can do this with your family. There's even a certificate for you to sign. This book is an excellent narrative and also interactive. Share this book with your family and make it part of your memories.

Author's web site: http://www.dadmeandali.com/whats-new.html

You can buy this book from booksellers or by contacting

!Universe
1663 Liberty Drive
Bloomington
IN 47403

www.iuniverse.com

Also in amazon website: http://www.amazon.co.uk/DAD-ME-MUHAMMAD-ALI-Father/dp/1440146233/ref=sr_1_1?ie=UTF8&s=books&qid=1252748993&sr=1-1

LA RUTA SIN FIN

by Caroline.W.

• Debut album by Oliver
• 12 tracks of irrepressible salsa salsaton and bachata
• Released by Alosibla Italy

Had I any pretence of being a music critic, I would probably snob at the idea of including what is after all a commercial CD into the ‘must have’ collection; thankfully, I have not such concerns and I serenely admit that this CD is among my favourite. It must be clear from all this that when I listen to this CD I tune completely into it. It is for me one of those CDs which, once it starts, you simply can not turn off.

Salsa, Salsaton and Bachata are compiled together on this CD.

The introductory song salsa track “Tu Decides” was clearly designed to be a dance hit, track.

Some songs have a gentle swing, slow pace, and hypnotic rhythm to them; they are meant to be romantic love songs like .“Tus ojos” , “Amame”, “Ay amor”, “Amiga amante”, a lovely Bachata tracks that will fill the demand of the dance floor.

Having said that, this release should be classified as a fairly good CD. First, it is fully danceable, Salsa tracks very suitable for beginners, with slow pace, clear beat and very precise recording, which makes the percussion crisp and unmissable.

Another CD that will please the versatile listener, with a chance to sample different styles of music.

Bachata is a very sensual and sexy dance, you can just let your body move freely and allow your body and soul drowns with the music and rhythm. With this dance you can show your passion and emotion and be transported to a whole new world, the music based around guitar is exciting, the dance has that distinctive & sensuous body movement.


This CD is available from www.alosibla.it www.salsa.it

 

FARFALLA TANGO TRIO

by R.R

Farfalla, a modern tango trio, mixes several influences and sounds. Within their musical universe, tango, drum n' bass and jazz peacefully coexist. The intense and danceable beat appears betweeneach interpretation as well as the sweet melodies of the most classic tangos. Their debut album, Farfalla Tango, will be on tour in Europe, August through November this year. Before I heard this album, one of the only genres I was familiar with was tango. There are actually other

beautiful and haunting styles of music like the upbeat milonga (similar to the tango, but with a musical resolution unlike the "frustrated" final note associated with tango)
This album is a great introduction to the variation of styles played in contemporary Argentina as well as traditional sounds.

The CD begins with the “La Trampera”, a fabulous opening for an album that just continues to grow progressively more intriguing with every track. The next track “Contrabajeando” from famous Argentine composer Astor Piazzolla, the best known innovator of the tango music of the new millennium, extends the jazz influence in the style.“Por una cabeza” the sixth track of this album, made me think of the arabals (slums) of Buenos Aires. I could almost smell the cigarette smoke and the red wine coming from a nearby tavern as a smouldering couple provocatively swirls around the dance floor, locked in apassionate embrace. There is also a wonderful tango from the era of the 1910s-1930s (La Cumparcita).

Some of my favorite tracks are: “El Choclo” and “Por una Cabeza.

I strongly recommend owning this album. It is for anyone who hasn't immersed themselves in the beautiful music of Argentina, and for people who already have a great love for the music and the culture.

This beautiful album will completely stir your heart and move your soul.

This CD is available from: www.myspace.com/farfallatango
E :assahira@gmail.com


MI RUMBA

Second album by Croma Latina

10 tracks of irrepressible salsa made in Italy, released in March 2009 by Alosibia edizione musicale

By Susan Johnson

This CD combines Romantic with classical salsa, Mambo and Salsaton, delivered in Spanish and Italian language.
Vocals are shared between great voices, such as Estupinan Maxino, Rita, Joaquin Martin Gonzales, Luisito Rosario, Rey El Vikingo, Hector “El Father, Miguel Enriquez, Ciclon Cubano, N’Taya and El Rubio Loco. The record is filled out with solid brass, driving percussion and spicy keyboard
This recording has such an irresistible swing that once you listen to it, you have to play it again and again. The CD starts with "VUELVE A MI" a romantic salsa track writting and interpreted by Estupinan Maxino, followed by a salsa version of “AIRE/AIRE” with the singer Rita, the group’s female singer.

For the Latin Jazz lovers, this CD also include a track written by Tito Puente “RAN KAN KAN” interpreted by Alejandro Jesus and Rey. The album ends with "SINTONIA TOTAL", a timba track interpreted by Miguel Enriquez Ciclon Cubano, N’Taya and El Rubio Loco.

A wonderful album in a variety of rhythms & styles from some older standards to newly composed numbers, each representing a different area of Cuba. In general, this CD is approachable and addictive, is a highly enjoyable salsa at its best.

This CD is available from www.alosibla.it www.salsa.it

SIMPLEMENTE FERNANDO

'Simplemente Fernando' the debut album from the Uruguayan dancer and choreographer Fernando Sosa, showcases his talent as a singer/songwriter and poet.

By Hanna Saunders

This album begins with a spoken introduction to the talented artists in collaboration with Massimo Scalici, creating an intimate feeling of a live performance. LA SABROSA and DESCARGA TROPICALE pick up on his jazz-band introduction, being reminiscent of the musical stylings of Havana musicians from a bigone era. LOCO POR VOS throws us straight into lively, passionate, sultry nights of summer, dancing and having fun, swiftly followed by the upbeat pop of LOCURA TG. The gentle yearning love songs

CAROLINA and AMORES, pick up the relaxing vibe of summer romance and carefree days spent in the sun an like the dance of salsa itself, the duet of PALPITACIONES hears the voices intertwine with love and passion. The last track ZULMA, is quiet and reflective, a poem dedicated to Sosa's grandmother accompanied by the piano.

The album as a whole is energetic and passionate and seems to follow the experience and relationships in life, from which Fernando Sosa has crearly drown inspiration from, in this skilfully delivered and emotive album.

This CD is available from www.alosibla.it www.salsa.it

 

RIGO Y SU OBRA MAESTRA "Latin Feeling"

Mix a tasty blend of rich rhythms to satisfy the dancers

By Anna Saunders

If ever you could label a salsa album ‘easy listening,’ this album might qualify. There’s enough spice on these numbers to heat-up the blood of salsa aficionados but the album’s real strength is in the selection of approachable, danceable tracks that will also appeal to a novice or more mainstream audience.

Percussionists Rigoberto Rodriguez and his Independent Record Label Obra Maestra Records, has released this perfect salsa album, Latin Jazz and Mambo, 9 tracks of irresistable salsa from Puerto Rico.
The opening track, "Rumberos de Aqui" is heavy on hot, snarling trumpets, with lyrics straight from the barrio. The band reprises the track at the close of the album is dancing dynamite. "Reina De Mi Corazon" drives me crazy and straight to the dance floor with rhythmic breaks and masterful percussion.

For salsa fans that love Tito Puente’s music, there are two salsa tracks with strong jazz influence (Bailando Mambo Elegante, and Rigo’s Mambo. This is a salsa album full of quality tracks ensuring that those in need of classic, mambo and hard salsa experience will be well served.


This CD is available from www.obramaestraonline.com

SALSA.IT COMPILATION VOL.5
ALOSIBLA

By Georgina Nicoli

Salsa.it Compilation is a collection of Latin music from Italy. Latin music is truly a worldwide force now and very popular in Italy. This is the 5th release from this series, reflecting the strength of the Latin music scene in Italy.

The track selection covers a wide spectrum of Latin music. The group Caiman gives us a Salsaton, the new hybrid music phenomenon that blends Salsa and Reggaeton, with ‘Yo Tengo Novia’. This sits alongside more traditional Salsa numbers.
Bachata is also prominent in this release, reflecting the popularity of Bachata at the moment.

The Salsa.it compilations were created to promote new talent, as well as the regulars to the compilation. As well Caiman, in this volume we meet Croma Latina with ‘Por Ella’, by permission of the Latin Europe label. The new Cuban voice on the scene Moises Fernandez provides the Salsa ‘Lo Bueno’. Back again are Tony Velardi and Haban’Ahora with 2 tracks, the Salsa ‘Gozando’ and the Bachata ‘Sin Tu Amor’. Federica Oste returns with the Bachata ‘Noche Sin Ti’. EuroCuban Project is welcomed back with the bi-lingual ‘Shut Up’. After achieving success recently, Myjkool is also back with another bi-lingual ‘Never Forget Me’. And there are many more.

European Latin music has a different sound to music from Latin America that is unique to the continent, I would describe as softer. If you like this, or would like to sample this sound, this is a good compilation to have.

This compilation is available from www.alosibla.it www.salsa.it

 

SALSA PERFECTA VICTOR HUGO

By Georgina Nicoli

Salsa Perfecta is the latest release from the UK’s very own King of Salsa Victor Hugo. His 8th solo release, it has something for everyone. Mostly made up of fast & slow tempo Salsa tracks, you will also find a mix of Son, Tropical, a soft Bachata and a Son Guajira.
Taking the listener back to the heyday of Salsa in the 1970’s, Sigues Siendo Tu sounds reminiscent of the classic hit Oye Como Va. The listener is then bought back to the modern day
with my highlight of the album the Salsaton La Mujer (Perfecta). The inclusion of a Salsaton follows the popularity of this new Latin music genre created from the fusion of Salsa and Reggaeton. This mix of old and new gives the album a traditional yet contemporary feel.

This is a unique album from a unique artist. The energy of his live performances has transferred well onto CD, making this a fun release.
Salsa Perfecta is available from www.victorhugosalsa.com


SONANDO - 'EL MONTUNO'

By Georgina Nicoli

A real European-Latino band, Sonando is a collective of musicians originating from far reaching countries Venezuela, Cuba, Italy, France, Germany and The Netherlands. El Montuno is the third album from the French based band. Written and produced independently, this release has been well received worldwide.
Nearly every Latin music genre you can think of can be found on this CD. The kings of versatility give us high quality Bachata, Merengue, Timba, Conga, Bolero, and of course plenty of Salsa.

The track listing ends with a Salsa-Hip Hop mix bonus track, a fusion that has become so popular in recent years.

Sonando’s ability to successfully perform different musical styles means all tastes can be catered for in one purchase, and makes for a crowd pleaser at live events. It is this trait that makes Sonando as a band exciting and unique.

Sonando will be performing their one & only UK live show at The UK World Open Salsa Championship 2008.


NILS FISCHER & TIMBAZO – ‘¡GRACIAS JOE CUBA!’

Featuring Brian Lynch, Alain Pérez & José ‘Pepe’ Espinosa

By Georgina Nicoli

In New York in the 60’s, Joe Cuba Sextet was the big name on everyone’s lips. They played to audiences night after night and sold millions of records. Joe Cuba wrote and performed several top 40 hits, making him a household name. His popularity was not only confined to the Latino community, but spread to bring together different ethnic groups.
Gracias Joe Cuba! (Thank you Joe Cuba!) is Nils Fischer’s tribute to a legend. The CD contains 17 Joe Cuba covers.

Four of the songs come from the ‘Diggin’ The Most’ record and the rest come from ‘Steppin’ Out’, ‘Comin’ At You’ and ‘Estamos Haciendo Algo Bien’. These are covers but with a modern twist. This was Nils’s vision for the album. He enlisted the help of Alain Pérez, Jan Laurens Hartong and Holland’s top Latin music arranger Marc Bischoff to realize this vision. They have arranged the songs in a way that gives these easily recognizable classics a contemporary flavour. He wanted horns and aspects of Jazz, Rumba, Salsa and Timba, not found in the originals. As a percussionist, the rhythm section has of course been given the Nils touch. This is where his talent shines through.

Despite being of German descent, he has been recognized as producing a very authentic sound on this album. Of course, this would never live up to the originals but is an enjoyable album all the same.

For Sonando Interview please click here


BAMBU SUN
Corina Bartra & Azu

by Othe

Produced by Corina Bartra for Blue Productions/Records in 2006 this CD is a fusion of Afro-Peruvian music with Jazz elements is an interesting compilation of field recordings that are startlingly high sound quality. They transport me to another place, almost making me feel like I am there with chants and frenzied drumming, I thoroughly enjoy everything on this disc except small things, but this most likely a matter of my own personal tastes.
This is a another fine example of Afro-Latino music and shows decidedly more African influence than son or most Afro-Peruvian music all skillfully played as well.
Good album.

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SALSA DANCE HITS: THE LEGENDARY FANIA RECORDINGS
Union Square Music

By Georgina Nicoli

World renowned Fania Records is probably the biggest label on the Latin music scene. On their books, they boast the big names of New York Salsa like Tito Puente and Hector Lavoe, when it was at its peak. As well as the boys, it is home to the queen of Salsa Celia Cruz. This double CD compilation draws from one of the biggest collections of Latin music, such a hard task. They have enlisted one of the best Salsa DJs around to stand up to this challenge to take free reign of the Fania label

and squeeze it onto two CDs.
You will recognise many of the names on the track listings, many of whom have become house-hold names, and many of the tracks. For example, ‘Que Bueno Baila Usted’ is used to represent the talents of Tito Puente. Willie Colon’s ‘Tiempo Pa’ Matar’ and Ray Barretto ‘Acid’ are also easily recognisable from such big names. No Salsa collection can be complete without featuring a personal favourite of mine Hector Lavoe, with ‘Bandolera’. And, of course the Queen of Salsa Celia Cruz is here this time with Johnny Pacheco with the anthem ‘Quimbara’. Of course, you will know Eddie Palmieri, with his classic number 'Vamonos Pa'l Monte'. Other stars include the Lebron Brothers and Ismael Rivera. As well as the hits, the producers of this compilation are proud to include some lesser known one hit wonders that may not be as easily recognisable to listeners. Artists like Fuego 77 with 'En Nueva York' and Latin Tempo with 'La Humanidad'. As well as a good workout on the dance floor, this CD aims to enrich our knowledge of Salsa music.
Only one song has been chosen for each artist, letting more artists have a share of the spotlight, except for Justo Betancourt who gets 2 goes. Each song is accompanied by sleeve notes, giving a bit more of an insight into the artists and the songs. Every style from the wide spectrum that is Salsa is covered here, from Jazzy Salsa to straight Salsa and even the Colombian Cumbia inspired ‘La Cumbiamba’ by Andy Harlow. You can expect 100% Salsa, unlike the usual Salsa compilation CDs with their portion of cheese to appeal to everyone and no-one in particular.

SALSA PARTY THE LEGENDAY FANIA RECORDINGS

For decades, the richest resource of Latin dance music has been the catalogue of Fania Records, a company that started from humble beginnings in the early 60s, with its two owners literally knocking on record shop doors in Brooklyn with boxes of records to sell, to become the largest single catalogue of Latin music in the world, with the best records by the most famous (and most notorious) names in the world of Latin music. In this selection, we’ve gone for the most obvious names, the best-known songs, the music that has stood the

test of time in the genre. Too many ‘specialist’ compilations are full of obscure, one-hit artists’ material. We’ve found that that frightens away the newcomer – maybe you? – to no effect. The fact remains that the biggest names are big for a reason. They usually made the best records!

This fantastic 2CD collection includes:

Fania All-Stars – Guajira Pa Los Pollos
Ruben Blades – Plastico
Tito Puente – Oye Como Va
Celia Cruz – Bamboleo
Willie Colon – La Murga Panamena
Ray Barretto – The Soul Drummers
Hector Lavoe – Calle Luna Calle Sol
and many, many more…

 

GRUPO DANSON

By Georgina Nicoli

Grupo Danson is a Salsa band based in Denmark. They are made up of Cuban and Danish musicians. When forming the band, they were inspired by the Buena Vista Social Club. This influence can be heard in many of their songs. It gives an old school sound to tracks ‘Camina y Pende el Fogor’, ‘Cienfuegos’ and ‘Rumba a Matanza’. Despite this, their album maintains a modern sound. They are part of what they call the ‘new generation of Cuban musicians’who draw upon traditional and new Cuban sounds to create their own identity.
As well as Buena Vista, they also identify other Cuban musicians like Celia Cruz and Benny More as great influences. The impact of these artists can also be felt in their songs. They are not Buena Vista Social Club, they are Grupo Danson.
Their unique sound is also thanks to new band member, the highly experienced trumpet player, Alexander Abreu. Before he joined, the band mostly performed cover songs. Now they perform original compositions, created by Alexander.
Dancers will be happy with this release that makes your body want to move. This is straight up Salsa for Salsa fans.

 

MUEVETE BIEN: SABOR LATINO 2
By Georgina Nicoli

Bought to us by Sabor Discos, this is the second in the ‘Muevete Bien Sabor Latino’ series. It differs greatly from the first CD. While the first release featured solely bands from France, this release features talents from France and all over Europe’s Latin music scene, especially Spain. The first CD mainly concentrated on Salsa music but this time the music is Salsa alongside a lot of Latin fusion. The spectrum covered here includes Flamenco, Rap, Ska, Reggaeton and Salsa.

It starts with straight Salsa and ends with an experimental Electronic fusion.
First up is Victor Hugo with a conventional Salsa number entitled ‘Abreme La Puerta’. Sonando from Strasbourg join Victor with straight Salsa song ‘Dejala’. The sound changes slightly when La Contrabanda, one of the six artists from Paris, gives us Salsa with a peppering of Rap vocals. Radio Malanga, one of five artists from Barcelona, take us a bit further away from the norm with Ska influenced Salsa tune ‘Vacilalo’. Next up is Orquestra Do Fuba with ‘Vamos Dancar’. This Portuguese band living in France provides a Forro. Then, big stars Los Van Van feature on Kysha 25’s ‘Ahy Maria’. The band from Rome brings us Salsa, breaking from tradition momentarily for a Rap. Representing Toulouse, Del Dongo adds the tropical flavour of the steel band to Salsa in ‘Caminos Peligrosos’. Also from France but this time from Paris, Batazo sit next to Del Dongo with ‘Me Anda Buscando El Son’. They have a more conventional Salsa sound, proving that even in one country’s Latin music scene you will find a variety of different styles of music. Jump across the border to Spain for Patriarcas De La Rumba and ‘La Que Se Ha Liao’. The Flamenco of their home city Barcelona has meet Salsa to give birth to what they have coined as ‘Catalan Salsa’. The Flamenco guitar and clapping really compliments the Latin American rhythms. Then, back to France with Vanny Jordan, who provide the aptly named ‘Reggaeton Salsa’. It mixes Salsa and Reggaeton, a mix which has been very popular since the Reggaeton explosion. In keeping with the Urban Latin genre, Si Senor from France is next with ‘Rapson’. The style of this song is so much like Orishas I am going to call it a tribute to the Cuban Hip-Hop pioneers. The big name of modern Flamenco Ojos De Brujo sits among the lesser known artists to represent Flamenco and Barcelona with the lovely ‘Bailores’. Then switch to a Boogaloo number from Paris’ Ocho Y Media and their live recording of ‘WMD’. Next, another French band Melting Pot Orquestra brings us back to more conventional Salsa. This blends into ‘La Calle Esta Dura’ by French La Nueva Edicion, another Salsa but this time fused with rap and electric guitar. More Salsa next, but this time more ‘Catalan Salsa’ with Sabor De Gracia’s ‘El Mundo Baila’. I’m really liking this new genre of Flamenco meets Salsa! The last two tracks are a Samba number ‘Pode Ser’ from French band Madrugada and ‘Ogum Onire’ from Barxino. ‘Ogum Onire’ has to be the most experimental sounding song on this album, probably why it is left to the end once the listener has opened their mind. It is a modern sounding, electronic fusion track.
‘Muevete Bien Sabor Latino 2’ showcases the talent that exists in Europe’s Latin music scene. It is such an exciting release because it exposes a wide spectrum of new sounds that we may have never heard before, born from pure experimentation. There is a good mix of big names and lesser known artists. DJs Herve and Cedric have produced this CD to sound like a radio show with jingles and a spoken introduction. As it is in the mix, it is non-stop music, perfect for a hot party.

RAY RODRIGUEZ Y SWING SABROSO – BAILA CON SWING SABROSO
By Georgina Nicoli

Lately, we have reviewed albums that fuse a range of Latin music genres. Now for the Salsa fan, Baila con Swing Sabroso is Salsa through and through. Having been raised in New York City’s Spanish Harlem and Brooklyn, it is no surprise that the New York Salsa created there by the likes of Tito Puente and Ray Baretto has greatly influenced Ray Rodriguez and his band’s sound. This is honoured in their homage to the two greats: Tito Puento and Ray Barretto. Their love and respect for Tito Puente’s music is represented in the aptly titled

instrumental ‘Song for TP’. The big influence of Ray Barretto is shown in their Barretto Medley, made up of ‘Vive y Vacila’, ‘Bam Bam Quere’ and ‘Manos Dura’. Being a fan of the New York Salsa from the past, this medley is my favourite part of the album. This nine track album includes an English language number ‘You’re My Everything’, maybe for the English speaking Salsa fans of which there are many. Baila Con Swing Sabroso is the debut album from Ray Rodriguez and his band. Experienced arrangers Oscar Hernandes, Paquito Pastor and Willie Ruiz have collaborated on this project. Ray Rodriguez and his band have also enlisted a bit of help from their friends Grammy Award Winner Dave Valentine, Ray Vega, Pablo ‘Chino’ Nunes and Pequeno Johnny. Their music has been described as ‘Salsa Dura’ (hard Salsa) and definitely for dancers. You are invited to dance with Swing Sabroso.

KACHIMBA 1551 CDs REVIEW
by Georgina Nicoli  

 

THE BEST OF KACHIMBA 1551

A great introduction to the band, this CD contains 15 tracks from Kachimba 1551’s repertoire. It has a very modern, fresh sound, partly due to the use of rap and DJ scratching in a number of the songs. They sing in Japanese, Okinawan language and Spanish. It isn’t just salsa here. You will also find a cumbia and a merengue. Kachimba 1551 have a strong Cuban influence, which you can especially hear in the Cuban folk-sounding ‘Flores’. My favourite track has to be the relaxing ‘Ryuka’.
It has a strong Japanese influence. It is sung in Japanese and draws from Southeast Asian music. The vocals have a sweet quality. Sung over slow tempo drums and the sound of waves, it serves to break up the lively songs that dominate this album.


CAMINO KACHIMBA 1551

This 5 track CD gives you a taste of Kachimba 1551’s sound. Again, they sing in Spanish and Japanese and Okinawan language. Track 4 ‘A Bailar Punpun’ is a true example of their flexibility. It is a Rock’n’Roll infused salsa, something I have never heard before. Camino Kachimba 1551 is a fun release, like all Kachimba 1551 CDs.

UNBABO!

Unabo is another full album, sung in Spanish, Japanese and Okinawan language. As well as their own material, this release includes covers of classics, like Quimbara and ‘Hey! Hey! Tequila’ (their version of ‘Tequila’). In ‘Hey! Hey! Tequila’, they substitute the word Tequila for Kachimba, an example of their fun approach to music. This CD showcases the unique spin they put on classics, making them their own. When I first heard Kachimba, I was stunned. I’ve heard French salsa but this is the first time that I’ve ever heard Japanese, or should I say Okinawan, salsa. They fuse Cuban salsa with Southeast Asian music. It could arguably be classed as a sub-genre.

The Japanese female vocals have a sweet quality, while fitting so well with the Latin rhythm. Their sound is exciting because it is so new to me. Also, Kachimba 1551 as a band is unique. Not for salsa purists, they play with the music and draw from a wide range of influences. It never ceases to amaze me firstly the universal power of Latin music to spread throughout the world all the way to Japan, secondly that a completely non-Latino band can pull off salsa, thirdly how non-Latinos can sing in Spanish as a second language with such ease and finally how any language can sound so at home on top of Latin rhythms.



SEBASTIAN SCHUNKE

VIDA PURA by Sebastian Schunke Orchestra

by Tony Beauchamp

This most recent album of Sebastian Schunke is an awesome presentation of the honey rich voice of Olvido. Often breathless in its texture the voice of this exquisite Cuban singer lends richness and depth to the quality to Schunk’s extraordinary compositions of jazz latin fusion. Listening to her emotive vocals you can almost feel her in the room.
As with Schunk’s album ‘Mouvement’ the production is outstanding in its clarity and balance. The jazz element
seems to shimmer between the main stream and avant guard immeasurably enhanced by rhythmic excitement introduced through Schunk’s masterly use of extravagant time signatures. Schunke talks about the use of son montuno 7/4 and 9/4 time signatures that typify his music. The very quality that denies the dancer presents a banquet of sound for the latin jazz enthusiast.

For most of the album Felipe Cabrera and Lukmil Perez lay down a faultless rhythm. Surely a dream section for any soloist and the perfect partnership for Sebastian Schunke?

The twelve minutes given over to ‘Mouvement’ are introduced by Filipe Cabrera’s liquid bass. A deceptive beginning, the tension builds with vocal and trumpet and rifting piano and then Schunk’s reintroduction and the thick warm voice of Olvido.

As a sometime horn player I poured years into mastering the secrets of the saxophone only to find myself craving the sharp contrast of the trumpet. The contradictory muscle play of the sax and trumpet embouchure dissuades most horn players from trying to double on these instruments. The best known artist, the legendary Benny Carter to solo on both achieved it by ‘only doing a bit on the trumpet’. Mario Morejon is the exception that proves the rule. I love his flowing trumpet sound and ethereal soprano sax.

‘Melancholie’ opens with the subtle brush work of Philipp Bernhard and smooth tenor sax of Dan Freeman. The bass of Michael Haves and Schunk’s stabs on the piano offer us a musical insight into the urban landscape. Beautiful haunting vocals from Olvido complete the picture.

With Sebastian Schunke planning tours of Colombia, Japan and China we have to ask why not the UK? The success of latin sound from bands like Turquino and the Banjofondo Band demonstrates the appetite in the UK for latin music. I can easily imagine Schunk and Olvido performing at the RFH or the Sage in Newcastle, Ronnie Scot’s or WOMAD.

Try ‘Vida Pura’!

 

MOUVEMENT by the Sebastian Schunke Orchestra

by Tony Beauchamp

I started listening to this album early on a wet Sunday morning in Hackney. The senses playing their own tunes and resisting the urge to create a collective picture of reality. The stream of solo motifs fitted my mood as the music flowed together and synthesized to wrap the day in a thoughtful coat of tranquility. If I had expected anything of a record from a piano player of Schunkes caliber it was long developed piano solos supported by collaboration with the finest backing artists .
Expectations confounded but not disappointed for one moment. The piano is integrated into the compositions where the power of each soloist is enhanced by the overall instrumentation. Schunke is superb in his virtuosity and blending of sounds.

The latin feel of the album is skillfully communicated by the commanding drumming of Lukmil Perez and the bass of Felipe Cabrera but this is not an collection of songs or dance tunes but a total piece of music that flows flawlessly from one masterful track into another.

Whether 'Mouvement', the name that the first track lends to the album is intended to describe the development of the composition or the sense of making a way through space this is good choice of names for piece that allows the instrument to find and dominate their own progress.

The album opens with a rifting piano introducing driving drums and beautifully paced bass taken up by the fluent expressive trumpet of Mario Hernandez Morejon. The voice of Olvido Castellano, rich like Colombian coffee, joins the piece as another instrument, helping to build this textured and sensuous piece. No one soloist dominates this piece. The tone is set for an album of outstanding solo performances woven together in a tapestry of contemplation.

Perhaps my favorite track is Monk y Nino, compellingly rhythmic vocals and trumpet push this piece along riding securely on the drums and bass, another chance for El Indio to display his virtuosity before handing over to the flawless horn of Peter Brainin.

The intro of 'Herbst' offers a contrast with Olando Poleo laying down the rhythm on congas for Yodfat Miron on viola and Johannes Hentschel on cello to flow between. Everything is control, elegance and perfection. I have seldom heard strings so well integrated into a jazz format.

The semaphore bass of Cardenas drives the arrangement of Zwiespalt where Schunk steps in to explore the moods of the piano and Michael Haves electronics swell and enrich the already heady brew.

The outstanding feature of this album is the perfection of the solo performances that combine to render a faultless sound.

No lover of Latin Jazz would want to be without this in their collection!


 

SALSA LOCA - ‘AMOR CON AMOR-----------------------by Georgina Nicoli

Listening to this CD you would assume you were listening to a European Salsa band with a lead singer from one of the Latin American countries. However, you would be surprised to discover that the lead vocalist is as Danish as you can get. A blond woman called Signe. Most Salsa bands are made up of Latinos living in Europe, or at least a mix of local musicians and local musicians of Latino origin. However, Salsa Loca is made up solely of local Danish musicians. This is very unique and proves the power of Salsa as a
universal style of music. Despite this fact, Salsa Loca’s music sounds unbelievably authentic. Although Signe comes from a Classical music backgound, Salsa vocals seem to come so naturally to her. The first release from the band, this ‘Mini-CD’ is compiled of 3 tracks, each of high quality. This is energetic Salsa, strictly for dancing to. Salsa Loca’s musical style is catchy fun Salsa, with a definite European sound. That sound that gives much importance to the instruments. Instruments used in Salsa like brass (trumpets, trombones and flute), piano and bass and the timbales originate from Europe, so it is natural for these elements to play a particularly big part in European Salsa. A little warning to the Salsa purists out there. Although this is pure Salsa, Salsa Loca also experiment with their sound. They use electronic effects on the vocals of ’Salsa Loca’, fusing the traditional with the modern. In ’El Amor De Mis Suenos’, they use an African tribal dance intro, very unusual for a Salsa band. I've only really heard it used by modern Cuban Hip Hop artists like Orishas. Once you have heard this CD, you will know why it has won such critical acclaim.

 

CONEXION LATINA 'Mambo Nights' by Rojo y Negro

The CD cover of Conexion Latina’s ‘MAMBO Nights’ with the band and title picked out in orange neon and a neon sign showing a pair of dancing legs in a mambo step suggest a album packed with dance numbers for the dance enthusiast, an album to find a top spot in any DJ’s play list at salsa clubs ‘Mambo Nights’, opens with a horn break and leads us into a stunning trumpet solo by Dusko Goykovich followed by driving percussion breaks and outstanding horn arrangement that set the tonefor this beautifully arranged album.
The horn arrangements dominate the whole album and moving the music as being its most prominent feature, truly

exciting, harmonically thrilling and executed by undeniably talented and skillful musicians.

Osvaldo Farjado sings ‘Flotando en el Aire’ in a lyrical groove that is pushed along by backing vocals that give the number a tension to hold the listener and grip the dancer. Gil Kaupp’s muted trumpet sits exquisitely in this track, the opening notes evocative of the Miles Davis, what could be better?

I loved the piano solo by Jesse Milliner that opens ‘Alna’s Connexus’ and presents a formidable challenge to Bobby Shew on trumpet, met with the confidence of a true master. The track is taken out by Felipe Rengifo on timbales and offers us a feast of virtuoso accomplishment.

On Hace Rato the vocal rifting gives a latin warmth to the furious instrumental display. Check the one tenor sax solo on the album offered by guest artist Lutz Hafner.

Conexion Latina was formed in the 1980 by trombonist Rudi Fuesers and has from its inception been a collaboration of musicians from all over Latin America and the Caribbean. The sound of Conexion Latina at the centre of the a genre of Latin Jazz/Salsa. The highly talented musicians of Conexion Latina are joined on this album by number of outstanding guest soloists who guarantee the outstanding musical quality each track.

Alberto Naranjo joins Conexion Latina on this project as musical director. The leader of the Venezuelian band ‘El Trabuco Venezolano’ has proved himself again as a master of dynamics and phrasing in bringing in such an accomplished musical enterprise.

This album, recorded in 2000 is musical prize for any lover of Latin Jazz. The horn arrangements give the music a feel of the 1990’s. Nothing in the production is less than masterful.

An album for any jazz or latin enthusiast.



TIEMPO LIBRE - ‘LO QUE ESPERABAS
(WHAT YOU’VE BEEN WAITING FOR)’

by Georgina Nicoli
 

Tiempo Libre are back with their second album. The ambassadors for Timba music have brought the genre back to life yet again with this release. They named it ‘What You’ve been Waiting For’ as a dedication to their fans, who on attending their concerts tell them their music

is what they have been waiting for having never heard Timba music before. There is more variety on this album compared to the first album. As well as Timba, you will also find a modern Cha Cha Cha and a Bolero. The theme of the immigrant experience so strong in their first album is carried on in this album. The nature of this experience that is a paradox of painful yet hopeful is expressed in a number of tracks. ’Tengo Que Olvidarte’ talks of forgetting as a way to deal with the pain of leaving behind a precious homeland that you may never return to. In ’A Bayamo En Coche’, they change the words of this Cuban classic towards the end of the song singing "and now I’m on my way to Miami by boat". This is another Tiempo Libre tradition that they have continued in this album, to include one cover of a Cuban classic among original songs. They have given this classic Cuban song a contemporary twist of their own. The rest of the tracks are co-written by all the band members. They have that big band sound as you would expect with a high quality sound. The vocals are great and the rhythms infectious. This album is just so much fun. I think even more fun than the first!



ALEX TORRES Y SU ORQUESTA - '25 TO LIFE'
by Georgina Nicoli

25 to Life refers to how long Alex Torres has been making Latin music with his orchestra for. This theme runs through the album sleeve. With thanks to the Amsterdam New York police department, each band member has been photographed as inmates, accompanied by a list of their offending crimes. They serve different sentences but all are to Life, representing their passion for performing music which

will last all their lives. This is a clever, and funny, idea for an album sleeve. Their years of experience can be heard in their music. Their brand of Salsa reminds of classic traditional Salsa. I can hear the influence of Salsa from Puerto Rico and Cuba, and ofcourse New York Salsa. I can especially feel the Cuban influence in the track ‘Locamente Enamorado’. The song ‘Suite Cuna Tropical’ is a dedication to Puerto Rico. Although this is predominately a Salsa album, it is not purely a Salsa album. It also features two Merengue tracks and one Cumbia, with a reference to its country of origin Colombia. All songs are sung in the Spanish language, except for ‘King Cash’ sung completely in English. This is great for those who do not know Spanish. It is also important for its brave social commentary. It addresses the ever growing importance given to making money in a society that has forgotten how to love and teaches to think about number one. It also speaks out against the Iraq war. The album ends with a Reggaeton remix of the opening track ‘La Ropa Esta En El Baul’. No album seems complete nowadays without a Reggaeton infused track. But I’m not complaining. This is a great album of a high quality.


JORGE CORDERO - ‘LATINO’ --------------by Georgina Nicoli

With the images of Cuba on the album sleeve and the ‘Cuban All Stars’ stamp on the back, you can guess that Jorge Cordero is Cuban. The ‘Cuban All Stars’ stamp also gave me high hopes for this album. I was not disappointed. Jorge Cordero and his Team Latino band got their big break way back in 1992.

Since then, they have made a name for themselves touring, recording five albums and winning awards, including the Danish ‘World Music Award’ in 2000. 'Latino' was released in 2004 and is Jorge Cordero's latest album. His sound is definitely Latino. His brand of music is an innovative mix of Hip Hop, Pop, Salsa and Timba. It is classed as Salsa, but drawing from such a wide spectrum of music, I feel I cannot pigeon-hole this album into solely the Salsa category. His music has a very modern feel and sound to it throughout the album, for example the use of raps and the ’Soul Cut’ of the opening track ’Todo Sigue Igual’. The songs are catchy and up-beat. This album is well sung, of a good quality and great to listen (and dance) to.


CACHE - 'THE TORONTO SESSIONS' by Georgina Nicoli

Cache is a Salsa band, based in Canada. This is the band's second album. Through their album, they give us a taste of as they call it 'sabor de Toronto' (the flavour of Toronto). All songs are in the Spanish language, except for 'Diablita' which is sung in English. The inclusion of 'Diablita' is great for English speakers whose Spanish isn't 100%. The song is about a devil woman, who he is hopelessly in love with. Although this is predominately a Salsa album, there is one Cumbia song 'Vuelve A Mi Carnaval', also with the use of steel bands. So, as well as the flavour of Toronto, this album gives us a serving of the flavour of Colombia. The album ends with an instrumental called 'Willy's Theme (At Another Level), unusual compared to other Salsa albums we have received.
This is an example of their unique sound and independence. I can tell you the flavour of Toronto is spicy and of a good quality.

PANCHITO - ‘RESURRECCIÓN’ by Jazzis(israel)

This is one of those completely anonymous albums that put a smile the size of a moon on my face. Panchito are a Dutch nonet, led by guitarist Andre van Berlo, who also composed and arranged all the music, which plays Latin jazz. So what's the big deal you ask? Well the big deal is what is played and how it's played. There are countless Latin jazz bands around the globe, between Cuba and Timbuktu, which beat the hell out of their congas, but only very few of these bands can make Salsa sound like Art. What the members of Panchito lack in their genes (none of them seem to be of Cuban heritage) they amply compensate in their ability to play and improvise. The European musical heritage of preciseness and clarity,

combined with the fire in the soul is in this case an overwhelming success. There is none of the sloppiness often found in Latin jazz, which can be charming sometimes but often quite annoying. Every note here is clean as a whistle and exactly right. And if you think this stuff is an anemic version of Irakere, you are dead wrong â just listen to the music and you won't be able to stop yerbuty from sheikin'. Just pour yourself a long drink, put this album on full volume, relax and close your eyes and off you go to tropic paradiseâ


HATUEY - ‘LLEGO EL MOMENTO’ by Georgina Nicoli

Hatuey may be from Sweden but they are a Salsa band devoted to the music of Cuba and other Caribbean countries. Their devotion is felt in the rhythms of this lively album and their musical references to Cuban classics. For example, in ’Cerca De Ti’ they sing the line ‘dos gardenias para ti‘.The black and white photos set in what looks like Cuba used in the booklet that accompanies this CD, compliments this nostalgia for the music of days gone by.

Their brand of Salsa marries these traditional properties of the genre with modern aspects, like their use of the sound of a DJ scratching a record. The way they sing reminds me of the type of vocals found in modern day New York based Salsa. While this album is a Salsa album, other modern musical genres from other Caribbean islands are called upon, also giving their music a contemporary sound. The track ’Wagga Wagga’ features a steel band and a Reggae rap. It is the only track to include English lyrics, on the raps, while the rest of the album is in Spanish. Their song ’Salsa de Puerto Rico’ has been given what they have termed as a ’Pleneton’ remix at the end of the album. ’Plene’ refers to the traditional Puerto Rican instrument and the ’ton’ is for the Reggaeton inspired raps inserted onto the track. This is a great old meets new Salsa album to make you dance.


DEL DONGO - ‘DESTINATION AMAZONE’
by Georgina Nicoli

‘Destination Amazone’ is the first purely Salsa release from French band Deldongo. While his first release ‘Superstar ‘was a mix of Salsa, Groove, Soul, Cha Cha Cha and Pop songs, this is a four-track Salsa single. Definitely for all the Salseros out there. Deldongo’s brand of Salsa is unique, maybe thanks to his background in Jazz and Soul.
As well as a great vocalist, he is skilful pianist able to play in a whole range of styles. He really is destined for the Amazon with this release. The tracks have a tropical feel to them. It is no surprise, therefore, that the Spanish language song ‘Hermano de tu Tierra’ was received so well in Peru. It holds a beautiful message of brotherhood between all the people of the world, a theme of peace and love that runs through Deldongo‘s music. As on ‘Superstar‘, he sings in French and Spanish, but mostly in French this time. While ‘Superstar’ totals up more Spanish language songs than French, three out of the four songs on this CD are in French and the last in Spanish. This is, then, what Deldongo calls ’French Salsa’ rather than Salsa made in France. While other Salsa bands based outside of Latin America use the Spanish language in their music, Deldongo uses his native French. The smooth French lyrics sound so at home with the Latin vocal arrangements and beats that it sounds natural, like a match made in heaven. He also sounds at home with the Spanish language. All the tracks are composed, produced and arranged by Deldongo himself. He creates hip, high quality, feel good music, meant for dancing to. I suggest you get hold of this.


DOBLE IMPACTO
by Jane Cahane

Get ready for the full impact: Doble Impacto’s
newest CD, Solo te Digo


Having listened to Doble Impacto’s earlier CD
(Pa’ Bejucal) as well as the 2006 demo of their upcoming new CD, Solo te Digo (release expected March 2007)), it is clear that the band has been quite busy developing and refining their distinctive sound

with superb results, achieving a smoother, more well-rounded and infinitely danceable form of music that has an amazingly broad appeal.
Although the core of the music is still undoubtedly the kind of perfect, club-music salsa mix most DJs and salseros would die for, they have funked it up even more by adding in a greater element of timba, hip hop, pop and reggaeton influences that add in a wonderful spice and dimension for the non-salsero listener that nonetheless refuses to sacrifice its salsa heartbeat in the aim of commercialism. Just listen to ‘Dejame Mujer’, the track pianist and band manager Javier Arenas said probably sums up their style best, and you will see what I mean: the pure pulsating but tremendously funky timba guarantees that salseros and non-salseros alike will be unable to remain seated!

The timba/salsa combinations on ‘La Esatura’ and ‘Esa Mujer’ make these equally vibrant salsa tracks, which mix a big-band salsa orchestra sound with truly funky timba to produce a distinctly lively dance flavour, while ‘La sobre todo el tiempo’ is more pure classic salsa romantica. However, the uniquely Doble Impacto sound of Cuban salsa and timba mixed with rap and hip hop and echoes of Colombian salsa comes out particularly in the tracks ‘Cansado’ and ‘La sobre todo el mundo’, while their more experimental and unusual mixture of sounds is most clearly seen in the merengue/cumbia mix of ‘Que yo te quiero’ and — now for the real shocker — a hugely danceable rap/cha cha cha number, ‘Que me muero de amor’, that is so completely genre-transcending it has to be heard to believed. If you could imagine one track that could get both hip-hop dancers and Latin ballroom professionals equally excited, this has got to be it!

I don’t believe any other Latin music artist has ever managed to come up with so many unusual mixtures of sounds, and the unique work of Doble Impacto is to make these all variations infinitely accessible to dancers and music enthusiasts of all persuasions by creating this exotic fusion of fabulous music. But in this case, hearing is believing — so if you haven’t yet had the exciting opportunity of listening to their music, check out the demo tracks on their website, www.dobleimpacto.be, and persuade your favourite salsa DJ to start playing their music now — it is bound to become a favourite on the dancefloor!

ALIANZA - 'SERES HUMANOS'
by Georgina Nicoli

Alianza are a Cuban Hip Hop group made up of three male rappers and based in Sweden. They may work from Sweden but their sound is definitely Cuban. In every song, you will hear echoes of Latin/Caribbean music, be it in the congas, the guitar, the flute, the violin, the saxophone, the sound of steel bands or the vocals. Of course, the use of musical instruments is not a traditional component of hip hop but quite common in Latino Hip Hop.

In an interesting twist, the track La Espera fuses properties of Flamenco music with Hip Hop to create a great sound. They talk a lot about their homeland Cuba. Unfortunately, I am not fluent in Spanish so cannot comment on the lyrical content of this album. However, as rappers, they deliver their lyrics well. Their brand of Hip Hop is very easy on the ear with the use of catchy female and male vocals.

The beats make you move in your chair and want to get up and dance. Their sound reminds me very much of the Cuban Hip Hop group Orishas, which I guess is inevitable being that they come from the same place and would probably look up to Orishas.

Many artists are cueing up to take the crown from Orishas as the kings of Latin Hip Hop but have not quite beaten their talent and success. Alianza have tried to jump the cue by self-proclaiming themselves the 'new kings of Latin Hip Hop'. Not quite the kings of Latin Hip Hop, but they produce high quality Hip Hop and are fun and great to listen to.



KID AFRIKA

by Georgina Nicoli
Kid Afrika aka Danny Ramirez Jova is a rapper, emerging from Havana's bursting Hip-Hop scene, as one of the most recognisable names on the scene. Since moving to London in 2003, he has performed in various clubs, building up quite a following here. Having also been featured on a number of compilations, his debut album has been long awaited.
After 13 years in the making, it is now finally here. His music fuses Hip-Hop and Reggaeton with Cuban beats and Salsa. With this in mind, coupled with its heavy use of trumpets, it would be incorrect to class this as a hardcore Hip-Hop album. Kid Afrika's rapping style is unique. Its chameleon-like properties, means it can alter even within the same track. He sings/raps/whispers/speaks his words. For example, in Summertime (Verano), he half sings-half whispers the lyrics. The beats are infectious and have a commercial sound. This and the female vocals peppered through out the album, makes the tracks very catchy. All 13 tracks are penned by the artist himself, common in the rap industry. The highlight of the album for me is 'Yemaya'. It is a collaboration with fellow Cuban salsa singer George Peguero. Also based in London, George provides vocals, co-writes and produces the track. A song also featured on George Peguero's album, in this version it is Kid Afrika providing the rap instead of George. Kid Afrika's fans listening to this will also recognise the lively 'Machaka'. The Cuban sound lives on in this fun London produced album. Definitely, as the title of one of his songs aptly puts it, 'Hip Hop Caribe'.

HAVANA MASTERS PRESENTS…

THE BEST OF THE CUBAN MUSIC AWARDS 2006
by Georgina Nicoli


This is a compilation of some of the winners and nominees from this year's Cubadisco, Cuba's most prestigious music awards, with dance floor hits from Havana's hottest dance spots. Those who attended the events that accompanied this CD will be eager to get their hands on a copy. It features two of the performers, Yoruba Andabo and Papo Record, and many many more.

The CD opens with Best Dance Music Album nominee Isaac Delgado with his Son number 'Cantame Como Ayer'. One of Cuba's top 'soneros', he is among the established Cuban artists featured on this CD. Other established artists include the winner of the Best Dance Music award Adalberto Alvarez with 'Mi Linda Habanera' and Best Folk Music nominee Munequitos de Matanzas with a Rumba track. Cuba's new generation is also given room to shine. Born from the streets of Havana, they give the CD a self-confessed 'urban feel'. The ambassador of this new generation, winner of the Best Hip-Hop Album category Papo Record, is showcased with the hot track 'En Mi Zona'. Best Hip-Hop Album nominees Eddy K and Cubanito 20.02, reflect the popularity of Reggaeton in Cuba.

This young generation prove that homegrown talent can compete with the giants of the Caribbean and Central American. A strong feel of tradition also runs through this album, beginning with nominee for Best DVD Yoruba Andabo. The folk band has two tracks featured here, including a Conga. Guama follows, winner of the Best Traditional Popular Music Album, transporting us to the past with their use of the Cuban guitar the Tres. Clave Y Guaguanco, winners of the Best Folklore Music category, join in with their mesmerising 'Como Ruge la Candela'. Buried in the middle of this lively dance album, nominee for Best Jazz Album Carlos Sarduy, gives us a soft Jazz track.

This has to be one of the most diverse albums I have ever heard. Covering all genres of music popular in Cuba today from Rumba and Son to Conga and Folk, Hip-Hop and Reggaeton to Traditional and Jazz, it proves that there is more to Cuban music than the Buena Vista Social Club. It fuses the established with the newcomers, the modern with the traditional from the melting pot that is Cuban music. The artists making up this album are testimony to the real depth of talent that exists on this little island.


NEW RELEASES FROM GEORGE PEGUERO - 'BOHEMIO'

by Georgina Nicoli

George Peguero and his band bring us their second album, recorded in the London studios of Scorpion Records, with Mexican congas player Fernando. The influence of George's new found home can be seen with the inclusion of two English language tracks, the opening track Rain and Yemaya.
The rest of the album is sung in Spanish. You will not find many salsa artists recording in the UK, or a great number of record companies specialising in Latin music, making George a unique artist. This is also a unique album in itself. His band is made up of musicians from the UK, Colombia, Cuba and Venezuela. The heritage of each country is represented in this album. Not only do we hear Salsa but a whole host of other musical styles from the Latin spectrum, from Merengue and Cumbia to Bolero. It is all here. George also draws on musical styles from outside the Latin world. The bonus song is a House version of Permitame and, yes, you will even hear George rapping on Yemaya! Hailing from Cuba, George's music has the feel of traditional Cuban Salsa running through it, while at the same time contemporary in style. He sings with confidence, which can only come from someone who has been singing since the age of four. As well as showcasing his talent as a singer, this album shows off his talents as a songwriter. All the songs are his own compositions, except Rain, which is a Salsa version of Jose Feliciano's song. Bohemia features twelve tracks, plus one bonus song. A fun and original dance music album.

- VANESSA FORMELL – YO SOY

by Georgina Nicoli
Following the success of her first album, Vanessa presents her second album, translated as ‘I Am’. Daughter of singer Mirtha Medina and the founder and director of Van Van Juan Formell, she carries on the family tradition that she was born into. By using her surname, she is making a statement to the world that she is Cuban and proud of it. This is what I would class as a pop salsa album.
There are 9 songs, which includes Balada and Salsa versions of ‘Esperando Por Ti’ and ‘Tu No Eres un Secreto’. We also get 3 ‘Special Editions’ of the songs ‘Busco un Amor’, ‘Esperando Por Ti’ (Salsa version) and Esperando Por Ti’ (Balada version), which are basically shorter versions of the originals. Based in Miami, the biggest names in Miami’s music industry have lent their talents to Miss Formell, including Angelito ‘Pututi’, Eduardo Napoles ‘El Chaka’ and Edward Magdariaga. All tracks are up beat, making this a lively album. By writing the track ‘Sin Ti Me Muero’ herself, she proves that her talents also lie in song writing. In this vacuum left in Tropical music by a lacking female face, Vanessa can contribute to filling this gap.

 

RAZA LATINA CD REVIEW
   

by Georgina Nicoli


Based in Italy, Raza Latina are a Latin music band made up of musicians from all over South America and Italy.

In this album, you will hear what has become their signature sounds thanks to the tastes of their fan base. That is an album of lively Salsa, with a good number of soothing Bachata songs. These songs are perfectly placed at the end, giving the listener or dancer a relaxing breather after a fun, up-tempo start. This is great for fans of both Salsa and Bachata and provides variety to the listener. Raza Latina's Salsa is infectious. It somehow sounds traditional and contemporary at the same time. Hailing from Cuba, Santa Domingo, Venezuela, Peru, Mexico and Italy, each member brings something different to the sound of this album. The Venezuelan sound can definitely be heard in their percussion. The influence from Cuba's strong Salsa tradition can be heard, especially from masters like Celia Cruz with the band's reference to 'La Vida es un Carnival' in one of their tracks. The three Bachata tracks satisfy the Italian audience but can also please non-Italian listeners with the present explosion of Bachata happening on the dance floors all over the world. Check out the songs that have become big hits all over Italy.

"GIRALDO PILOTO KLIMAX & FRIENDS"
   

No less than Chucho Valdes made the following comments about the new production. "In my view they have recorded some of the best Cuban music that I have heard for a long time. Enjoy this CD as it contains music that breaks new ground, not only for Cuban music but for all of world music in general." CHUCHO VALDES.

The most sophisticated and strikingly original of the major Timba bands, by a considerable margin, is Giraldo Piloto's Klimax.

Descended from a long line of famous Cuban musicians and composers, Piloto has been omnipresent throughout the first decade of Timba history as a drummer, a songwriter and an arranger. He was a founding member of the first Timba band, NG La Banda. When La Charanga Habanera exploded onto the scene, their first big hit, "Me Sube la Fiebre", was written by Piloto and they followed it up with several other Piloto songs, including "Mi Estrella". When Issac Delgado left NG to form his own group, Piloto became his musical director and wrote a number of songs for him, including possibly his most important hit, "No Me Mires a los Ojos", which Issac still plays at nearly every concert. In January of 1995, after 8 years at the epicenter of the Timba revolution, Piloto decided to form his own group and in April of that year, Klimax played their first concert at the famous La Cecilia club on Avenida Quinta. Klimax have released 3 CD's and are touring extensively throughout Europe and South America.

KLIMAX have now released their fourth CD. This LATIN JAZZ production deserves special attenton. It is not only the guest musicians like Chucho Valdes, Germán Velázco, Changuito, Julito Padrón that make it into an, "incredible work of art" but also the main musicians of Klimax around Geraldo Pilato are for sure a guarantee for this World Class Latin Jazz production.

Klimax can only be understood as an absolute "Highpoint" in Latin Jazz



"MARC ANTHONY - VALIO LA PENA &
AMAR SIN MENTIRAS"
By Georgina Nicoli
   
One of Latin music's most talented and strongest voices, Marc Anthony has been hard at work. He spoils us with not one but two CD's. He sticks to his Spanish-language music with both but with two very different musical styles, showing his flexibility as an artist. While Amar Sin Mentiras is what is now classed as Spanish pop, a mix between Latin music and Western pop music, Valio La Pena is 100% salsa. Both feature the duet with Jennifer Lopez, along with other hits including Valio La Pena and Ahora Quien. I prefer Valio La Pena but only because I am a sucker for salsa. This is a treasure chest and each song is a gem. Although songs are repeated on both CD's in their different styles, it is well worth buying both CD's.

There are some songs featured on one CD that are not on the other. Also, for Marc Anthony fans these are essentials to your collections.


DISCOS FUENTES
LOS PERRONES – FUSION PERREO

by Georgina Nicoli


Los Perrones provide our next instalment of Reggaeton from record label Disco Fuentes with this album. The six Perrones from Colombia are produced by DJ Gordo and Big Johny and presented by FP&P Company. This is fusion by name and fusion by nature, in more ways than one. The track ‘Me Enamore’ is an interesting mix of Reggaeton, Bachata and Merengue Hip-Hop Proyecto Uno style, which I can only describe as speeded up Bachata with a rap laced over the top. Its soft sound does well to break-up the hardcore Reggaeton tracks making up much of the album. The album itself also fuses Reggaeton with 3 Latino Hip-Hop tracks. The Hip-Hop tracks are placed neatly together near the end of the album. As well as ‘Me Enamore’, the stand out track of the album for me has to be the catchy ‘Ya No Aguanto’. Other highlights of the album for me are the songs ‘Enloquezcanse’, ‘Chica 10’ and ‘Amiga’. A hot album for Reggaeton and Hip-Hop fans.






HITS TROPICALISSSIMOS 3 CDs


 


'Hits Tropicalisssimos', note there are 3 's', is the ultimate compilation CD. It is not 1 but 3 CDs, featuring 27 hits from 72 years of Disco Fuentes Records. They bring together Cumbia, Tropical, Salsa, Merengue, Bachata and Reggaeton, although there is only 1 Reggaeton track 'Candela' from the talented 3 Pesos.





HITS TROPICALISSSIMOS CD 2
You are guaranteed to recognise some classic songs here, for example Merengue hit 'Muneca Linda' from Los Ocho del Merengue. It boasts Colombia's biggest stars Fruko y Sus Tesos, Joe Arroyo, Sonora Carruseles and La Sonora Dinamita, who brought Disco Fuentes to the forefront of the recording industry in the 70's, 80's and 90's.
HITS TROPICALISSSIMOS CD 3
   

Also featured on this CD is Adolfo Echeverria y Su Conjunto, Pastor Lopez y Su Combo, Armando Hernandez con El Combo Caribe, Los Embajadores Vallenatos, Banda Bocana, The Latin Brothers, El Tropicombo, Los Niches, Gabino Pampini, Latinos en la Casa, Celina y Reutillo, Frenesi, La Sabrosura, Joe Rodriguez, Los Tupamaros, and Los Titanes. A brilliant collection for fans of Colombian Tropical music and an important addition to your CD collection.




LUISITO ROSARIO - 'RUMBA DEL BARRIO'
   

Puerto Rican Luisito Rosario makes a comeback with this CD, and with him so does 'heavy Salsa'. After his first solo recording of romantic Salsa entitled 'Luisito Rosario', he spent the past eight years travelling the world with Larry Harlow and The Latin Legends Band, performing old school Salsa. This experience has helped turn him into a 'hardcore Salsero'. In this CD, the golden age of Salsa of the 70's/80's is resuscitated by Rosario. The great masters Hector Lavoe and Tito Puente are living in his sound and voice. My highlight has to be 'Quiereme'. This is an album to make you get up and dance.




REGGAETON & URBANO HIP HOP MEGA HITS: THE NUCLEAR OPTION MIX

Disco Fuentes present to us their Reggaeton and Hip Hop stars all together on one CD with this compilation CD. You will find all their biggest hits from the music genres of the moment Reggaeton and Hip Hop. You will recognise most songs including hot ‘Que Llore Ella' by Bimbo featuring 3 Pesos, along with two more tracks by Bimbo 'Amor Bandido' and 'Lento'. The CD opens with these tracks and goes on to include more great hits from Gemstar & Bigmato, Two Swing, DJ Miguelito, DJ Kiro, Alex Zurdo & Ray Blasto, Chinovi, LCD and DJ Guasca featuring Dax & Virus. There are some nice surprises, for example DJ Miguelito's very own version of Don Omar's 'Dile', featuring only female vocals throughout. Most of the artists are allowed two tracks each to give us a true taste of their sound. A good compilation for fans of Reggaeton and Latino Hip Hop.








This is a compilation in every sense of the word. Most of the music genres listened to in Colombia are featured on this CD, with a few songs for each genre. The national music genres of Colombia Vallenato and Cumbia sit comfortably next to Bachata, which is followed by Salsa, then Tropical and closes nicely with Reggaeton and Latino Hip Hop. The definitive La Sonoro Dinamita give us 'Gasta' and 'Amor Del Cielo'. International artist Joe Arroyo is featured with a Tropical track. The masters are joined by young Salsa signings Puerto Rican Luisito Rosario and Mario Feliciano. 3 Pesos, Two Swing and Mr Kapri represent Reggaeton and Latino Hip Hop. Chiqui Rodriquez, Los Gigantes Del Vallenato and Jorge Onate bring Bachata and Vallenato to us. Other artists featured on this CD include Aris Martinez with a Salsa track and Los Corraleros De Majagual with Cumbia. All great songs in their own right brought together for the truly versatile listener.








JOSE ALEX Y LOS TROTAMUNDOS - 'LA FIESTA DE MI PUEBLO'
   
Jose Alex y los Trotamundos' musical style is known as Tropical, a distinctively Colombian style of music. Songs worth paying particular attention to include Olvidala Amigo, Payaso, Quiero Ser Feliz and Todo Un Senor, although all the songs are very good. 'La Fiesta de mi Pueblo' is very different to the first two releases, but probably my favourite.




COMPILATION CDS
As CDs are compiled according to musical styles, you are able to choose a CD depending on your musical tastes. There is no way of making a bad choice, as all CD's are great, particularly if you appreciate Colombian music.




COLOMBIAN SALSA, BACHATA, VALLENATO CUMBIA, TROPICAL
   
Salsa, Tropical, Cumbia Vallenato and Bachata are compiled together on this CD. Artists include the masters Joe Arroyo, Sonora Carruseles, Fruko y sus Tesos, La Sonora Dinamita, alongside new signings Mario Feliciano and Luisito Rosario. Although most of this CD is Salsa (7 tracks), you also have the chance to taste Bachata, Cumbia and Tropical too at 1 track each. This CD is therefore probably best for salsa fans that do not mind checking out the other musical styles.




ESTAMOS UNIDOS LATINOS
   
This CD is totally devoted to reggaeton and Latino Hip-Hop for all the Hip-Hop and Reggaeton heads out there, I know there are many! Featured artists are Bimbo, 3Pesos, Gemstar & Bigmato, Bebe, Hancel, LCD, ChiNoVi, Jowell y Randy, Indio Man, Chale Brillante, Code Red, all brilliant.




SALSA HITS
   
Another CD devoted to one type of music, this time for salseros. There are 7 tracks, including 1 from international star and most popular Colombian Salsa artist Joe Arroyo. Bad Boys Salsa and Disco Fuentes' house band Fruko y sus Tesos supply 2 each. Sonora Carruseles, who brought Disco Fuentes back into the forefront when they returned in the late 1990's, supply 'heavy Salsa' with their fast arrangements in a further 2 songs.




SE PRENDIO LA FIESTA EN LA 8
   
This CD brings together Reggaeton, Tropical, Salsa and Cumbia, in roughly equal amounts. Tropical is provided by Joe Arroyo and Alex El Trotamundo. Cumbia is represented by Los Corraleros de Majagual, Alfredo Gutierrez and the definitive La Sonora Dinamita. Reggeaton is supplied by Indio Crew & David Diambulante, Panther and 3Pesos. Sonora Carruseles and Los Titanes provide the Salsa.




DISCOS FUENTES SONORA CARRUSELES
   
Almost every musical style is brought together on this CD from Salsa, Tropical, Cumbia, and Bachata to Reggaeton and Hip-Hop Latino. With a good amount of songs representing each style of music, this is very convenient for the truly versatile listener. Not only are the stars brought together on the same CD, you will also find an interesting collaboration by Reggaeton artists 3Pesos and salsa master Joe Aroyo.




VENGO CALIENTE SONORA CARRUSELES
   
This CD is a compilation of Salsa, Cumbia, Tropical, Vallenato and Reggaeton. For fans of Vallenato music, this is the only CD featuring a Vallenato song, provided by Brisas del Pasado. Another song to listen out for is an interesting take of the classic Salsa song El Preso by Reggaeton artist Marlon! Another CD that will please the versatile listener, with a chance to sample different styles of music.


MARIO FELICIANO - 'ROMPIENDO BARRERAS'
   

Once a member of the band Rey Ruiz, Mario Feliciano embarks on his solo career with this album. Having travelled around the US and South America with greats Celia Cruz and Pete 'El Conde' Rodriguez, he has good grounding for a successful musical career. His music combines traditional Salsa and modern Salsa so should keep everyone happy. Listening to the CD, his music definitely has a feel of the Salsa of days gone by. My highlight of the album has to be the song 'A Tu Manera No'. A new sugary voice.

 

"THE MOTORCYCLE DIARIES DVD, Rated 15 by Georgina Nicoli
   

The Motorcycle Diaries tells the story of two young men's journey through South America. One happens to be Ernesto Guevara, or as we now know him as 'Che' Guevara, and his friend Alberto Granado. But this is a Che we have never seen before. The man behind the most produced photograph in the world, adorning many a student's wall. This is a 24 year old Che, before he becomes the hero of the Cuban revolution.

Based on the diaries of Ernesto Guevara and Alberto Granada, their journey sets off from Argentina and takes them through Chile and Peru to Venezuela where they part. Through their adventures, they discover a South America they had never seen before and find a Latin identity.


They are witnesses to the injustice experienced by the indigenous peoples, which plants a seed in Ernesto that will grow into the man he later becomes. With them, we get to see the beautiful landscapes and history of this continent.

This film is very well acted. Gael Garcia Bernal, who plays Ernesto, and Rodrigo De La Serna, who plays Alberto, create a great rapport. Their likeness in looks and character to the men they play is uncanny.

The extra features include deleted scenes, trailer, cast and crew interviews, Alberto Granado interview, behind the scenes and featurette. Apart from behind the scenes, which is boring, the extras do not disappoint like other DVD's sometimes do. The deleted scenes look like they could be part of the film, compared to other DVD's where deleted scenes do not look up to scratch. The highlight of cinema in 2004 and with great features, Motorcycle Diaries is on release now.