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SALSA.IT
vol 8
Reviewed
by
Rozana Skyte |
|
| SALSA.IT
folks strike again, this time with a
new compilation recording by Alosibla.
This project was designed with the international
market in mind. Three of the tracks
are in English; most of the rest of
the recording is primarily in Spanish.
There are some good Timba, and Romantic
salsa tracks, and nice bachatas. Although
some of the selections like Montate,
Habia Cavour!Dancing Tonight! and Miami!
for example) are unmistakably "Cuban"
in the way that most listeners would
apply the label, this |
|
recording
covers a much wider range; the opening
track, Una vez mas! Salsa Romantica, composed
by Massimo Scalici, and lyrics by Francisco
Rojo, is a romatic, passionate story of
a tormented and confused desire.Un dia
yo! is a swinging and thoughtful composition
that moves gracefully between bop and
post-bop. Bandolera is this writer's favorite
track on the recording, which has a nice
mix of both rythms and tempos. Amor Amor
and Love Of my life! eases things up a
bit with a nice Bachata tracks before
Habia Cavour! a great Cha, Cha, Cha, track
, and another number, ‘Sueno’,
interpreted by Maikel Melody.
This writer felt that the best track in
this CD is Una Vez Mas, which starts slow
but then builds and keeps building until
it has a full head of steam. On the Timba
side of the equation, Dancing Tonight
and Miami, would give big thumbs-up.
This isn't just another Salsa album, however.
Although it lacks the extensive solo work
that we love, the arrangements are otherwise
good enough to be appreciated by musicians
while not disorienting dancers or frightening
any of the more-timid DJs out there. Put
more bluntly, the album is radio-friendly.
Overall this is a good album from Alosibla
which has a nice mix of Salsa Romantica,
Timba and Bachata.
To
order a CD, check out www.alosibla.com
Italian
Hustle Music present Hustle 4 Dancing
Reviewed
by
Rozana Skyte |
|
|
| Are
you ready for some hot, tasty Italian, latin
hustle? Sure you are. Are you ready to move
and groove to the hip swinging sounds? I am
highly convinced that once you hear this CD,
you will definitely be hooked. Latin hustle
has enjoyed resurgence in recent times and the
music It’s becoming popular worldwide
one again. If you're looking for lovely Latin
hustle music, of hip-shaking dance-floor fillers
and a smattering of quirky rarities then this
album is for you. |
|
Well
what else can be said? I am not much for clichés
so check this out! and play it loud it! and enjoy
it!, I'll be waiting with baited breath for volume
two.
To
order a CD, check out: www.antiquastudio.com.
www.myspace.com/antiquastudio info@3soundrecord.it
'Orinoko'
Latin Jazz CD
Reviewed
by
Othiela Luna
Isaias
Lubo, a Venezuelan composer, violinist and singer
has produced a unique and vibrant CD that has
enriched Latin Jazz. Several
tracks reflect Isaias Lubo’s innovative
vision of his music like a bridge between the
traditional venezuelan music and modern sounds.
It
is no doubt that greater things are still to
come from this young inspiring Jazz musician.
It will be fascinating to watch Isaias Lubo
musical growth and bless the world with his
music. |
|
Many
tracks explore Venezuelan culture deeply, moving through
musical compositions and written works.
Isaisas Lubo and his musicians display exceptional
musicianship and artistic merit as they envision Venezuela’s
culture through the eyes of jazz.
Lubo,
skillfully combining aesthetics, Latin-jazz, fusion,
Latin-pop, Latin-funk, Cuban timba, samba, Venezuelan
folk, cumbia, salsa, even a bit of J.S Bach and rock
elements into a distinctively personal statement.
To
order a CD, check out: www.orinokomusic.com
. www.loewenzahn-verlog.com www.galileo-mc.de
Mojito
Project
Reviewed
by
Othiela Luna
I
considered that this album is 100% danceable
with its catchy tunes ("Mas amor
daras," "Te quedas te vas"
"No vivas de fantasias," AND
"You are not alone" the Michael
Jackson hit in bachat version).
Its clever lyrics that make songs easy
to sing along and be merry or fall in
love to (such as the case with "Cama
y Mesa" "Vuelve" and "Sign
Your Name" Sign
Your Name is the name of a famous song
written and
performed
|
|
by Terence Trent D'Arby (now known as Sananda
Maitreya). you could say that the album is brilliant.
To
order a CD, check out: www.antiquastudio.com.
www.myspace.com/antiquastudio info@3soundrecord.it
Armonia
bachatera
Reviewed
by
Othiela Luna
| It
would take a pile of adjectives to adequately
describe the music on this album. We could
start with delightful or catchy, perhaps,
but we should quickly add melodious, animated
and danceable. Then there’s luminous,
effervescent and sparkling, which all
belong even if they’re pretty much
synonyms. Potent fits. Candid too, and
rootsy. Some “in” words: infectious,
involving, intense. Vivacious, yes; rhythmic,
definitely; beautiful, absolutely. This
guitar-based, acoustic music, known as
bachata, comes from rural Dominican Republic,
therefore – no surprise –
it is infused with that amazing, unquenchable
Caribbean human spirit. |
|
So I highly, highly recommend this wonderful
cd.
To
order a CD, check out: www.antiquastudio.com.
www.myspace.com/antiquastudio info@3soundrecord.it
Querida
Loca
Reviewed
by
Rossana.Skyte
| Bachata
moderna is the next evolution of the dance
based on the concept of the crosses. It
incorporates different styles onto the
Bachata beat, for example, you can do
Bachata-Tango steps, Zouk basics, Cha-Cha
moves and more! .With this album, your
dance won’t be from side to side
as the traditional Bachata is, instead,
you will move and flow on the dance floor
with such ease! I don't own too many compilations
cds because I am very selective when comes
to purchasing compilation music in general.
The selection of songs on this cd caught
my attention immediately because indeed
it has a line up songs that does reflect
the current preferences of |
|
today's most avid Bachata fans. It's a perfect
mix of Bachatas Tango“Esta vez”,
Bachata Pop, Latin pop “Tocame Enciendeme,
Reggaeton “Baila Conmigo”, “Una
Noche Mas”, and a excellent Bachata RMX.
If you are looking for a contemporary Bachata
cd that combines various Bachata styles this
one will be a treat. This is a thorough, respectable
and enjoyable cd, it certainly makes a good
choice for a dance party.
Do yourself a favor, and begin your Bachata
CDs collection right now!.
To
order a CD, check out: www.antiquastudio.com.
www.myspace.com/antiquastudio info@3soundrecord.it
Dandalunga
Reviewed by
Othiela Luna |
Intoxicating.
Engaging. Irresistible..this all-original mix
by Banda Antiqua featuring singer Aline Goncalves
These songs knocked everyone off their feet
This is a great party single CD for "summer"
parties, and introduces you to the greats of
Brazilian music. Oh, there is a whole lot more
great Brazilian music than just this, but this
CD is surely the place to start. (By the way,
if you have insomnia, this can be quite soothing.
Lie back on that imaginary beach in Rio and
float away on Aline Goncalves's voice. Mmmmmmm....) |
|
To
order a CD, check out: www.antiquastudio.com
Armonia Bachatera
Reviewed
by
Rossana.Skyte
| Bachata
is a musical form little known outside
the Dominican Republic until sometime
in the 1960s. As music of the poorer,
lower classes, it was hidden; a 'bachatero'
was stigmatized by negative stereotype
and even the music's audience took pains
to hide their appreciation of the form.
It's interesting that while bachata
is often called the "music of bitterness"
(usually due to foiled love), the artists
express little bitterness as they describe
and illuminate their struggles and the
music's rise. |
|
But
that may well be due to the abounding
and accepting folk philosophy that seems
part of the Dominican personality and
has worked its way into the people's music.These
joyous and infectious sounds from the
Dominican Republic are full of the feel
of the region's dancehalls and street
dances.
Bachata has been the constant pulse of
innovation in popular music from the Dominican
Republic. New waves and traditions sprout
almost daily in the streets, cafes, gas
stations, basements, bars, and even drugstores
of the country.
There may be better compilations of bachata
but there are none that showcase them
together so brilliantly in such a contemporary
setting than this installment in the Armonia
Bachatera compilation vol 2.
I recommend this CD for beginners to bachata
music as well as my Latin dance students
who are looking for music to practice
with.
The CD includes a bachata version of Steve
Wonder hit ‘I JUST CALLED TO SAY
I LOVE YOU’, a great interpretation
by ‘El Porto Loco feat. Flavio Ausilio’
This CD also includes great tracks from
of today's greatest bachateros, including,
Pedrito Calvo Jr, El grupo melodico Feat.
Steph B Duet with Karlos Xavier, Henry
B. Romy Splinter Monchy an many more.
Of course there will always be some great
artists and hits ommitted, but this is
a great start and a great intro CD to
give to friends. Cooler than almost anything
on the ‘Antiquastudio’ label,
this is the only dance music record you
need for a steamy Saturday night. Play
it at a party when the punch bowl has
been drained once and see what happens.
To
order a CD, check out: www.antiquastudio.com.
www.myspace.com/antiquastudio info@3soundrecord.it
Tia
Yova - Nancy Murillo
Reviewed
by
Lubi
Jovanovic
Nancy
Murillo is a "calena", a native
of Cali, the Colombian city known as
"la capital de la salsa. Currently
based in Paris, she originally trained
in all aspects of dance at La Morada
Dance School in Cali, from contemporary
to folkoric Colombian and salsa, where
she also took acting and singing classes.
On leaving college, she pursued a singing
career in various groups in Cali and
Bogota before moving to France.
Always working, she has been involved
in the Paris latin scene for some years
now, performing with bands and |
|
artists such as Calentura, Azuquita and
Los Sombres Heros. "Tia Yova"
is her debut solo CD and is a well produced
and played collection of mainly cumbias,
a few salsa tracks, an afro-latin folkloric
number and a guajira cha cha cha. The songs
are all original compositions by Nancy and
the band Los Sombres Heros, who play very
well, and the production of the CD is equally
impressive for an independent release. Crisp
brass and percussion, solid piano and warm
bass. Just the way good latin music should
be recorded. Nancy's voice is not the the
strongest but on the whole, she pitches
well and has some power, especially on the
cumbias which she seems most comfortable
with, and the folkloric afro-latin "Africa
Mia". Obviously as a salsa DJ, I go
for "Barrendera" which has a nice
Colombian salsa feel with tasteful brass
arrangement for trumpets and trombones.
Not being a cumbia expert, I can't really
comment deeply on them but they sound authentic
and I really like "Conentida"
which reminds me of my old Sonora Dinamita
LPs from the 1980s and features a great
clarinet solo. "Cumbia Nene" sounds
like Perez Prado playing cumbia, an interesting
fusion which once again features clarinet.
"Tia Yova" is a good debut from
Nancy Murillo and shows us that the Paris
latin scene is still vibrant and turning
out quality music.
Lubi Jovanovic
(Lubi Jovanovic has been working in
latin music in the UK and world wide since
1982. He has compiled CDs for Fania Records,
DJ'd salsa congresses across the world,
toured band like Eddie Palmieri, Jimmy Bosch
and Manolito y su Trabuco in the UK and
co-produced latin radio shows for the BBC).
|
Hoy
tengo que cantar (Today I have to
sing) is the first solo album of Alejandro
Martinez. Alejandro is well known
as the singer of latin pop group Mezcla
Latina, but his many and diverse talents
don't rest there. He also has a conservatory
degree for Choral Conducting, a Didactic
of Music from the Conservatory in
Buenos Aires and he attended the Italian
Music University of Bologna where
he investigated choral renaissance
harmony. As well as his current involvement
with Mezcla Latina he is also Conductor
of Gospel Choirs True Voice and Note
Nere Padova, and is tango singer with
Ruta |
|
Seis.
Originally from Argentina he now lives in
Veneto, Italy.
The album consists
of 12 songs, all written and composed
by Alejandro. Not being a Spanish speaker
I can only guess at the meanings of the
songs, but the sentiment and emotion can
often be felt through the music and melody.
These don't seem like the standard banal
pop/love songs so common in English speaking
music, he seems like he really has something
to say. Despite having lived in Italy
for some time Alejandro clearly hasn't
forgotten his Argentinian roots, his music
exudes 'latin-ness' - the song Buenos
Aires seems to passionately describe this
vibrant city.
A particular favourite
of mine is Tango de abril (Tango of April).
His classical, choral influences are obvious,
with a sound more familiar to my 'western'
ear. The minor melodies and classical
guitars blend perfectly and the track
sounds a bit more experimental than many
of the others, which appeals to me - variety
on a album is always welcome. I also really
enjoyed Buscando la clave (Finding the
key), again because I appreciated the
mix of instrumentation and vocals - guitars,
trumpets, sax, percussion and so on. I
do sometimes find 'latin' music to be
a little repetitive, but Alejandro has
found a good balance on this album, which
should help it appeal to a wider audience.
The
talent of the musicians on the album is
without question exceptional, many of
whom, presumably, are part of Mezcla Latina
and have thus played together for many
years, and it shows. Hats off also to
the production team, who've put together
a great sounding album. Nothing feels
out of place, with all the instruments
and vocals finding their place within
'the mix'.
This
is a diverse album with something for
everyone including some quieter, more
'thoughful' tracks, but it's also definitely
an album you can put on at a party and
turn the volume up. Vamos a bailar!
To
order a CD, check out: www.alejandrosaorinmartinez.it
www.downbrigge.it www.alosibla.it
NO
ALCANZAN PALABRAS PARA TI
YAMILA
GUERRA
Reviewed
by
Matt Bailey
No
alcanzan palabras para tí (There
are not enough words for you) is the
new album by Yamila Guerra. It's produced
by her brother Yamil Guerra and features
many talented musicians, including
conguero Luis Conte, drummer Jimmy
Branly, timbalero Raul Pineda, Rigoberto
Lopez on baby bass, and trombonists
Humberto Ruiz and Francisco Torres.
Yamila is a Cuban born singer (now
based in Los Angeles), actress, TV
host and dancer and is daugther of
the famous |
|
|
Cuban
singers Rosell y Cary. She graduated
from the Havana Ballet School and
Variedades Artisticas and has toured
many different countries, including
Spain, France, Portugal, Martinique,
Guadalupe, Mexico, Cuba and the U.S.
The
album consists of eight songs, three
of which are tributes to other great
Cuban artists - Celia Cruz with 'Quimbara',
Miguel Matamoros with 'The Paralytic'
and Celina González with 'Santa
Barbara (Changó)'.
Yamila
talks about her music being like fire
and bringing happiness to people and
you can easily get swept along with
this sentiment. Like most things Salsa
it exudes a certain passion and sexiness
and is wonderfully upbeat and vibrant.
Yamila is an accomplished singer and
carries the songs with ease. I'm not
a Spanish speaker myself and thus
don't understand most of the lyrics,
but this doesn't lesson the enjoyment.
My only criticism would be that, at
only eight songs, it feels a little
short. But that's hardly something
to complain about and I would recommend
this album to anyone with an interest
in all things 'latin' - it'll get
your feet tapping in no time!
To
order a CD, check out www.yamilaguerra.com
|
El
GATO SALSERO
JOSE
LUIS MORAN
Reviewed
by
Camille Gruber
|
El
gato salsero’s first track definitely
makes you want to jump on your feet
and start dancing! I first listened
to it in my car on my way to work
and it definitely put me in a great
mood for the rest of the day!
The album has 8 songs and a video
clip bonus. All the songs are great,
most of them energetic with a great
dancing rhythm and also some slower
ones, perfect for beginner salsa dancers.
My favourite one is track 3 “Fuiste
Tu”, very romantic. |
|
Jose
Luis Moran has been living in Madrid for
several years and his style is unique: a
fusion between rhythms from Venezuela (his
country of origin) and the Spanish salsa.
I
am in no way a salsa music expert and
cannot compare with many other albums
from the same genre but I definitely love
it and would recommend it to anyone who
wants to discover great salsa music to
dance and listen to. It combines all that
you would expect from a salsa CD!
To
order a CD, check out: www.myspace.com/joseluismoranContacto/Contrataciones
RANDY
PLAZA
LEGACIA
DE LA SALSA
Reviewed
by
Angie Parkinson
This
is a must buy album for all salsa
dancers. Each track is vibrant and
powerful. There are not many salsa
albums that contain such a lively
tempo from beginning to end, put this
in your CD player for a continuous
salsa dancing. Containing a powerful
percussion element with marvellous
vocals which has created this fabulous
album for the salsa dance scene.
The CD includes singers Hector Rey,
Jaime "Megui" Rivera, and
Mannix Martinez. |
|
The
CD also features the fabulous timbalero
Tito De Gracia, pianist Ceferino Cabán,
sax player Roberto Calderon, and trombonist
Jorge Diaz. All of the tracks, Amarte Es
Un Mito;Iluminame;Te Voy Amar;Siento Tu
Mano En Mi;Si Te Vas Panuelo De Lágrimas;
Ya No Mas; Se Me Ha Metido; En La Piel;
Una Vez Mas Se Marcho, I cannot choose one
track as a favourite, they are all extravagant.
An inspirational and traditional album that
is highly recommended.
SALSA.IT
COMPILATION VOL.6
BY
ALOSIBLA.IT
Reviewed
by Angela Parkinson
This
compilation of Latin music comprehensively
spans the traditional with the modern
in Latin music. An album greatly
produced by the well-known record
label Alosibla. The compilation
is diverse in that it contains a
successful mixture of well known
artists such as Oliver and Croma
Latina. The album begins with an
outstanding sax rhapsody by Francisco
Rojos & L.S.O. This track is
truly captivating and transports
you to the smoky taverns that you
see in Old Havana, Cuba. |
 |
The
saxaphonic sound explodes your feet to the
rhythm of the night. Buscando La Clave is
also a very powerful track that includes
a wonderful instrumental percussion element.
Balancing these fast and furious tracks
with the next three tracks of gorgeous,
smooth and relaxing tracks are Torna, Renacar
and El Aire Que Respiro, then getting you
ready for taking the tempo to a faster beat
with SueltaLa. The album continues with
a variety of modern and medium tempo tracks
of Cuando en el silencio, and Un Dia. It
then cleverly returns to a traditional Latin
music feel with Si Estuvieras, Pa' fuera
and Regalo, then mixes in some more modern
Latin rhythms with Valo' la pena, Buscala,
Sin Novias. To finish the compilation, they
revisit the traditional nostalgic Latin
rhythms with Tell Me Why and Tocame whilst
introducing a modern, futuristic and rapping
Latin style rhythm with Nena.
To
encapsulate, this album delivers a diverse
soundtrack that encompasses the traditional,
the modern and the futuristic styles of
Latin music. It will suit all latin enthusiasts
from young to old and is a must buy album.
GIRALDO PILOTO & KLIMAX - SALSA
TIMBA
SOLO
TU Y YO
by
Angela Parkinson
This
CD is a must buy for all those who
have a passion for Cuban music. The
album is vibrant and captures the
true Cuban rhythms. Each track has
its own individuality. La permuta
reminds me of musicians playing in
a Cuban street, and playing with true
passion, each track has a strong percussion
element but is very different in each
and every track. It is truly composed
well. The tracks are well balanced
and contain strong Cuban/Latin feeling
that makes you get up and dance. |
 |
I
can imagine a warm summers evening, in a
plaza and lots of people dancing and enjoying
the spirit of the music.
The CD does really inspire and ignite your
inner spirit. It mixes a traditional Cuban
style with a modern twist. Piloto cleverly
mixes two music styles in spectacular style,
to produce an album that incorporates a
twist on timba music.
To
order a CD, check out www.bismusic.com
ggeneral@bismusic.artex.cu
DAD ME AND
MUHAMMAD ALI
Is a truly inspirational book written by
Felix Rodriguez.
by Angela Parkinson
Felix draws on own his own life experience
of growing up in a single parent family.
Felix narrates a story about breaking
his Father's signed photograph of
Muhammad Ali. It shows the emotion
that is felt when his Father discovered
about the broken picture and how persistent
he was in making up to his father
with a visit to a bookstore to see
Muhammad Ali.
The book tells us about a wonderful
story of Father/Son relationship.
Chapter 3 tells us the emotion that
is felt, probably in most households,
when you break one of your parent's
prized possessions. You can feel the
anxiety and tension around the dinner
table, in wondering what his Father
was going to say or do. |
 |
Chapter
4 goes on to the story of how he will make
up the damage to his Father. The disappointment
in not winning the bid for the tickets to
the bookshop, then the constant phone calls
to the bookstore, his determination eventually
pays off. The next morning he wakes his
Father and tells him his surprise.
Throughout this powerful and emotional book
you cannot help feel a part of every chapter.
However, most importantly, his book carries
a message to all Fathers and Sons. It's
a story of a father/son relationship that
is truly inspirational and must for all
families to read and enjoy.
Particularly
heart-warming is Felix's special message
to the Champ. Additionally, there is Muhammad
Ali's Professional Boxing Record. You must
take the Aliologist test at the back of
the book, even better if you can do this
with your family. There's even a certificate
for you to sign. This book is an excellent
narrative and also interactive. Share this
book with your family and make it part of
your memories.
Author's
web site: http://www.dadmeandali.com/whats-new.html
You
can buy this book from booksellers or by
contacting
!Universe
1663 Liberty Drive
Bloomington
IN 47403
www.iuniverse.com
Also in amazon website: http://www.amazon.co.uk/DAD-ME-MUHAMMAD-ALI-Father/dp/1440146233/ref=sr_1_1?ie=UTF8&s=books&qid=1252748993&sr=1-1
LA
RUTA SIN FIN
by
Caroline.W.
• Debut album by Oliver
• 12 tracks of irrepressible salsa
salsaton and bachata
• Released by Alosibla Italy
Had
I any pretence of being a music critic,
I would probably snob at the idea
of including what is after all a commercial
CD into the ‘must have’
collection; thankfully, I have not
such concerns and I serenely admit
that this CD is among my favourite.
It must be clear from all this that
when I listen to this CD I tune completely
into it. It is for me one of those
CDs which, once it starts, you simply
can not turn off.
Salsa, Salsaton and Bachata are compiled
together on this CD. |
 |
The
introductory song salsa track “Tu
Decides” was clearly designed to be
a dance hit, track.
Some songs have a gentle swing, slow pace,
and hypnotic rhythm to them; they are meant
to be romantic love songs like .“Tus
ojos” , “Amame”, “Ay
amor”, “Amiga amante”,
a lovely Bachata tracks that will fill the
demand of the dance floor.
Having said that, this release should be
classified as a fairly good CD. First, it
is fully danceable, Salsa tracks very suitable
for beginners, with slow pace, clear beat
and very precise recording, which makes
the percussion crisp and unmissable.
Another CD that will please the versatile
listener, with a chance to sample different
styles of music.
Bachata is a very sensual and sexy dance,
you can just let your body move freely and
allow your body and soul drowns with the
music and rhythm. With this dance you can
show your passion and emotion and be transported
to a whole new world, the music based around
guitar is exciting, the dance has that distinctive
& sensuous body movement.
This
CD is available from www.alosibla.it
www.salsa.it
FARFALLA
TANGO TRIO
by
R.R
|
Farfalla,
a modern tango trio, mixes several influences
and sounds. Within their musical universe,
tango, drum n' bass and jazz peacefully coexist.
The intense and danceable beat appears betweeneach
interpretation as well as the sweet melodies
of the most classic tangos. Their debut album,
Farfalla Tango, will be on tour in Europe,
August through November this year. Before
I heard this album, one of the only genres
I was familiar with was tango. There are actually
other |
|
|
beautiful and haunting styles of music like
the upbeat milonga (similar to the tango,
but with a musical resolution unlike the "frustrated"
final note associated with tango)
This album is a great introduction to the
variation of styles played in contemporary
Argentina as well as traditional sounds.
The
CD begins with the “La Trampera”,
a fabulous opening for an album that just
continues to grow progressively more intriguing
with every track. The next track “Contrabajeando”
from famous Argentine composer Astor Piazzolla,
the best known innovator of the tango music
of the new millennium, extends the jazz influence
in the style.“Por una cabeza”
the sixth track of this album, made me think
of the arabals (slums) of Buenos Aires. I
could almost smell the cigarette smoke and
the red wine coming from a nearby tavern as
a smouldering couple provocatively swirls
around the dance floor, locked in apassionate
embrace. There
is also a wonderful tango from the era of
the 1910s-1930s (La Cumparcita).
Some
of my favorite tracks are: “El Choclo”
and “Por una Cabeza.
I strongly recommend owning this album. It
is for anyone who hasn't immersed themselves
in the beautiful music of Argentina, and for
people who already have a great love for the
music and the culture.
This
beautiful album will completely stir your
heart and move your soul.
This
CD is available from:
www.myspace.com/farfallatango
E :assahira@gmail.com
|
MI
RUMBA
Second
album by Croma Latina
10
tracks of irrepressible salsa made in Italy, released
in March 2009 by Alosibia edizione musicale
By
Susan Johnson
This
CD combines Romantic with classical salsa,
Mambo and Salsaton, delivered in Spanish and
Italian language.
Vocals are shared between great voices, such
as Estupinan Maxino, Rita, Joaquin Martin
Gonzales, Luisito Rosario, Rey El Vikingo,
Hector “El Father, Miguel Enriquez,
Ciclon Cubano, N’Taya and El Rubio Loco.
The record is filled out with solid brass,
driving percussion and spicy keyboard |
|
|
This
recording has such an irresistible swing that
once you listen to it, you have to play it
again and again. The CD starts with "VUELVE
A MI" a romantic salsa track writting
and interpreted by Estupinan Maxino, followed
by a salsa version of “AIRE/AIRE”
with the singer Rita, the group’s female
singer.
For the Latin Jazz lovers, this CD also include
a track written by Tito Puente “RAN
KAN KAN” interpreted by Alejandro Jesus
and Rey. The album ends with "SINTONIA
TOTAL", a timba track interpreted by
Miguel Enriquez Ciclon Cubano, N’Taya
and El Rubio Loco.
A
wonderful album in a variety of rhythms &
styles from some older standards to newly
composed numbers, each representing a different
area of Cuba. In general, this CD is approachable
and addictive, is a highly enjoyable salsa
at its best.
This
CD is available from www.alosibla.it
www.salsa.it
SIMPLEMENTE
FERNANDO
'Simplemente
Fernando' the debut album from the Uruguayan
dancer and choreographer Fernando Sosa, showcases
his talent as a singer/songwriter and poet.
By
Hanna Saunders
This
album begins with a spoken introduction
to the talented artists in collaboration
with Massimo Scalici, creating an intimate
feeling of a live performance. LA SABROSA
and DESCARGA TROPICALE pick up on his
jazz-band introduction, being reminiscent
of the musical stylings of Havana musicians
from a bigone era. LOCO POR VOS throws
us straight into lively, passionate,
sultry nights of summer, dancing and
having fun, swiftly followed by the
upbeat pop of LOCURA TG. The gentle
yearning love songs |
|
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CAROLINA
and AMORES, pick up the relaxing vibe
of summer romance and carefree days
spent in the sun an like the dance of
salsa itself, the duet of PALPITACIONES
hears the voices intertwine with love
and passion. The last track ZULMA, is
quiet and reflective, a poem dedicated
to Sosa's grandmother accompanied by
the piano.
The album as
a whole is energetic and passionate
and seems to follow the experience and
relationships in life, from which Fernando
Sosa has crearly drown inspiration from,
in this skilfully delivered and emotive
album.
This
CD is available from www.alosibla.it
www.salsa.it
|
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RIGO
Y SU OBRA MAESTRA "Latin Feeling"
Mix a tasty blend of rich rhythms to satisfy the dancers
By
Anna Saunders
|
If
ever you could label a salsa album ‘easy
listening,’ this album might qualify.
There’s enough spice on these numbers
to heat-up the blood of salsa aficionados
but the album’s real strength is in
the selection of approachable, danceable tracks
that will also appeal to a novice or more
mainstream audience.
Percussionists
Rigoberto Rodriguez and his Independent Record
Label Obra Maestra Records, has released this
perfect salsa album, Latin Jazz and Mambo,
9 tracks of irresistable salsa from Puerto
Rico.
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The
opening track, "Rumberos de Aqui"
is heavy on hot, snarling trumpets, with lyrics
straight from the barrio. The band reprises
the track at the close of the album is dancing
dynamite. "Reina De Mi Corazon" drives
me crazy and straight to the dance floor with
rhythmic breaks and masterful percussion.
For salsa fans that love Tito Puente’s
music, there are two salsa tracks with strong
jazz influence (Bailando Mambo Elegante, and
Rigo’s Mambo. This is a salsa album full
of quality tracks ensuring that those in need
of classic, mambo and hard salsa experience
will be well served.
This
CD is available from www.obramaestraonline.com
|
SALSA.IT
COMPILATION VOL.5
ALOSIBLA
By Georgina Nicoli
|
Salsa.it
Compilation is a collection of Latin music
from Italy. Latin music is truly a worldwide
force now and very popular in Italy. This
is the 5th release from this series, reflecting
the strength of the Latin music scene in Italy.
The track selection covers a wide spectrum
of Latin music. The group Caiman gives us
a Salsaton, the new hybrid music phenomenon
that blends Salsa and Reggaeton, with ‘Yo
Tengo Novia’. This sits alongside more
traditional Salsa numbers. |
|
Bachata
is also prominent in this release, reflecting
the popularity of Bachata at the moment.
The Salsa.it compilations were created to
promote new talent, as well as the regulars
to the compilation. As well Caiman, in this
volume we meet Croma Latina with ‘Por
Ella’, by permission of the Latin Europe
label. The new Cuban voice on the scene Moises
Fernandez provides the Salsa ‘Lo Bueno’.
Back again are Tony Velardi and Haban’Ahora
with 2 tracks, the Salsa ‘Gozando’
and the Bachata ‘Sin Tu Amor’.
Federica Oste returns with the Bachata ‘Noche
Sin Ti’. EuroCuban Project is welcomed
back with the bi-lingual ‘Shut Up’.
After achieving success recently, Myjkool
is also back with another bi-lingual ‘Never
Forget Me’. And there are many more.
European Latin music has a different sound
to music from Latin America that is unique
to the continent, I would describe as softer.
If you like this, or would like to sample
this sound, this is a good compilation to
have.
This
compilation is available from
www.alosibla.it
www.salsa.it
|
SALSA
PERFECTA VICTOR HUGO
By Georgina Nicoli
Salsa
Perfecta is the latest release from the UK’s
very own King of Salsa Victor Hugo. His 8th
solo release, it has something for everyone.
Mostly made up of fast & slow tempo Salsa
tracks, you will also find a mix of Son, Tropical,
a soft Bachata and a Son Guajira.
Taking the listener back to the heyday of
Salsa in the 1970’s, Sigues Siendo Tu
sounds reminiscent of the classic hit Oye
Como Va. The listener is then bought back
to the modern day |
|
| with
my highlight of the album the Salsaton La Mujer
(Perfecta). The inclusion of a Salsaton follows
the popularity of this new Latin music genre
created from the fusion of Salsa and Reggaeton.
This mix of old and new gives the album a traditional
yet contemporary feel.
This
is a unique album from a unique artist. The
energy of his live performances has transferred
well onto CD, making this a fun release.
Salsa
Perfecta is available from www.victorhugosalsa.com
|
SONANDO
- 'EL MONTUNO'
By Georgina Nicoli
A
real European-Latino band, Sonando is a collective
of musicians originating from far reaching
countries Venezuela, Cuba, Italy, France,
Germany and The Netherlands. El Montuno is
the third album from the French based band.
Written and produced independently, this release
has been well received worldwide.
Nearly every Latin music genre you can think
of can be found on this CD. The kings of versatility
give us high quality Bachata, Merengue, Timba,
Conga, Bolero, and of course plenty of Salsa.
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The
track listing ends with a Salsa-Hip Hop mix bonus
track, a fusion that has become so popular in recent
years.
Sonando’s
ability to successfully perform different musical
styles means all tastes can be catered for in one
purchase, and makes for a crowd pleaser at live
events. It is this trait that makes Sonando as a
band exciting and unique.
Sonando
will be performing their one & only UK live
show at The UK World Open Salsa Championship 2008.
NILS FISCHER & TIMBAZO – ‘¡GRACIAS
JOE CUBA!’
Featuring Brian Lynch, Alain Pérez &
José ‘Pepe’ Espinosa
By
Georgina Nicoli
| In
New York in the 60’s, Joe Cuba Sextet
was the big name on everyone’s lips.
They played to audiences night after night
and sold millions of records. Joe Cuba wrote
and performed several top 40 hits, making
him a household name. His popularity was not
only confined to the Latino community, but
spread to bring together different ethnic
groups.
Gracias Joe Cuba! (Thank you Joe Cuba!) is
Nils Fischer’s tribute to a legend.
The CD contains 17 Joe Cuba covers. |
|
Four
of
the songs come from the ‘Diggin’ The
Most’ record and the rest come from ‘Steppin’
Out’, ‘Comin’ At You’ and
‘Estamos Haciendo Algo Bien’. These
are covers but with a modern twist. This was Nils’s
vision for the album. He enlisted the help of Alain
Pérez, Jan Laurens Hartong and Holland’s
top Latin music arranger Marc Bischoff to realize
this vision. They have arranged the songs in a way
that gives these easily recognizable classics a
contemporary flavour. He wanted horns and aspects
of Jazz, Rumba, Salsa and Timba, not found in the
originals. As a percussionist, the rhythm section
has of course been given the Nils touch. This is
where his talent shines through.
Despite
being of German descent, he has been recognized
as producing a very authentic sound on this album.
Of course, this would never live up to the originals
but is an enjoyable album all the same.
For Sonando Interview please click
here
---------------------------------------------------------------------------------------
SALSA DANCE HITS: THE LEGENDARY FANIA RECORDINGS
Union Square Music
By Georgina Nicoli
GRUPO DANSON
By Georgina Nicoli
RAY RODRIGUEZ Y SWING
SABROSO – BAILA CON SWING SABROSO
By Georgina Nicoli
Lately,
we have reviewed albums that fuse a range
of Latin music genres. Now for the Salsa fan,
Baila con Swing Sabroso is Salsa through and
through. Having been raised in New York City’s
Spanish Harlem and Brooklyn, it is no surprise
that the New York Salsa created there by the
likes of Tito Puente and Ray Baretto has greatly
influenced Ray Rodriguez and his band’s
sound. This is honoured in their homage to
the two greats: Tito Puento and Ray Barretto.
Their love and respect for Tito Puente’s
music is represented in the aptly titled |
|
instrumental
‘Song for TP’. The big influence of
Ray Barretto is shown in their Barretto Medley,
made up of ‘Vive y Vacila’, ‘Bam
Bam Quere’ and ‘Manos Dura’. Being
a fan of the New York Salsa from the past, this
medley is my favourite part of the album. This nine
track album includes an English language number
‘You’re My Everything’, maybe
for the English speaking Salsa fans of which there
are many. Baila Con Swing Sabroso is the debut album
from Ray Rodriguez and his band. Experienced arrangers
Oscar Hernandes, Paquito Pastor and Willie Ruiz
have collaborated on this project. Ray Rodriguez
and his band have also enlisted a bit of help from
their friends Grammy Award Winner Dave Valentine,
Ray Vega, Pablo ‘Chino’ Nunes and Pequeno
Johnny. Their music has been described as ‘Salsa
Dura’ (hard Salsa) and definitely for dancers.
You are invited to dance with Swing Sabroso.
THE BEST OF
KACHIMBA 1551
by
Georgina Nicoli
|
A
great introduction to the band, this CD contains
15 tracks from Kachimba 1551’s repertoire.
It has a very modern, fresh sound, partly
due to the use of rap and DJ scratching in
a number of the songs. They sing in Japanese,
Okinawan language and Spanish. It isn’t
just salsa here. You will also find a cumbia
and a merengue. Kachimba 1551 have a strong
Cuban influence, which you can especially
hear in the Cuban folk-sounding ‘Flores’.
My favourite track has to be the relaxing
‘Ryuka’. |
|
|
It has a strong Japanese influence. It is
sung in Japanese and draws from Southeast
Asian music. The vocals have a sweet quality.
Sung over slow tempo drums and the sound of
waves, it serves to break up the lively songs
that dominate this album. |
This
5 track CD gives you a taste of Kachimba 1551’s
sound. Again, they sing in Spanish and Japanese
and Okinawan language. Track 4 ‘A Bailar
Punpun’ is a true example of their flexibility.
It is a Rock’n’Roll infused salsa,
something I have never heard before. Camino
Kachimba 1551 is a fun release, like all Kachimba
1551 CDs. |
|
Unabo
is another full album, sung in Spanish, Japanese
and Okinawan language. As well as their own
material, this release includes covers of
classics, like Quimbara and ‘Hey! Hey!
Tequila’ (their version of ‘Tequila’).
In ‘Hey! Hey! Tequila’, they substitute
the word Tequila for Kachimba, an example
of their fun approach to music. This CD showcases
the unique spin they put on classics, making
them their own. When I first heard Kachimba,
I was stunned. I’ve heard French salsa
but this is the first time that I’ve
ever heard Japanese, or should I say Okinawan,
salsa. They
fuse Cuban salsa with Southeast Asian
music. It could arguably be classed
as a sub-genre.
|
|
|
The Japanese female vocals have a sweet quality,
while fitting so well with the Latin rhythm.
Their sound is exciting because it is so new
to me. Also, Kachimba 1551 as a band is unique.
Not for salsa purists, they play with the
music and draw from a wide range of influences.
It never ceases to amaze me firstly the universal
power of Latin music to spread throughout
the world all the way to Japan, secondly that
a completely non-Latino band can pull off
salsa, thirdly how non-Latinos can sing in
Spanish as a second language with such ease
and finally how any language can sound so
at home on top of Latin rhythms. |
SEBASTIAN
SCHUNKE
| VIDA
PURA by Sebastian Schunke Orchestra |
by
Tony Beauchamp
This
most recent album of Sebastian Schunke is
an awesome presentation of the honey rich
voice of Olvido. Often breathless in its texture
the voice of this exquisite Cuban singer lends
richness and depth to the quality to Schunk’s
extraordinary compositions of jazz latin fusion.
Listening to her emotive vocals you can almost
feel her in the room.
As with Schunk’s album ‘Mouvement’
the production is outstanding in its clarity
and balance. The jazz element |
|
| seems
to shimmer between the main stream and avant
guard immeasurably enhanced by rhythmic excitement
introduced through Schunk’s masterly
use of extravagant time signatures. Schunke
talks about the use of son montuno 7/4 and
9/4 time signatures that typify his music.
The very quality that denies the dancer presents
a banquet of sound for the latin jazz enthusiast.
For
most of the album Felipe Cabrera and Lukmil
Perez lay down a faultless rhythm. Surely
a dream section for any soloist and the perfect
partnership for Sebastian Schunke?
The
twelve minutes given over to ‘Mouvement’
are introduced by Filipe Cabrera’s liquid
bass. A deceptive beginning, the tension builds
with vocal and trumpet and rifting piano and
then Schunk’s reintroduction and the
thick warm voice of Olvido.
As
a sometime horn player I poured years into
mastering the secrets of the saxophone only
to find myself craving the sharp contrast
of the trumpet. The contradictory muscle play
of the sax and trumpet embouchure dissuades
most horn players from trying to double on
these instruments. The best known artist,
the legendary Benny Carter to solo on both
achieved it by ‘only doing a bit on
the trumpet’. Mario Morejon is the exception
that proves the rule. I love his flowing trumpet
sound and ethereal soprano sax.
‘Melancholie’
opens with the subtle brush work of Philipp
Bernhard and smooth tenor sax of Dan Freeman.
The bass of Michael Haves and Schunk’s
stabs on the piano offer us a musical insight
into the urban landscape. Beautiful haunting
vocals from Olvido complete the picture.
With
Sebastian Schunke planning tours of Colombia,
Japan and China we have to ask why not the
UK? The success of latin sound from bands
like Turquino and the Banjofondo Band demonstrates
the appetite in the UK for latin music. I
can easily imagine Schunk and Olvido performing
at the RFH or the Sage in Newcastle, Ronnie
Scot’s or WOMAD.
Try
‘Vida Pura’!
|
| MOUVEMENT
by the Sebastian Schunke Orchestra |
by Tony Beauchamp
I
started listening to this album early on a
wet Sunday morning in Hackney. The senses
playing their own tunes and resisting the
urge to create a collective picture of reality.
The stream of solo motifs fitted my mood as
the music flowed together and synthesized
to wrap the day in a thoughtful coat of tranquility.
If I had expected anything of a record from
a piano player of Schunkes caliber it was
long developed piano solos supported by collaboration
with the finest backing artists . |
|
Expectations
confounded but not disappointed for one moment.
The piano is integrated into the compositions
where the power of each soloist is enhanced
by the overall instrumentation. Schunke is
superb in his virtuosity and blending of sounds.
The
latin feel of the album is skillfully communicated
by the commanding drumming of Lukmil Perez
and the bass of Felipe Cabrera but this is
not an collection of songs or dance tunes
but a total piece of music that flows flawlessly
from one masterful track into another.
Whether
'Mouvement', the name that the first track
lends to the album is intended to describe
the development of the composition or the
sense of making a way through space this is
good choice of names for piece that allows
the instrument to find and dominate their
own progress.
The
album opens with a rifting piano introducing
driving drums and beautifully paced bass taken
up by the fluent expressive trumpet of Mario
Hernandez Morejon. The voice of Olvido Castellano,
rich like Colombian coffee, joins the piece
as another instrument, helping to build this
textured and sensuous piece. No one soloist
dominates this piece. The tone is set for
an album of outstanding solo performances
woven together in a tapestry of contemplation.
Perhaps
my favorite track is Monk y Nino, compellingly
rhythmic vocals and trumpet push this piece
along riding securely on the drums and bass,
another chance for El Indio to display his
virtuosity before handing over to the flawless
horn of Peter Brainin.
The
intro of 'Herbst' offers a contrast with Olando
Poleo laying down the rhythm on congas for
Yodfat Miron on viola and Johannes Hentschel
on cello to flow between. Everything is control,
elegance and perfection. I have seldom heard
strings so well integrated into a jazz format.
The
semaphore bass of Cardenas drives the arrangement
of Zwiespalt where Schunk steps in to explore
the moods of the piano and Michael Haves electronics
swell and enrich the already heady brew.
The
outstanding feature of this album is the perfection
of the solo performances that combine to render
a faultless sound.
No
lover of Latin Jazz would want to be without
this in their collection! |
SALSA LOCA
- ‘AMOR CON AMOR’ -----------------------by
Georgina Nicoli
Listening
to this CD you would assume you were listening
to a European Salsa band with a lead singer
from one of the Latin American countries.
However, you would be surprised to discover
that the lead vocalist is as Danish as you
can get. A blond woman called Signe. Most
Salsa bands are made up of Latinos living
in Europe, or at least a mix of local musicians
and local musicians of Latino origin. However,
Salsa Loca is made up solely of local Danish
musicians. This is very unique and proves
the power of Salsa as a |
|
| universal
style of music. Despite this fact, Salsa Loca’s
music sounds unbelievably authentic. Although
Signe comes from a Classical music backgound,
Salsa vocals seem to come so naturally to
her. The first release from the band, this
‘Mini-CD’ is compiled of 3 tracks,
each of high quality. This is energetic Salsa,
strictly for dancing to. Salsa Loca’s
musical style is catchy fun Salsa, with a
definite European sound. That sound that gives
much importance to the instruments. Instruments
used in Salsa like brass (trumpets, trombones
and flute), piano and bass and the timbales
originate from Europe, so it is natural for
these elements to play a particularly big
part in European Salsa. A little warning to
the Salsa purists out there. Although this
is pure Salsa, Salsa Loca also experiment
with their sound. They use electronic effects
on the vocals of ’Salsa Loca’,
fusing the traditional with the modern. In
’El Amor De Mis Suenos’, they
use an African tribal dance intro, very unusual
for a Salsa band. I've only really heard it
used by modern Cuban Hip Hop artists like
Orishas. Once you have heard this CD, you
will know why it has won such critical acclaim.
|
CONEXTION LATINA |
| The
CD cover of Conexion Latina’s ‘MAMBO
Nights’ with the band and title picked out
in orange neon and a neon sign showing a pair of
dancing legs in a mambo step suggest a album packed
with dance numbers for the dance enthusiast, an
album to find a top spot in any DJ’s play
list at salsa clubs ‘Mambo Nights’,
opens with a horn break and leads us into a stunning
trumpet solo by Dusko
Goykovich followed by driving percussion breaks
and outstanding horn arrangement that set the tonefor
this beautifully arranged album.
The horn arrangements dominate the whole album and
moving the music as being its most prominent feature,
truly
|
|
exciting, harmonically thrilling and executed by undeniably
talented and
skillful musicians.
|
Osvaldo
Farjado sings ‘Flotando en el Aire’
in a lyrical groove that is pushed along by backing
vocals that give the number a tension to hold the
listener and grip the dancer. Gil Kaupp’s
muted trumpet sits exquisitely in this track, the
opening notes evocative of the Miles Davis, what
could be better?
I
loved the piano solo by Jesse Milliner that opens
‘Alna’s Connexus’ and presents
a formidable challenge to Bobby Shew on trumpet,
met with the confidence of a true master. The track
is taken out by Felipe Rengifo on timbales and offers
us a feast of virtuoso accomplishment.
On
Hace Rato the vocal rifting gives a latin warmth
to the furious instrumental display. Check the one
tenor sax solo on the album offered by guest artist
Lutz Hafner.
Conexion
Latina was formed in the 1980 by trombonist Rudi
Fuesers and has from its inception been a collaboration
of musicians from all over Latin America and the
Caribbean. The sound of Conexion Latina at the centre
of the a genre of Latin Jazz/Salsa. The highly talented
musicians of Conexion Latina are joined on this
album by number of outstanding guest soloists who
guarantee the outstanding musical quality each track.
Alberto
Naranjo joins Conexion Latina on this project as
musical director. The leader of the Venezuelian
band ‘El Trabuco Venezolano’ has proved
himself again as a master of dynamics and phrasing
in bringing in such an accomplished musical enterprise.
This
album, recorded in 2000 is musical prize for any
lover of Latin Jazz. The horn arrangements give
the music a feel of the 1990’s. Nothing in
the production is less than masterful.
An
album for any jazz or latin enthusiast.
|
TIEMPO
LIBRE - ‘LO QUE ESPERABAS
(WHAT YOU’VE BEEN WAITING FOR)’
by Georgina Nicoli
Tiempo
Libre are back with their second album. The ambassadors
for Timba music have brought the genre back to life
yet again with this release. They named it ‘What
You’ve been Waiting For’ as a dedication
to their fans, who on attending their concerts tell
them their music
|
|
is
what they have been waiting for having never heard
Timba music before. There is more variety on this
album compared to the first album. As well as Timba,
you will also find a modern Cha Cha Cha and a Bolero.
The theme of the immigrant experience so strong
in their first album is carried on in this album.
The nature of this experience that is a paradox
of painful yet hopeful is expressed in a number
of tracks. ’Tengo Que Olvidarte’ talks
of forgetting as a way to deal with the pain of
leaving behind a precious homeland that you may
never return to. In ’A Bayamo En Coche’,
they change the words of this Cuban classic towards
the end of the song singing "and now I’m
on my way to Miami by boat". This is another
Tiempo Libre tradition that they have continued
in this album, to include one cover of a Cuban classic
among original songs. They have given this classic
Cuban song a contemporary twist of their own. The
rest of the tracks are co-written by all the band
members. They have that big band sound as you would
expect with a high quality sound. The vocals are
great and the rhythms infectious. This album is
just so much fun. I think even more fun than the
first! |
|
ALEX
TORRES Y SU ORQUESTA - '25 TO LIFE'
by Georgina Nicoli
25
to Life refers to how long Alex Torres has been
making Latin music with his orchestra for. This
theme runs through the album sleeve. With thanks
to the Amsterdam New York police department, each
band member has been photographed as inmates, accompanied
by a list of their offending crimes. They serve
different sentences but all are to Life, representing
their passion for performing music which
|
|
|
will
last
all their lives. This is a clever, and funny, idea
for an album sleeve. Their years of experience can
be heard in their music. Their brand of Salsa reminds
of classic traditional Salsa. I can hear the influence
of Salsa from Puerto Rico and Cuba, and ofcourse
New York Salsa. I can especially feel the Cuban
influence in the track ‘Locamente Enamorado’.
The song ‘Suite Cuna Tropical’ is a
dedication to Puerto Rico. Although this is predominately
a Salsa album, it is not purely a Salsa album. It
also features two Merengue tracks and one Cumbia,
with a reference to its country of origin Colombia.
All songs are sung in the Spanish language, except
for ‘King Cash’ sung completely in English.
This is great for those who do not know Spanish.
It is also important for its brave social commentary.
It addresses the ever growing importance given to
making money in a society that has forgotten how
to love and teaches to think about number one. It
also speaks out against the Iraq war. The album
ends with a Reggaeton remix of the opening track
‘La Ropa Esta En El Baul’. No album
seems complete nowadays without a Reggaeton infused
track. But I’m not complaining. This is a
great album of a high quality. |
| JORGE
CORDERO - ‘LATINO’
--------------by
Georgina Nicoli
With
the images of Cuba on the album sleeve and the ‘Cuban
All Stars’ stamp on the back, you can guess
that Jorge Cordero is Cuban. The ‘Cuban All
Stars’ stamp also gave me high hopes for this
album. I was not disappointed. Jorge Cordero and
his Team Latino band got their big
break way back in 1992.
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|
Since
then, they have made a name for themselves touring,
recording five albums and winning awards, including
the Danish ‘World Music Award’ in 2000.
'Latino' was released in 2004 and is Jorge Cordero's
latest album. His sound is definitely Latino. His
brand of music is an innovative mix of Hip Hop,
Pop, Salsa and Timba. It is classed as Salsa, but
drawing from such a wide spectrum of music, I feel
I cannot pigeon-hole this album into solely the
Salsa category. His music has a very modern feel
and sound to it throughout the album, for example
the use of raps and the ’Soul Cut’ of
the opening track ’Todo Sigue Igual’.
The songs are catchy and up-beat. This album is
well sung, of a good quality and great to listen
(and dance) to.
|
CACHE - 'THE TORONTO SESSIONS'
by
Georgina Nicoli
Cache
is a Salsa band, based in Canada. This is the band's
second album. Through their album, they give us
a taste of as they call it 'sabor de Toronto' (the
flavour of Toronto). All songs are in the Spanish
language, except for 'Diablita' which is sung in
English. The inclusion of 'Diablita' is great for
English speakers whose Spanish isn't 100%. The song
is about a devil woman, who he is hopelessly in
love with. Although this is predominately a Salsa
album, there is one Cumbia song 'Vuelve
A Mi Carnaval', also with the use of steel bands.
So, as well as the flavour of Toronto, this album
gives us a serving of the flavour of Colombia. The
album ends with an instrumental called 'Willy's
Theme (At Another Level), unusual compared
to
other
Salsa albums we have received. |
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This is an example of their unique sound and independence.
I can tell you the flavour of Toronto is spicy and
of a good quality. |
PANCHITO - ‘RESURRECCIÓN’
by Jazzis(israel)
This
is one of those completely anonymous albums that
put a smile the size of a moon on my face. Panchito
are a Dutch nonet, led by guitarist Andre van Berlo,
who also composed and arranged all the music, which
plays Latin jazz. So what's the big deal you ask?
Well the big deal is what is played and how it's
played. There are countless Latin jazz bands around
the globe, between Cuba and Timbuktu, which beat
the hell out of their congas, but only very few
of these bands can make Salsa sound like Art. What
the members of Panchito lack in
their genes (none of them seem to be of Cuban heritage)
they amply compensate in their ability to play and
improvise.
The
European musical heritage of preciseness and clarity,
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combined with the fire in the soul is in this case
an overwhelming success. There is none of the sloppiness
often found in Latin jazz, which can be charming
sometimes but often quite annoying. Every note here
is clean as a whistle and exactly right. And if
you think this stuff is an anemic version of Irakere,
you are dead wrong â just listen to the music
and you won't be able to stop yerbuty from sheikin'.
Just pour yourself a long drink, put this album
on full volume, relax and close your eyes and off
you go to tropic paradiseâ
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| HATUEY
- ‘LLEGO EL MOMENTO’ by Georgina
Nicoli Hatuey
may be from Sweden but they are a Salsa band devoted
to the music of Cuba and other Caribbean countries.
Their devotion is felt in the rhythms of this lively
album and their musical references to Cuban classics.
For example, in ’Cerca De Ti’ they sing
the line ‘dos gardenias para ti‘.The
black and white photos set in what looks like Cuba
used in the booklet that accompanies this CD, compliments
this nostalgia for the music of days gone by. |
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brand of Salsa marries these traditional properties
of the genre with modern aspects, like their use
of the sound of a DJ scratching a record. The way
they sing reminds me of the type of vocals found
in modern day New York based Salsa. While this album
is a Salsa album, other modern musical genres from
other Caribbean islands are called upon, also giving
their music a contemporary sound. The track ’Wagga
Wagga’ features a steel band and a Reggae
rap. It is the only track to include English lyrics,
on the raps, while the rest of the album is in Spanish.
Their song ’Salsa de Puerto Rico’ has
been given what they have termed as a ’Pleneton’
remix at the end of the album. ’Plene’
refers to the traditional Puerto Rican instrument
and the ’ton’ is for the Reggaeton inspired
raps inserted onto the track. This is a great old
meets new Salsa album to make you dance.
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DEL DONGO - ‘DESTINATION
AMAZONE’
by Georgina Nicoli
‘Destination
Amazone’ is the first purely Salsa release
from French band Deldongo. While his first release
‘Superstar ‘was a mix of Salsa, Groove,
Soul, Cha Cha Cha and Pop songs, this is a four-track
Salsa single. Definitely for all the Salseros out
there. Deldongo’s brand of Salsa is unique,
maybe thanks to his background in Jazz and Soul.
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As
well as a great vocalist, he is skilful pianist
able to play in a whole range of styles. He really
is destined for the Amazon with this release. The
tracks have a tropical feel to them. It is no surprise,
therefore, that the Spanish language song ‘Hermano
de tu Tierra’ was received so well in Peru.
It holds a beautiful message of brotherhood between
all the people of the world, a theme of peace and
love that runs through Deldongo‘s music. As
on ‘Superstar‘, he sings in French and
Spanish, but mostly in French this time. While ‘Superstar’
totals up more Spanish language songs than French,
three out of the four songs on this CD are in French
and the last in Spanish. This is, then, what Deldongo
calls ’French Salsa’ rather than Salsa
made in France. While other Salsa bands based outside
of Latin America use the Spanish language in their
music, Deldongo uses his native French. The smooth
French lyrics sound so at home with the Latin vocal
arrangements and beats that it sounds natural, like
a match made in heaven. He also sounds at home with
the Spanish language. All the tracks are composed,
produced and arranged by Deldongo himself. He creates
hip, high quality, feel good music, meant for dancing
to. I suggest you get hold of this.
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