¿Que Pasa? in New York

 

¿QUE PASA? MAGAZINE USA

"LA EPOCA: THE PALLADIUM ERA"



ABOUT THE FILM "LA EPOCA"

Countless times, we've heard the names of Celia Cruz and Tito Puente, but how many times have we heard the names of the musicians who played the music that made them sound so good? "La Epoca" will certainly expose the legends supporting those big names!

What is the Mambo? Who really-really created the Mambo since there are several figures who are often credited with being originators of the Mambo, like Israel "Cachao" Lopez, Perez Prado, Beny More, Tito Puente and Cuban legend Arsenio Rodriguez - so then, who really is the creator of the Mambo? We have the answer documented on film. What is Salsa? Which is Cuban and which isn't? Which rhythms are Puerto Rican, Dominican or Panamanian? What's guajira, guaguancó, montuno, son-montuno, cha-cha-chá and are they just rhythms or are they dances?
Many of the Latin musician legends such as Celia Cruz, Tito Puente and Arsenio Rodriguez are no longer living, but their enormous contributions to the Afro-Cuban era remain! There are STILL a handful of Latin musician legends and offspring of internationally renown legends from this era who have already been interviewed for this amazing film including Luis Mangualand Jose Mangual, Jr (both of whom are sons of

Palladium-era percussionist Jose Mangual, Sr), Ileana Santamaria (daughter of internationally known percussionist Mongo Santamaria), Alfonso "El Panameño" Joseph (bassist of blind, Cuban mega-legend Arsenio Rodriguez for 8 years and the last two albums of Arsenio), Julian Lianos (lead vocalist of Arsenio Rodriguez), Juan "Chiripa" Emilio (trumpet player whom performed with Celia Cruz), Leo Flemming (bassist whom performed with Tito Puente), as well as Freddy Rios and Mike Ramos from the Palladium Mambo Legends dance-duo.

There have been several films, recently, which touch upon the "Palladium" times, in New York City, which mentioned many other Latin legends like Machito, Beny Moré, Perez Prado, Tito Rodriguez, and many others. But, "La Epoca" will take it much, much further into the stories and the inside-never-heard-before informative details of the Mambo origins, the relationship between the musicians and most importantly, the legendary musicians who were behind the scenes of the major band-leaders. In addition, the film covers the argumentative points-of-view between Dancing on the "1" vs. Dancing on the "2."

Who were these musicians and the dancers? What were they like? What inspired them? What made them sound so good and dance so great? Who did they perform with? Who competed with whom? These are just some of the questions answered in "La Epoca," about Arsenio Rodriguez, Celia Cruz, Tito Puente, Tito Rodriguez, Machito, Johnny Pacheco, Alfonso "El Panameño" Joseph Yomo Toro, Israel "Cachao" Lopez, Miguelito Valdez, Doc Cheetham, Alfredo "Chocolate" Armentero, Mauricio Smith, Richie Ray, Marcelino Guerra and others.

In fondest memory of Israel "Cachao" Lopez

Cachao, who died the morning of March 22 in a Florida hospital, was a Cuban bassist and composer, who was instrumental in turning Arsenio Rodriguez's "mambo" rhythm of the "danzon" into the extended mambo rhythm of present day.

During the Palladium-era, there were only 2 bassists that shared the most in-demand style of many orchestras in the New York music scene: Cachao and Alfonso "El Panameno" Joseph - both whom have worked with Tito Puente, Celia Cruz, Machito and many others. In fact, during the early 1960's, while Cachao was performing with Machito's Orchestra, Alfonso "El Panameno" was performing and recording with Candido Camero - and when Alfonso left Candido's band to join Johnny Pacheco, Cachao took his place as Candido's bassist.

"Cachao's name was mentioned very often in my family and he'll be missed," says Executive Producer Josue Joseph of La Epoca, "Cachao was scheduled to be interviewed for the film on the afternoon of April 16, '08 - hearing the news of his death makes me even more sad, not only because he was a man that I've respected, but also because I've lost an opportunity to document his legacy and share it with the world. It is a great loss for all of us."

Cortesia OF www.laepocafilm.com

Share