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The Palladium Has a Thousand Stories

JOE VEGA



By Michael Terrace &
Elita Gutierrez
From New York City


Joe Vega became a legendary dance figure at the Palladium Ballroom, appreciated for his authentic latin style who started out as a fighter and soon realized that being a punching bag in the ring was not for him.

Joe Vega was born in Puerto Rico on December 13, 1921 and came to America at the age of ten.
At that venerable age being brought up in Spanish Harlem, he learned to survive by fast moving feet and even faster fists. Avoiding the mixture of gangs was the prime concern of his family and they kept a visual on him with a stern hand.

After graduating from high school, he decided to make boxing his career and at the age of 21 he turned professional. He received very good notices for being lighting fast on his feet. At the gymnasium. Jack Dempsey once said,” If I had those feet I never would have lost that fight with Gene Toney.” Joe was known as one of the minutemen in boxing, able to appear in the ring at the drop of a hat.
On many occasions he was called to replace a boxer who for some reason at thelast minute was not able to make the fight.

With fast moving feet and natural grace it was no surprise when his interest turned to the dance floor. Joe became more interested in dancing when he learned that dancing was the best way to meet girls, after all, the main event in boxing is one on one compared to a dance event with five girls to one guy. So conquering the dance was first and uppermost in his mind and he turned to his sister to teach him, but got no where since she was not a teacher just a good dancer. She told him “you’ll never learn you got no rhythm”.

Next, he tried going dancing picking up a step here and there, but it wasn’t enough. At one of the dances he over heard a young man say “I’m going to Arthur Murray’s and their going to train me to dance and teach and in six weeks I’ll be earning money and dancing with beautiful girls”.

Joe wondered who the hell Arthur Murray. He asked around the dance floor and got the answer he didn’t want to hear “who’s going to teach a guy with two left feet and train him to be a teacher, what a joke” Not fazed, the macho in him came out when he muttered under his breath, “you dumb gringo don’t you know that all Puerto Ricans have dancing in their blood”.

Joe was determined to continue his quest and one day found out that American ballrooms had free dance lessons and one of the places was the Roseland Ballroom on Broadway and 50th Street a place where Latino’s rarely went and in those times were not welcomed.

His pride and boxing confidence took over and he decided to and take the free lesson. Entering the Roseland he immediately observed that two of the bouncers were pointing at him, so he immediately walked over to them and said, “ I only want to dance so back off” Surprised at the balls he had, they walked away.

Taking in the surroundings, he was aware that the Roseland offered him corny music and catered to a snobby crowd. Many of the men were in suits and the women in Betty Bop dresses. While viewing them, they were eyeing him with their noses in the air and once they were on the floor he saw that they danced that way too.

Not put off, Joe was one of the first to join the complimentary dance lesson. Olga, a well known dance studio owner, immediately spotted Joe as a good looking Latino and picked him out to demonstrate the basic step in the Rumba. Joe is elated but nervous yet the demonstration turns out to be the learning experience Joe needs.

Olga is surprised that her choice knows nothing about his ancestral dance; she does realize, however, that with training his latin good looks would be a one- two punch for her studio. At the end of the lesson she invites Joe to join her table and once again Joe is thrilled.

Olga is an outstanding dresser and a glamour girl far different than any female Joe has ever met.
Olga knows every body in who’s who of the world of dancing. Joe is delighted and feels he is hob knobbing with the elite dancers and teachers of Broadway. This elation brings him to the realization that this is exactly the world he wants to be in. He didn’t know if he could keep up with these new people who were a world apart from his Latino friends, yet he is in awe with the sparkles of the new element. Joe has no idea what he’s in for in this new world of the dance.

And as Joe started to learn the name of the game, sell- sell- sell, be charming always dress well be flirtatious and dance.

Olga saw the potential in Joe to be a dancer and salesmen for her studio and she proceeded to tell Joe that he had a great future in dancing but also, had to earn it by dedication and understanding of the business, and by selling the dance to the well to do and sometimes to the not so well.

But she also pointed out to Joe that he had to get rid of the chip on his shoulder and understand that the prejudices that were around would fade one day and being a tough guy belongs in the ring not on the dance floor. Joe’s stubborn streak and chip did not go away and in a way was one of his attractions for the women and his hardness was clear to the guys.

The Palladium Has a Thousand Stories – (continued) click here

©
End part 1
Michael Terrace &
Elita Gutierrez

Sunday, 27-Nov-2011

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