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The Palladium Has a Thousand Stories – Part 2

The “Big Three” Dance Acts of the Palladium



By Michael Terrace & Peter Settimelli
From New York City

Unsure that Elita might not be ready for a big club date, Mike expressed his wariness to Margo who assured Mike that Elita’s pulchritude and stage presence would win their audience.

The notices for Augie and Margo from the New York Press as such a venue can generate, led to many future opportunities that, in addition to the inevitable Hollywood route, included a command performance before the King and Queen of England and John F. Kennedy and Richard Nixon at the White House during their terms as President of the United States.

They were the only dance team from the Palladium that ever danced for the Queen of England or any President. In 1955, Michael Terrace met Elita Cleveland in San Juan,

Puerto Rico, while Michael along with his then-partner, a ballerina from the Robert Joffrey ballet company, opened for Tony Martin in his nightclub show.

Michael who was married once before and convinced he would never wed again. When he was introduced to Elita he was so immediately smitten that he recalls proposing matrimony on the spot. After several moments of meditation, Elita blithely answered `yes.’Elita happened to see Michael prior when he was featured in the off-Broadway show Safari and years later when prompted to recall how she and Michael and met, she quipped:
“I met Michael while I was on vacation in Puerto Rico and that was the last vacation I ever had.”

As an ex-marine with nearly no dancing experience, Michael began to frequent Roseland
the Arcadia ballrooms. As he was considered to be a very handsome Latin, women were said to jump at the chance to meet and dance with him. Unfortunately for him, Michael only knew one step that he repeated so often the girls would eventually drop him and run.

Michael started losing his self-confidence as a dancer. Heeding the suggestion of a friend to go to Dale’s dance studio and apply for on the job training course as a dance teacher. Michael applied as an instructor to Dale’s and the director asked him if he was Spanish, where he answered immediately “yes’ thinking it was important.

The director said, “you must be a terrific rumba dancer” to that Michael again answered `yes.’ The director brought in a female dancer to test with Michael but after thirty seconds interrupted the dance and , despite declaring that he was les than impressed with Michael’s performance, made this assessment:
“You’re a great looking guy and the women will love you, so we’ll put you in a training class where you’ll learn to teach and dance.”

Following this inauspicious start, Michael Terrace proved to be a fast learner and in one year was the best dancer there.

Michael would count among his professional achievements the role of Bernardo in a national company of West Side Story and more recently, consultant to Eleanor Bergstein’s global musical production of her 1987 screen success Dirty Dancing.
As a point in fact, Ms. Bergstein has been oft-quoted as citing Michael Terrace as the chief inspiration for Patrick Swayze’s character Johnny Castle.
Today, Michael and Elita Terrace continue to professionally teach ballroom dancing and
dance socially at least three evenings a week.Mrs. Terrace is active as a painter, mainly in the media of oil and water-color.

End part 2


©
Michael Terrace
Saturday, 02-Oct-2010

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